Alex Katz Azaleas on Yellow

Jedd Novatt Chaos Moscow 5

Alex Katz Peonies
Peonies, 2021
Archival Pigment inks Print Edition of 100 Innova Etching Cotton Rag 315 gsm print paper
47 x 34

Alex Katz Purple Tulips 2
Alex Katz (b. 1927)
Purple Tulips 2, 2021, (47/100)
Archival Pigment inks Print Edition of 100 Innova Etching Cotton Rag 315 gsm print paper
47 x 34 x 2 in

Alex Katz Red Dogwood 1
Alex Katz (b. 1927)
Red Dogwood 1 from The Flowers Portfolio, 2021
Archival pigment print on Innova Etching Cotton Rag 315 gsm paper
34 x 47 in

David Salle OVERUNDER (PORTFOLIO), Yellow
David Salle
OVERUNDER (PORTFOLIO), Yellow, 2021
Archival pigment ink print, hand varnished on Innova Etching Cotton Rag 315 gsm
42 x 42 x 2 in

David Salle OVERUNDER (PORTFOLIO), Pink
David Salle
OVERUNDER (PORTFOLIO), Pink, 2021
Archival pigment ink print, hand varnished on Innova Etching Cotton Rag 315 gsm
42 x 42 x 2 in

David Salle OVERUNDER (PORTFOLIO), Red
David Salle
OVERUNDER (PORTFOLIO), Red, 2021
Archival pigment ink print, hand varnished on Innova Etching Cotton Rag 315 gsm
42 x 42 x 2 in

David Salle OVERUNDER (PORTFOLIO), White
David Salle
OVERUNDER (PORTFOLIO), White, 2021
Archival pigment ink print, hand varnished on Innova Etching Cotton Rag 315 gsm
42 x 42 x 2 in

David Salle OVERUNDER (PORTFOLIO), Blue
David Salle
OVERUNDER (PORTFOLIO), Blue, 2021
Archival pigment ink print, hand varnished on Innova Etching Cotton Rag 315 gsm
42 x 42 x 2 in

Russell Young Brigette Bardot (Yellow)
Russell Young
Brigette Bardot (Yellow), 2007, (12/20)
Screenprint in colors on wove paper
28.75 x 37 in

Gabriel Delgado Binary [Code]
Gabriel Delgado
Binary [Code]
22 x 30 in
Ink and Graphite on Strathmore Watercolor Paper
2022

Joan Miró Plate VI from Espriu
Joan Miro (1893 - 1983)
Plate VI from Espriu, 1975, (/50)
Aquatint and etching with engraving in colors with carborundum
41.30 x 35.50 in

Plate VI from the portfolio of nine works to illustrate Poems by Salvador Espriu. Published by Sala Gaspar, Barcelona in 1975 and printed by J.J. Torralba, Rubi (Barcelona). Signed by the artist and numbered from the edition of 50 plus proofs.


Catalog Raisonne:
1. Cramer, Patrick. Joan Miró, The Illustrated Books: Catalogue Raisonné. Geneva: Patrick Cramer, 1989. Listed and illustrated as catalogue raisonné no. 197.
2. Dupin, Jacques. Miró Engraver Vol. III 1973-1975. New York: Rizzoli International Publications, 1989.Listed and illustrated as catalogue raisonné no. 874.

Gabriel Delgado History of Bitcoin
Gabriel Delgado
History of Bitcoin
2022
Ink and Graphite on Strathmore Watercolor paper mounted on canvas
48 x 48 inches

Pablo Picasso Carnaval
Pablo Picasso (1881 - 1973)
Carnaval, 1965, (7/160)
Linocut in colors
29.40 x 24.20 in

Linocut in colors from 1965. Signed in pencil, lower right and numbered from the edition of 160 (there were also approximately 35 artist's proofs. Printed on Arches paper and published by Le Patriote, Nice, France.

LITERATURE:
Bloch, 1193;
Baer, 1356

Pablo Picasso Faune et Vieux (Le Vieux Boffon)
Pablo Picasso (1881 - 1973)
Faune et Vieux (Le Vieux Boffon), 1963, (35/50)
linocut on colors
25.20 x 20.90 in

Faune et Vieux (Le Vieux Boffon) (The Old Jester). Linocut in colors from 1963 on Arches wove paper. Published by Galerie Louise Leiris, Paris
Literature: Baer 1338, 2nd plate, II B presumably b (of b). Bloch 1152 (there with title 'Le vieux Roi')

Miss Bugs Algorithm Chamber Prisms
Miss Bugs
Algorithm Chamber Prisms, 2021
Hand cast polyurethane crystal resin on wood and aluminum - with aerosol and silk screen
66.90 x 47.20 in

Miss Bugs Lolly Specimen Cabinet
Miss Bugs
Lolly Specimen Cabinet, 2021
Cabinet Displaying 21 Unique PU Resin, Medical Lollies
23.60 x 42.90 in

Miss Bugs Lolly Specimen Cabinet
Miss Bugs
Lolly Specimen Cabinet, 2021
Cabinet Displaying 21 Unique PU Resin, Medical Lollies
23.60 x 42.90 in

Alex Bernstein Goldwing
Alex Gabriel Bernstein (b. 1972)
Gold Wing
Cast and Cut Glass
20 x 48 x 3 in

Alex Bernstein Steel Wheel
Alex Gabriel Bernstein (b. 1972)
Steel Wheel
Cast and Cut Glass | Fused Steel
18 x 18 x 3 in

Damien Hirst Skull Spin Painting
Damien Hirst (b. 1965)
Skull Spin Painting, 2009
Acrylic on paper
27.87 x 20 in

Created with public collaboration at the Damien Hirst Spin Workshop to celebrate the opening of Requiem at the PinchukArtCentre, Ukraine.

