Capturing the essence of being female through a prism of intrigue, humor, and absurdity, Patricia Schnall Gutierrez offers a fresh perspective on the narratives that shape women’s lives. She believes that women have been oversimplified and misrepresented throughout eras in media and art history. Navigating the illusion between past and present, Patricia creates a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.

These emotions, she contends, need not be simplified, as they occur simultaneously in the lives of individuals. Themes of identity, feminine roles, child rearing, and aging are used as threads in the weaving of her own experiences.

Patricia’s feminine-based approach extends beyond drawing and painting to include sculpture, installation, performance, and film. While her drawing and painting are intentionally calculated, her sculptures and installations are freely associative, exploring what it means to be feminine. Her performances and films poetically capture collective female consciousness, recording the stories of herself and women in her community. By layering materials and objects, she draws viewers into deliberate dialogues that probe questions about female roles and experiences.

To witness Patricia approach her work is to see a consummate artist in action. As if in dialogue, she is a dancer, or method actor, stepping up to and into the piece. She intently focuses while making sweeping gestures, brushing away strokes, and returning to diligently render a still image. A still image, yes, but with so much movement, it is as if not only her intent, but also her body is in the very body of her work.

Patricia follows and breaks convention at the junction between those two seemingly opposing forces, offering a perspective uniquely culled from her years as a keen observer of life around her and her own experiences through art. In her world, the mundane transforms into the extraordinary, infusing the everyday with unexpected twists.

This transformation is a testament to her multidisciplinary approach, which considers the relationship of material, process, and outcome. Her selection of mediums and methods, both used independently and combined, translates into questions and reflections on the diverse facets of being female in a world nuanced with challenges. Her work addresses the need for society to honor women fiercely for their many roles.

PATRICIA SCHNALL GUTIERREZ
United States

EDUCATION

1988 New York Studio School of Drawing, Painting and Sculpture, New York, NY
1977 State University New York at Buffalo, B.F.A. (cum laude) Buffalo, NY

SELECTED SOLO EXHIBITIONS

2024
Remember Me, Burchfield Penney Art Center, Buffalo, NY
Love Me Now, Aldo Castillo Gallery, Estero, FL
Patricia Schnall Gutierrez - Charcoal, Black Ship Gallery, May - July 2023, Miami, FL

2022
Patricia Schnall, Oil Paintings, Black Ship Gallery, Miami, FL

2021
Patricia Schnall, Drawings and Paintings 2019 - 2021, Black Ship Gallery, Miami, FL

2019
Blue, Short Film Screening and Artists talk, RPM Projects, Faena Miami Beach, Miami Beach, FL
Fresh Out of the Oven, &gallery, Miami, FL

2017
Uninterrupted, &gallery, Miami, FL
The House Inside My Head, Boca Raton Museum of Art, RPM Project Collaborative, Boca
Raton, FL

2015
Housewife Diaries, 6th Street Container, Miami, FL

2014
Anne-Marie Was Here, the Screening Room, RPM Project Collaborative, Miami, FL

2013
Body, Maps and Territories, Personal Geographies, Aluna Art Foundation, Miami, FL

2012
Domestic Duality, Florida Atlantic University, Jupiter, FL

2010
Patricia Schnall Gutierrez, HB Home, East Hampton, NY

2008
Patricia Schnall Gutierrez, Lurie Gallery, Miami, FL

2005
Patricia Schnall Gutierrez, Puccio Gallery, New York, NY

2003
Patricia Schnall Gutierrez, Maurice M. Pine Gallery, Fair Lawn, NJ

2002
Patricia Schnall Gutierrez, Paterson Museum, Paterson, NJ

2001
Patricia Schnall Gutierrez, Hopper House, Nyack, NY

1999
Womanhood, Studio 4 West Gallery, Piermont, NY

SELECTED GROUP EXHIBITIONS

2023
Female Figuratively, OMSA Gallery, Southwest Ranches, FL
Exposed, Art and Culture Center Hollywood, Hollywood, FL
Drawing From Nature, Pinecrest Gardens, Pinecrest, FL
Belt of Venus, Collective 62, Miami, FL
The BluPrnt Show, Bridge Red Studios, Miami, FL

