The Schoolhouse Gallery

494 Commercial Street
MA 02657 Provincetown, Massachusetts
United States
Phone : 5087352151
Email : mike@galleryschoolhouse.com
URL : www.galleryschoolhouse.com

About

Alternate Text

Elise Ansel Fire Fangled Feathers II
A consideration of the Wallace Stevens poem, ' Of Mere Being'

Alternate Text

Elise Ansel Ariadne II

Alternate Text

Elise Ansel Veronese's Venus VIII

Alternate Text

Francis Olschafskie Flowers, London

Alternate Text

Richard Saja She is Moving to Describe the World
Saja’s work focuses on creating “interferences” of the formal patterns of French toile, vintage tapestries and fabrics of his own design through embroidery

Alternate Text

Richard Saja Can't Get There From Here

Alternate Text

Richard Saja Flamer

Alternate Text

Richard Saja Him Again

Alternate Text

Francis Olschafskie Anna with Flowers, Paris

Alternate Text

Francis Olschafskie Elephant

Alternate Text

Francis Olschafskie Pershing Square, New York

Alternate Text

Ted Kincaid Cloud No. 4517

Alternate Text

Ted Kincaid Cloud No. 41317

Alternate Text

Ted Kincaid Cloud No. 41619

Alternate Text

Ted Kincaid Cloud No. 41119

Alternate Text
Alternate Text
Alternate Text
Alternate Text
Alternate Text
Alternate Text
Alternate Text
Alternate Text
Alternate Text
Alternate Text
Alternate Text
Alternate Text
Alternate Text
Alternate Text
Alternate Text
About the Artist

Oil Painting on Linen 48 x 60" 2022

More info
x

ELISE ANSEL was born and raised in New York City. Ansel received a BA in Comparative Literature from Brown University in 1984. While at Brown, she studied art at both Brown and the Rhode Island School of Design. She worked briefly in the film industry before deciding to make painting her first order medium. Ansel has exhibited her work throughout the United States and in Europe. Her works are held in the permanent collections of the Museum of Contemporary Art in Krakow, the Bowdoin College Museum of Art and the Evansville Museum of Arts and Sciences. She is represented by galleries in New York, London, Connecticut, Santa Fe, and Detroit.


Oil on Linen 44 x 50in 2022

More info
x

ELISE ANSEL was born and raised in New York City. Ansel received a BA in Comparative Literature from Brown University in 1984. While at Brown, she studied art at both Brown and the Rhode Island School of Design. She worked briefly in the film industry before deciding to make painting her first order medium. Ansel has exhibited her work throughout the United States and in Europe. Her works are held in the permanent collections of the Museum of Contemporary Art in Krakow, the Bowdoin College Museum of Art and the Evansville Museum of Arts and Sciences. She is represented by galleries in New York, London, Connecticut, Santa Fe, and Detroit.


Oil on Linen 50 x 40in 2022

More info
x

ELISE ANSEL was born and raised in New York City. Ansel received a BA in Comparative Literature from Brown University in 1984. While at Brown, she studied art at both Brown and the Rhode Island School of Design. She worked briefly in the film industry before deciding to make painting her first order medium. Ansel has exhibited her work throughout the United States and in Europe. Her works are held in the permanent collections of the Museum of Contemporary Art in Krakow, the Bowdoin College Museum of Art and the Evansville Museum of Arts and Sciences. She is represented by galleries in New York, London, Connecticut, Santa Fe, and Detroit.


Color Photograph

More info
x

FRANCIS W. OLSCHAFSKIE has exhibited nationally and internationally, including the Museum of Modern Art, Paris; the Isentan Museum, Tokyo, the Greek Ministry of Culture, Athens, the Tisch School at NYU, New York, the Robert Hull Fleming Museum in Vermont, the Photographic Resource Center in Boston, the Fine Arts Work Center and artStrand Gallery in Provincetown, MA.

In 2014, Francis Olschafskie’s work was exhibited in the “Message and Means” exhibition at Columbia University. The exhibition is a review of the work of the influential MIT Media Lab’s Visible Language Workshop. In 2011, as part of “Paris Photo”, Francis’s work was featured in an exhibition entitled EXPOSITION ÉCLATS DE PHOTOGRAPHIE at le musée Adrien Mentienne , Bry-sur-Marne.

In March of 2009 Francis’s work was included in the exhibition ‘Artists Books as Culture’ at the Center for Book Arts in NYC. In 2007 he was honored and presented an honorarium at the state of the city address by the mayor of Bry Sur Marne in France for his work at the Daguerre Association. In 2008 Olschafskie’s photographs were placed in the Special Collections of the Bodleian Library at Oxford University.