Bears Hirst stamped signature and inscription ‘This painting was made by to celebrate the opening of Damien Hirst, Requiem, at the PinchukArtCentre on Damien Hirst [stamped signature] © Damien Hirst’ to verso with ‘Hirst’ blindstamp.

This work was created at the opening of Requiem at the PinchuckArtCenter in Kiev. A comprehensive retrospective featuring 100 works spanning 1990-2008, the artist commemorated the event by installing four “Spin Painting Machines” in the complex center. During the first two days of the exhibition, visitors were invited to create their own works of art using the machine. Hirst and several studio assistants were on hand to help, and the completed works were stamped with the event details and a place for the visitor to sign their name.

Damien Hirst Heart Spin Painting
Damien Hirst b.1965
Heart Spin Painting
2009
acrylic on paper
21 h × 20¼ w in53 × 51 cm

Created with public collaboration at the Damien Hirst Spin Workshop to celebrate the opening of Requiem at the PinchukArtCentre, Ukraine.

Bears Hirst stamped signature and inscription ‘This painting was made by to celebrate the opening of Damien Hirst, Requiem, at the PinchukArtCentre on Damien Hirst [stamped signature] (c)Damien Hirst’ to verso with ‘Hirst’ blindstamp.

This work was created at the opening of Requiem at the PinchuckArtCenter in Kiev. A comprehensive retrospective featuring 100 works spanning 1990-2008, the artist commemorated the event by installing four “Spin Painting Machines” in the complex center. During the first two days of the exhibition, visitors were invited to create their own works of art using the machine. Hirst and several studio assistants were on hand to help, and the completed works were stamped with the event details and a place for the visitor to sign their name.

Damien Hirst Circle Spin Painting
Damien Hirst b.1965
Circle Spin Painting
2009
acrylic on paper
20½ dia in

Created with public collaboration at the Damien Hirst Spin Workshop to celebrate the opening of Requiem at the PinchukArtCentre, Ukraine.

Bears Hirst stamped signature and inscription ‘This painting was made by to celebrate the opening of Damien Hirst, Requiem, at the PinchukArtCentre on Damien Hirst [stamped signature] (c) Damien Hirst’ to verso with ‘Hirst’ blindstamp.

This work was created at the opening of Requiem at the PinchuckArtCenter in Kiev. A comprehensive retrospective featuring 100 works spanning 1990-2008, the artist commemorated the event by installing four “Spin Painting Machines” in the complex center. During the first two days of the exhibition, visitors were invited to create their own works of art using the machine. Hirst and several studio assistants were on hand to help, and the completed works were stamped with the event details and a place for the visitor to sign their name.

Damien Hirst Butterfly Spin Painting
Damien Hirst b.1965
Butterfly Spin Painting
2009
acrylic on paper19¾ h × 26½ w in
50 × 67 cm

Created with public collaboration at the Damien Hirst Spin Workshop to celebrate the opening of Requiem at the PinchukArtCentre, Ukraine.

Bears Hirst stamped signature and inscription ‘This painting was made by to celebrate the opening of Damien Hirst, Requiem, at the PinchukArtCentre on Damien Hirst [stamped signature] (c)Damien Hirst’ to verso with ‘Hirst’ blindstamp.

This work was created at the opening of Requiem at the PinchuckArtCenter in Kiev. A comprehensive retrospective featuring 100 works spanning 1990-2008, the artist commemorated the event by installing four “Spin Painting Machines” in the complex center. During the first two days of the exhibition, visitors were invited to create their own works of art using the machine. Hirst and several studio assistants were on hand to help, and the completed works were stamped with the event details and a place for the visitor to sign their name.

Joan Miró La fronde
Joan Miró 1893–1983
La fronde
1969
etching, aquatint and carborundum in colors on Arches
42 h × 27½ w in (107 × 70 cm)
Signed and numbered to lower edge ‘48/75 Miró’.
This work is number 48 from the edition of 75 published by Maeght Éditeur, Paris.
literature: Dupin 501

Joan Miró L'Adorateur Du Soleil
Joan Miró 1893–1983
L'Adorateur Du Soleil
1969
etching, aquatint and carborundum in colors on Arches
41⅜ h × 26⅝ w in (105 × 68 cm)
Signed and numbered to lower edge ‘HC Miró’. This work is an hors commerce print apart from the edition of 75 published by Maeght Editeur, Paris.
Provenance: Lawrence Tanner Graphic Arts, Evanston, IL | Private Collection
literature: Dupin 483

Jedd Novatt Chaos San Sebastián
Jedd Novatt (b. 1958)
Chaos San Sebastián, 2008, (AP I/II)
Bronze sculpture with black patina
39.70 x 27.50 x 25.50 in

RETNA - Los Mayas

Damien Hirst H9-4 Politeness

Pablo Picasso Vallauris 1958 Exposition
Images Size: 25 1/8 in x 21 in (63.8 cm x 53.34 cm) Sheet Size: 31 1/2 in x 25 1/2 in (80 cm x 64.8 cm) Signed in pencil, lower right. Picasso created this bright and colorful exhibition poster to commemmorate an exhibition at Vallauris, France in 1958. Picasso spent many years working with Suzanne and Georges Raime in their Maura ceramic studio located in Vallauris and he was supportive of the town's annual exhibition. In 1958, Picasso chose to create a linocut in 3 bright primary color. He signed it in the plate and this example is also signed, lower right, in blue crayon and numbred from the edition of 175 (plus 25 proofs), lower left. Printed and published by Arnéra, Vallauris. Reference: Baer 1050; Bloch 1284