2022
ArtistsStand4 UKRAINE, Fountainhead Studios, Miami, FL
Exposed, Art nd Culture Center/Hollywood, FL

2021
Geometry, Color & Rhythm, Mitte Projects, Miami, FL
Art in Craft Media, Burchfield Penney Art Center, Buffalo, NY
Exposed, Art and Culture Center/Hollywood, FL

2020
Home Sweet Home, Hartvest Project, PInecrest, FL
Exposed, Art and Culture Center/ Hollywood, Hollywood, FL
Play Me, Mitte Projects and Wynwood Arts 29, Miami, FL
Chandelle, Art Up Concepts, Fort Lauderdale, FL

2019
(716) ART auction, Burchfield Penny Art Center, Buffalo NY
Artists Draw their Studios, Art and Culture Center/Hollywood, FL Hollywood, FL
Exposed, Art and Culture Center, Hollywood, FL
The Moon in the Mirror, Nonoska Huerta Gallery, Aluna curatorial collective, Miami, FL

2018
Dual Roles, Art and Culture Center/Hollywood, Hollywood, FL
Rocking Chair Sessions 1-50, Audrey Love Gallery, BAC, Miami, FL
Habitat, Work by RPM Project, Art and Culture Center/Hollywood, Hollywood, FL
Plush, Art and Culture Center/ Hollywood, Hollywood, FL
Exposed, Art and Culture Cente/Hollywood, Hollywood, FL

2017
Aqua International Art Fair, Cancio Contemporary, Miami Beach, FL
Aqua International Art Fair, & Gallery, Miami Beach, FL
Woman Behind the Threads, Bossa Gallery Design District, Miami, FL

2016
SATELLITE Art Fair, &gallery, Booth 11, Miami Beach, FL
Intersectionality, Museum of Contemporary Art - Miami, curated by Richard Haden, Miami, FL
You Can Only Understand From A Distance, Triad Gallery, RPM Project, London, UK
Furtherance, & Gallery, Andrea Nhuch, Bianca Pratorius, Patricia Schnall Gutierrez, Miami, FL
Me, Me, Me: New Study of Self Portrait, curated by Luky Cancio, The Laundromat, Miami, FL

2015
Albion Hotel - Rubell Boutique Hotel, Sunday, 12/6/2115, Selected installations, curated by
Robert M. Acree. Miami Beach, FL
Aqua Art Miami, Cancio Contemporary, Booth 120, Miami Beach, FL
The Artists of Art Salon: A Collective Dialogue , curated by Elle Shoor, The Armory, West Palm
Beach, FL
Dali and MeRochi , MACArt curated by Rochi Lianeza, Fort Lauderdale, FL
Abracadabra, Art and Culture Center, invited artist, Hollywood, FL
The Reunion, Audrey Love Gallery, Miami, FL
Annual Interest, Young At Art Museum, invited artist, Davie, FL

2014
Biennial: Outside The Box, Appleton Museum of Art, Installation, Ocala, FL [catalogue]
Errance Provencale, Carpentras, France
Running Free, Like Never Before, Ft. Lauderdale, FL
Annual Interest, Young At Art Museum, Hollywood FL
The Collectors Fair, Miami, FL
Identities In Transit, Aluna Art Foundation, Miami, FL

2013
AQUA Art Fair, Cancio Contemporary, Miami Beach, FL,
Stuffed, Morean Arts Center, St. Petersburg, FL
Fresh Paint Party, LASR Art, Midtown Miami, Miami, FL
Oneiric - Beyond Consciousness, Audrey Love Gallery, Miami, FL
62nd Annual All Florida Juried Competition and Exhibition, Boca Museum of Art, Boca Raton,
FL [catalogue])
Papering, Audrey Love Gallery, Miami, FL
Collage, Swenson Gallery, BAC, Miami, FL
MADA New Media, Art Wynwood, RPM Project, Dot FiftyOne Gallery, Miami, FL
Altered Landscape, Lowe Art Museum, Featured Artist, University of Miami, FL
Whiskey and Rye, The Nightclub, Miami Design District, Miami, FL
Incognito, Patti and Joe Baker Naples Museum of Art, Featured Artist, Naples, FL
Annual Interest, Knight Gallery - Young At Art Museum, Hollywood FL
Who Does She Think She Is, Delray Beach, FL