Francis Olschafskie did his graduate work at the Media Laboratory at the Massachusetts Institute of Technology, and his undergraduate studies in Photography at Massachusetts College of Art. He has been a faculty member at New York University, the School of Visual Arts, in NYC, The International Center of Photography in NYC, the University of Massachusetts at Amherst and Boston University where he has taught graduate and undergraduate courses in Photography, Art History and Digital Technology.


Embroidery on Toile Fabric 26 x 20" 2021

More info
x

RICHARD SAJA is an artist making work in Catskill, New York. After first attending the University of the Arts in Philadelphia to study surface design, he devoted his studies to the great books of Western Civilization at St Johns College in Santa Fe, NM and received a BA as a math and philosophy major. After a brief stint working as an art director on Madison Ave., all his interests coalesced and a small design firm, Historically Inaccurate Decorative Arts, was born in the early aughts.

Though he occasionally feels the need to explore avenues of expression beyond that of the needle, the majority of Saja’s work focuses on creating “interferences” of the formal patterns of French toile through embroidery.

He has exhibited internationally with shows in New York, Paris, London and Berlin and the National Museum of Embroidery in South Korea and his work has recently been exhibited at the Museum of Fine Arts Boston and the Toile de Jouy Museum in Josas, France.


Embroidery on Upholstery Fabric 31 x 35"

More info
x

RICHARD SAJA is an artist making work in Catskill, New York. After first attending the University of the Arts in Philadelphia to study surface design, he devoted his studies to the great books of Western Civilization at St Johns College in Santa Fe, NM and received a BA as a math and philosophy major. After a brief stint working as an art director on Madison Ave., all his interests coalesced and a small design firm, Historically Inaccurate Decorative Arts, was born in the early aughts.

Though he occasionally feels the need to explore avenues of expression beyond that of the needle, the majority of Saja’s work focuses on creating “interferences” of the formal patterns of French toile through embroidery.

He has exhibited internationally with shows in New York, Paris, London and Berlin and the National Museum of Embroidery in South Korea and his work has recently been exhibited at the Museum of Fine Arts Boston and the Toile de Jouy Museum in Josas, France.


Embroidered floss on linen toile 28 x 36"

More info
x

RICHARD SAJA is an artist making work in Catskill, New York. After first attending the University of the Arts in Philadelphia to study surface design, he devoted his studies to the great books of Western Civilization at St Johns College in Santa Fe, NM and received a BA as a math and philosophy major. After a brief stint working as an art director on Madison Ave., all his interests coalesced and a small design firm, Historically Inaccurate Decorative Arts, was born in the early aughts.

Though he occasionally feels the need to explore avenues of expression beyond that of the needle, the majority of Saja’s work focuses on creating “interferences” of the formal patterns of French toile through embroidery.

He has exhibited internationally with shows in New York, Paris, London and Berlin and the National Museum of Embroidery in South Korea and his work has recently been exhibited at the Museum of Fine Arts Boston and the Toile de Jouy Museum in Josas, France.


Embroidered floss on linen 33 x 39"

More info
x

RICHARD SAJA is an artist making work in Catskill, New York. After first attending the University of the Arts in Philadelphia to study surface design, he devoted his studies to the great books of Western Civilization at St Johns College in Santa Fe, NM and received a BA as a math and philosophy major. After a brief stint working as an art director on Madison Ave., all his interests coalesced and a small design firm, Historically Inaccurate Decorative Arts, was born in the early aughts.

Though he occasionally feels the need to explore avenues of expression beyond that of the needle, the majority of Saja’s work focuses on creating “interferences” of the formal patterns of French toile through embroidery.

He has exhibited internationally with shows in New York, Paris, London and Berlin and the National Museum of Embroidery in South Korea and his work has recently been exhibited at the Museum of Fine Arts Boston and the Toile de Jouy Museum in Josas, France.


Color Photograph Various sizes

More info
x

FRANCIS W. OLSCHAFSKIE has exhibited nationally and internationally, including the Museum of Modern Art, Paris; the Isentan Museum, Tokyo, the Greek Ministry of Culture, Athens, the Tisch School at NYU, New York, the Robert Hull Fleming Museum in Vermont, the Photographic Resource Center in Boston, the Fine Arts Work Center and artStrand Gallery in Provincetown, MA.

In 2014, Francis Olschafskie’s work was exhibited in the “Message and Means” exhibition at Columbia University. The exhibition is a review of the work of the influential MIT Media Lab’s Visible Language Workshop. In 2011, as part of “Paris Photo”, Francis’s work was featured in an exhibition entitled EXPOSITION ÉCLATS DE PHOTOGRAPHIE at le musée Adrien Mentienne , Bry-sur-Marne.

In March of 2009 Francis’s work was included in the exhibition ‘Artists Books as Culture’ at the Center for Book Arts in NYC. In 2007 he was honored and presented an honorarium at the state of the city address by the mayor of Bry Sur Marne in France for his work at the Daguerre Association. In 2008 Olschafskie’s photographs were placed in the Special Collections of the Bodleian Library at Oxford University.