2012
Anne-Marie Was Here..., RPM Project, The Screening Room, Miami, FL
Context – Art Miami Art Fair, Cancio Contemporary, Miami Art Basel, Miami, FL
IRREVERSIBLE Magazine - Cover Feature 2012 Winners Exhibition, WEC, Miami,FL
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
Memorias del Oikos, La Casa Re-Presented, Centro Cultural Espanol, RPM Project, Miami, FL
Art Live Fair, RPM Project, Coconut Grove Convention Center, Miami, FL
From Cutler To Paris, Deering Estate, Cutler Bay, FL
Wrapt Attention, Gallery 18, Pembroke Pines, FL
Appropriated Gender, Ft. Lauderdale, FL
Biennial: Florida Installation Art, Appleton Museum of Art, Ocala, FL [catalogue]
Boca Raton Museum of Art - 61st Annual all Florida Juried Competition, Boca
Museum of Art, Boca Raton, FL [catalogue]
Women’s Perspectives, Dina Mitrani Gallery, Miami, FL

2011
Biennial Six, Museum of Florida Art, Deland, FL
Wynwood Art Festival, RPM Project, Margulies Art Warehouse, Miami, FL
Bare Essentials: Minimalism in the 21st Century, Woman Made Gallery, Chicago, IL
Structured, Audrey Love Gallery, Miami, FL
Mid Summer Night’s Dream, Audrey Love Gallery, Miami, FL
Boca Raton Museum of Art - 60th Annual All Florida Juried Competition and Exhibition, Boca
Raton Museum of Art, Boca Raton, FL
What Appears to Be, Patricia Schnall Gutierrez, Cheryl Maeder and Gerry Stecca, LMNT
Gallery, Miami, FL
Note, Art Box Gallery, Indianapolis, IN
Incognito, Naples Museum of Art, Naples, FL
Art and Sole, Audrey Love Gallery, Miami, FL
Texas National 2011, Cole Art Center/ SFA State University School of Art, Nacogdoches, TX
The Conversation Starts Here, Graham Center Art Gallery, Miami, FL
Florida International University, Miami, FL
Friends of Art, Lowe Art Museum, Miami, FL

2010
AQUA Art Fair, Cancio Contemporary, Miami, FL
Sin, Audrey Love Gallery, Miami, FL
The Dolls House, The Women’s Park, Miami, FL
RUTA, Juried Exhibition honoring Mexico’s Bicentennial, Miami, FL
Boca Raton Museum of Art - 59th Annual all Florida Juried Competition, Boca Museum of Art,
Boca Raton, FL
Florida Contemporary 2010, Naples Museum of Art, Naples FL
Pryor Fine Art, Atlanta, GA
MIA Art Fair 2010, Miami Beach Convention Center, Miami Beach, FL

2009
AQUA Art Fair, Cancio Contemporary, Miami, FL
RED DOT Art Fair, D&G Art Design Gallery, Miami, FL
Sensory Overload, BAC Gallery, Miami, FL
D&G Art Design Gallery, Miami, FL
5 x 7, BAC Swenson Gallery, Miami, FL
Fresh Paint, BAC Gallery, Miami, FL
Select Four/Collective Consciousness, BAC Gallery, Miami FL [catalogue]
Form-Function, BAC Gallery, Miami, FL [catalogue]

2008
RAW art space , Midtown Art Fairs, Miami, FL
Puccio Gallery, New York, NY
RVS Gallery, Southampton, NY
Lurie Art Gallery, Beverly Hills, CA
Lurie Art Gallery, Miami, FL
Art Rouge Gallery, Miami FL

2007
Lurie Art Gallery, Miami, FL
RVS Gallery, Southampton, NY

2006
Puccio Gallery, New York, NY
RVS Gallery, Southampton, NY

2005
Synagogue for the Arts Gallery, New York, NY
Puccio Gallery, New York, NY
Cultural Center of River Vale, River Vale, NJ

2004
Paterson Museum, Paterson, NJInteracting Expressions

2003
Rice/Pollak Gallery, Provincetown, MA

2002
Presentations, Williamsburg Art Center, Brooklyn, NY Studio 4 West, Piermont, NY

2001
The Gallery at Media Productions International, New York, NY
Rice/Pollak Gallery, Provincetown, MA

2000
Phoenix Gallery, New York, NY
Rice/Pollak Gallery, Provincetown, MA
Studio 4 West, Piermont, NY
World Fine Art, New York, NY

1999
Waterside Gallery, West Stockbridge, MA
Manhattan Transfer, 5th Ave. New York, NY
Five Women Artists ,John Harmes Center for the Arts, Englewood, NJ