Francis Olschafskie did his graduate work at the Media Laboratory at the Massachusetts Institute of Technology, and his undergraduate studies in Photography at Massachusetts College of Art. He has been a faculty member at New York University, the School of Visual Arts, in NYC, The International Center of Photography in NYC, the University of Massachusetts at Amherst and Boston University where he has taught graduate and undergraduate courses in Photography, Art History and Digital Technology.


Color Photograph Various sizes

More info
x

FRANCIS W. OLSCHAFSKIE has exhibited nationally and internationally, including the Museum of Modern Art, Paris; the Isentan Museum, Tokyo, the Greek Ministry of Culture, Athens, the Tisch School at NYU, New York, the Robert Hull Fleming Museum in Vermont, the Photographic Resource Center in Boston, the Fine Arts Work Center and artStrand Gallery in Provincetown, MA.

In 2014, Francis Olschafskie’s work was exhibited in the “Message and Means” exhibition at Columbia University. The exhibition is a review of the work of the influential MIT Media Lab’s Visible Language Workshop. In 2011, as part of “Paris Photo”, Francis’s work was featured in an exhibition entitled EXPOSITION ÉCLATS DE PHOTOGRAPHIE at le musée Adrien Mentienne , Bry-sur-Marne.

In March of 2009 Francis’s work was included in the exhibition ‘Artists Books as Culture’ at the Center for Book Arts in NYC. In 2007 he was honored and presented an honorarium at the state of the city address by the mayor of Bry Sur Marne in France for his work at the Daguerre Association. In 2008 Olschafskie’s photographs were placed in the Special Collections of the Bodleian Library at Oxford University.

Francis Olschafskie did his graduate work at the Media Laboratory at the Massachusetts Institute of Technology, and his undergraduate studies in Photography at Massachusetts College of Art. He has been a faculty member at New York University, the School of Visual Arts, in NYC, The International Center of Photography in NYC, the University of Massachusetts at Amherst and Boston University where he has taught graduate and undergraduate courses in Photography, Art History and Digital Technology.


Color Photograph Various sizes

More info
x

FRANCIS W. OLSCHAFSKIE has exhibited nationally and internationally, including the Museum of Modern Art, Paris; the Isentan Museum, Tokyo, the Greek Ministry of Culture, Athens, the Tisch School at NYU, New York, the Robert Hull Fleming Museum in Vermont, the Photographic Resource Center in Boston, the Fine Arts Work Center and artStrand Gallery in Provincetown, MA.

In 2014, Francis Olschafskie’s work was exhibited in the “Message and Means” exhibition at Columbia University. The exhibition is a review of the work of the influential MIT Media Lab’s Visible Language Workshop. In 2011, as part of “Paris Photo”, Francis’s work was featured in an exhibition entitled EXPOSITION ÉCLATS DE PHOTOGRAPHIE at le musée Adrien Mentienne , Bry-sur-Marne.

In March of 2009 Francis’s work was included in the exhibition ‘Artists Books as Culture’ at the Center for Book Arts in NYC. In 2007 he was honored and presented an honorarium at the state of the city address by the mayor of Bry Sur Marne in France for his work at the Daguerre Association. In 2008 Olschafskie’s photographs were placed in the Special Collections of the Bodleian Library at Oxford University.

Francis Olschafskie did his graduate work at the Media Laboratory at the Massachusetts Institute of Technology, and his undergraduate studies in Photography at Massachusetts College of Art. He has been a faculty member at New York University, the School of Visual Arts, in NYC, The International Center of Photography in NYC, the University of Massachusetts at Amherst and Boston University where he has taught graduate and undergraduate courses in Photography, Art History and Digital Technology.


Color Photograph 22 dia, 24 x 24 paper, 26 x 26 framed

More info
x

TED KINCAID is exhibited and collected nationally and has received considerable critical attention for his photographically based work. He has been reviewed in ARTFORUM, ARTPAPER and ART ON PAPER and is included in the permanent collections of the Dallas Museum of Art, the Museum of Fine Arts in Houston, the Museum of Fine Arts in San Antonio, the Neiman Marcus Collection, American Airlines, the Belo Corporation, the Microsoft Corporation, Pfizer, Inc, Reader’s Digest Corporate Collection, the City of Seattle, Washington, the U.S. State Department and the Human Rights Campaign Headquarters in Washington, DC.
His work has been seen in many gallery exhibitions and is in numerous museum and corporate collections, as well as a number of commissions, including designing the cover for Neiman Marcus’ The Book twice, a large 22 foot mosaic for DFW International Airport’s Terminal D, and a two story mammoth cloud canvas that anchors Dallas’ Omni Convention Center Hotel.