1998
Mostly Glass Gallery, Featured Artist, Englewood, NJ
93 South Art Gallery, Nyack, NY
Studio 4 West, Piermont, NY

1997
Studio 4 West, Piermont, NY

1996
Studio 4 West, Piermont, NY

1992
Art Center of Northern New Jersey, New Milford, NJ
Art Center of Northern New Jersey, Faculty Exhibit, New Milford, NJ

1981
AAO Gallery, Invitational Group Show, Buffalo, NY

1979
AAO Gallery, Annual Art Competition, Buffalo, NY
Williamsville Art Society Invitational, Williamsville, NY

1978
New Talent, Alamo Gallery, Buffalo, NY
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]

AWARDS

2014
Miami-Dade County Department of Cultural Affairs 2013-2014 Artist Access Grant
Private Residency, Carpentras, France
TSKW Residency Program 2013/2014

2012
Finalist: Florida Department of State/Division of Cultural Affairs Visual Arts Fellowship
Irreversible Magazine: Cover Featured Winner
Art Districts Magazine : Open Call Winner featured artist June/July issue
Boca Museum of Art: Award of Merit, Female Forms
Art Slant Showcase Winner, sculpture category
Art Slant Showcase Winner, installation category

2011
Award of Excellence - Museum of Florida Art, Biennial Six Exhibition
Art Slant Showcase Winner, painting category

SELECTED COLLECTIONS

Boca Raton Museum of Art, Museum Collection, Boca Raton, FL
Georgia and Stephen Nimer, Private Collection, Miami, FL
Dan and Rena Barsanti, Private Collection, New York, NY
Alvaro Perez, Private Collection, Miami, FL
Arte Al Limite Public Collection, Santiago, Chili
John Paul Perez, Private Collection, Miami, FL
University of Michigan Museum of Art - J. Richard Pinnell and Robert Scanlan Museum
Collection
Coastal Developers, Public Collection,New York, NY
Francie Bishop Good - Girls Club Collection, Ft. Lauderdale, FL
Denise Gerson - Curator, Lowe Art Museum, Private Collection, Miami, FL
Nina Fuentes - Owner, Director Hardcore Gallery, Private Collection, Miami, FL
Flora Schnall - President, UpWingers, Inc, Private Collection, New York, NY
Seena Levy, Private Collection, Washington, DC
James Royal Palm Hotel, Hotel Collection, Miami, FL
Ilana Blitzer and Joseph Gendelman, Private Collection New York, NY
Aluna Art Foundation, Private Collection, Miami, FL
Christine Stanton- Trustee, Dia Art Foundation, Private Collection, New York, NY
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
John and Doris Sullivan, Private Collection, Miami, FL
Margulies Collection/ Lotus House, Miamii, FL
Randy Burman, Manita Brug, Private Collection, Miami F
Benzi Restaurant Group Inc., NJ
Irma Clemente, Private Collection, New York, NY
Rhonda and Leonard Cogan, Private Collection, Boca Raton, FL
Brandy Coletta, Private Collection, New York, NY
Axis Design Architecture, Englewood, NJ
Patricia Adelesic, Private Collection, New York, NY
Rachel and Scott Stenclik, Private Collection, Buffalo, NY
Jennifer Condas, Private Collection, Scottsdale, AZ