Over the course of two decades, Kincaid has systematically subverted the notion of an objective photographic record. As his art continues to explore the play between painting and photography, Kincaid is one of several artists creating a new painting informed by photo-imagery and a new photography influenced by painting. The artist has explored this conceptual discourse through multiple series of work, deftly riding the line between the construction of totally manufactured images that bear the aesthetic of seemingly straightforward photographic images and actual photographs that buzz with vibrant palettes almost too fantastic to be considered plausible.


Color Photograph 22 dia, 24 x 24 paper, 26 x 26 framed

More info
x

TED KINCAID is exhibited and collected nationally and has received considerable critical attention for his photographically based work. He has been reviewed in ARTFORUM, ARTPAPER and ART ON PAPER and is included in the permanent collections of the Dallas Museum of Art, the Museum of Fine Arts in Houston, the Museum of Fine Arts in San Antonio, the Neiman Marcus Collection, American Airlines, the Belo Corporation, the Microsoft Corporation, Pfizer, Inc, Reader’s Digest Corporate Collection, the City of Seattle, Washington, the U.S. State Department and the Human Rights Campaign Headquarters in Washington, DC.
His work has been seen in many gallery exhibitions and is in numerous museum and corporate collections, as well as a number of commissions, including designing the cover for Neiman Marcus’ The Book twice, a large 22 foot mosaic for DFW International Airport’s Terminal D, and a two story mammoth cloud canvas that anchors Dallas’ Omni Convention Center Hotel.

Over the course of two decades, Kincaid has systematically subverted the notion of an objective photographic record. As his art continues to explore the play between painting and photography, Kincaid is one of several artists creating a new painting informed by photo-imagery and a new photography influenced by painting. The artist has explored this conceptual discourse through multiple series of work, deftly riding the line between the construction of totally manufactured images that bear the aesthetic of seemingly straightforward photographic images and actual photographs that buzz with vibrant palettes almost too fantastic to be considered plausible.


Color Photograph 22 dia, 24 x 24 paper, 26 x 26 framed

More info
x

TED KINCAID is exhibited and collected nationally and has received considerable critical attention for his photographically based work. He has been reviewed in ARTFORUM, ARTPAPER and ART ON PAPER and is included in the permanent collections of the Dallas Museum of Art, the Museum of Fine Arts in Houston, the Museum of Fine Arts in San Antonio, the Neiman Marcus Collection, American Airlines, the Belo Corporation, the Microsoft Corporation, Pfizer, Inc, Reader’s Digest Corporate Collection, the City of Seattle, Washington, the U.S. State Department and the Human Rights Campaign Headquarters in Washington, DC.
His work has been seen in many gallery exhibitions and is in numerous museum and corporate collections, as well as a number of commissions, including designing the cover for Neiman Marcus’ The Book twice, a large 22 foot mosaic for DFW International Airport’s Terminal D, and a two story mammoth cloud canvas that anchors Dallas’ Omni Convention Center Hotel.

Over the course of two decades, Kincaid has systematically subverted the notion of an objective photographic record. As his art continues to explore the play between painting and photography, Kincaid is one of several artists creating a new painting informed by photo-imagery and a new photography influenced by painting. The artist has explored this conceptual discourse through multiple series of work, deftly riding the line between the construction of totally manufactured images that bear the aesthetic of seemingly straightforward photographic images and actual photographs that buzz with vibrant palettes almost too fantastic to be considered plausible.


Color Photograph 22 dia, 24 x 24 paper, 26 x 26 framed

More info
x

TED KINCAID is exhibited and collected nationally and has received considerable critical attention for his photographically based work. He has been reviewed in ARTFORUM, ARTPAPER and ART ON PAPER and is included in the permanent collections of the Dallas Museum of Art, the Museum of Fine Arts in Houston, the Museum of Fine Arts in San Antonio, the Neiman Marcus Collection, American Airlines, the Belo Corporation, the Microsoft Corporation, Pfizer, Inc, Reader’s Digest Corporate Collection, the City of Seattle, Washington, the U.S. State Department and the Human Rights Campaign Headquarters in Washington, DC.
His work has been seen in many gallery exhibitions and is in numerous museum and corporate collections, as well as a number of commissions, including designing the cover for Neiman Marcus’ The Book twice, a large 22 foot mosaic for DFW International Airport’s Terminal D, and a two story mammoth cloud canvas that anchors Dallas’ Omni Convention Center Hotel.

Over the course of two decades, Kincaid has systematically subverted the notion of an objective photographic record. As his art continues to explore the play between painting and photography, Kincaid is one of several artists creating a new painting informed by photo-imagery and a new photography influenced by painting. The artist has explored this conceptual discourse through multiple series of work, deftly riding the line between the construction of totally manufactured images that bear the aesthetic of seemingly straightforward photographic images and actual photographs that buzz with vibrant palettes almost too fantastic to be considered plausible.