BIBLIOGRAPHY

Miami Living Magazine, Female Figuratively, 7 Female Artists, Image: Manet’s Beach, OMSA
Gallery, Nov. 2023
Gulf Shore Life, Patricia Schnall Gutierrez at Aldo Castillo Gallery, Love Me Now 6 image and
article, Nov. 2023
The Miami Herald, Art to See and Touch, The Blueprint show, Bridge Red Studios, January
2023
Miamiartzine, Collective 62 Studio and Gallery: Belt of Venus a Perfect Introduction, March 15,
2023
Canvas Rebel, Meet Patricia Schnall Gutierrez, 2023
Vimeo / Burchfield Penney Art Center, Patricia Schnall Gutierrez - Artist, 2022
Art Districts Magazine, Quarantine Diaries. Patricia Schnall Gutierrez, October 2020
Eddie Arroyo, Art is About, Habitat, March 22, 2018
Baba Collective , Live Podcast, Interview with Patricia Schnall Gutierrez, Volume #36,
December 2017
BLOUIN ARTINFO “We’ve Curated an Outstanding Group of Widely International Galleries,”
Grela Orihuela, Aqua Art Miami, “Cut Loose,” by Patricia Schnall Gutierrez. Oil paint and
mixed media on canvas, 80 X 56 inches, at &gallery. December 04, 2017
Luciana Acuna (art curtor, Argentina)"Patricia Schnall, The Feminine Condition,” AAL Arte Al
Limite, Edition #77, March/April, pages 34-39, Chili, SA
ARTDISTRICTS Magazine, Quarentine Diaries - Patricia Schnall Gutierrez, October 2020
Eddie Arroyo, Art Is About, February 2016
Shelly Davidov, May’s Wynwood Art Walk guide: Household Chores and Playground
Memories, May 8, 2015
Miami Art Guide, Patricia Schnall Gutierrez’s Housewife Diaries at 6th Street container, 2015
Eddie Arroyo, Patricia Schnall Gutierrez, 6th Street Container, April 2015
Muriel Ledoux, Christian Bernard, le Comtadin d'Amerique, ARTS l Vernissage ce soir pour
deux artisted americaines et un Carpentrassien de Miami, Le Dauphine Libere, Carpentras,
France, June 29, 2014
Constantly Consuming Culture: Mapanare.us "Cancio Contemporary, Work by Patricia Schnall
Gutierrez at Aqua Art Fair 2013,” December 10, 2013
Interior Design Magazine, “Interior Design’s Top 30 in Hospitality,” Featured Gallery, acrylic
and charcoal paintings by Patricia Schnall Gutierrez. August 2, 2013
Adriana Herrera, “Body, Maps and Territories - Personal Geographies, Artist: Patricia Schnall
Gutierrez,” Forward to Exhibition Book, January 2013
Janet Batet, “La Mujer, Cuerpo, Mapa and Territorio,” el Nuevo Herald, February 2013
Juliana Zapata, “The Package Project Continues,” YouTube, February 26, 2013
Juliana Zapata, “Bodies, Maps and Territories,” YouTube, February 20, 2013,
Eddie Arroyo, “Whiskey and Rye l The Nightclub,” Art Is About..., February 19, 2013
Art Is About, “Who Does She Think She IS?" The Art House of Delray, YouTube, January 2013
Irene Sperber, “Art Wynwood 2013,” February 17, 2013
Jesus Rosado, “Memories of the Oikos": Art Districts Magazine, January 2013
Aluna Curatorial Collective, “Mujeres Artistas Crean Obras a Partir de Sus Cuerpos,” Diario Las
Americas, January 1, 2013
Miami- Art, "Patricia Gutierrez James Royal Palm, Miami- South Beach, Collection,” 2013
Noor Blazekovic, “Cover Feature Competition Top 20 Winners,” Irreversible Magazine, An
International Art Project, 2013
Channel 10 News "Wrapt Attention" Gallery 18, (curated by Jill Slaughter) Interview with
Artists, Pembroke Pines, October 3, 2012
Adriana Herrera, “Mujeres En La Cámara Oscura Ante El Mundo,” El Nuevo Herald: July 2012
ArtSlant Watchlist Artist August 2012
Irina Layva-Perez, “ Featured Artist,” Art Districts Magazine, June/July 2012 issue, pgs. 18 – 21
Colleen Dougher, “Juggling family, work,” Sun Sentinel: Featured Artist, Sunday entertainment
Section, June 24, 2012
Colleen Dougher, “Local Spotlight - Patricia Schnall Gutierrez,” Arterpiller a South Florida Art
blog, June 26, 2012
Irina Layva-Perez, “What appears To Be , LMNT - Miami,” Art Pulse International
Contemporary Art Magazine, Fall, 2011, pg. 74-75
“Biennial: Florida Installation Art,” Appleton Museum of Art, Ocala, FL Summer, 2012,
Exhibition Catalogue, 2012
Ava Wright, “- Saatchi Gallery London Serious Talent Artists - Rebecca Wilson, Director of
Saatchi Gallery of London has recently announced the artists selected for her curated
exhibition for the New Year of 2012,” Contemporary Art Globally Speaking, January 19, 2012,
“Bakehouse Art Complex presents Rope and Stool- Performance by Patricia Schnall Gutierrez,”
Miami Art Guide, January 14, 2011
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
Jeffrey Crussell “International Survey,” Exhibition Catalogue
Craig Kellogg, “The Domino Effect - walk through,” firms: Tom Delavan and Meyer Davis
Studio, site: Midtown New York, Costal Development, Interior Design International
Magazine,Vol. 11, September/October, 2010
Jesse Bratter, “Familiar Territory” Home of John and Doris Sullivan,” Luxe Interiors and Design,
South Florida, Volume 8, issue 4, fall 2010 pg. 233
Peg Goldberg Longstreth, “A Must See at the Art Museum, Florida Contemporary 2010,”
Florida Weekly, Arts and Entertainment, June 3-9, 2010
Tamar Mitchell, “Florida Artists At The Naples Museum Of Art,” Art Districts Florida, Vol.1
No.6, June, July 2010. pg. 23
Denise Colson, “Collective Consciousness,” Wynwood Magazine, Summer 2009, Vol. 2 No.5,
Page 53
Bakehouse Art Complex, “Select Four/Collective Consciousness,” Exhibition Catalogue, 2009
“Studio interview of Artist Patricia Schnall Gutierrez,” Plum TV, BAC video: October 27, 2008
“Fresh Paint,” Bakehouse Art Complex, Exhibition Catalogue, 2008
Raisa Clavijo, “Abstraction: New Work at Lurie Gallery,” Wynwood Magazine, April 2008
“Patricia S. Gutierrez - Lurie Art Gallery,” Symposium Magazine, April 2008, Vol. 3, Pg. 59
Sanders Eaton, Review, "Patricia S, Gutierrez,” Gallery and Studio Magazine, January 2006
Community Life, "Patricia Schnall Gutierrez,” October 2005
Helen Levin, “ Burbs, Burp, Something Supurb -Abstraction at the Paterson Museum,” New
York Arts Magazine, July/August 2004
“Paterson Museum, Patricia S. Gutierrez - New Work on Exhibit,” The New York Times, On The
Towns, November 2002
“Hopper House Exhibit features Patricia Gutierrez,” The Rockland Journal News, 2001
Previews Section/Visual Arts, The Record, April 9, 1999
“Gallery Hopping in Piermont,” The Journal News, May 1999
“Patricia Schnall Gutierrez at Studio 4 West,” Gallery Guide, 1999
“Drawings of Madness are on Exhibit,” Community Life, April 1999
“Womanhood, Works by artist Patricia Schnall Gutierrez” Rockland Review, April 1999
“Inside Studio 4 West,” Spur Magazine, 1998
“Show by River Vale Artist to Open in Piermont,” Half Moon Press, May 1997
“Patricia Schnall Gutierrez, Eternal Dance,” Art Times, November 1997
“One Woman Show by River Vale Artist,” Community Life, November 1997
“River Vale artist exhibits work at Center,” Community Life, August 1992
“AAO Ninth Annual Art Competition,” AAO Gallery, Exhibition Catalogue, November,1979
“Exhibit 15 at AAO Gallery,” Buffalo Evening News, April 1979
“Art Notes, Buffalo Convention Center, Figures and Their Relationship to Space,” Buffalo
Evening News, July 1979

Born in the city of Maracaibo, Venezuela, on April 29, 1963, Ana grew up in the “land of the beloved sun,” filled with many bright and vivid colors, cheerful people, and a culture that infused her personality and her work as an artist.

Ana’s experience in fine arts began when she moved to Madrid and studied fashion design for three years at the IADE (Educational Institution for the Arts). Here is where she began to explore deeper that world of creativity that she had cultivated as a child. Ana was surrounded by works of great visual artists including her inspirations in Velázquez, Goya, Picasso, Dalí, Monet, Manet, and so many other masters.

This immersion in different artistic tendencies such as impressionism, cubism, helped her define her voice and understand from where to garner inspiration to inform her artistic narrative in her work.

In 2002, she moved to Atlanta and lived there with her husband and young son. For 13 years, she got to know the southern charm and its particular vintage aesthetic, which also greatly influenced her art and vision.

When Ana moved to Miami in 2014, she began working what she refers to as Mis Meninas (my Meninas) in an abstract figurative manner. This approach allows her to present a story but allow the viewer to fill in their own impression of what they experience in viewing her paintings.

Ana’s family and her friends play a huge role for her in support of her adventure through the exploration and revelation of what it means to be an artist.

ANA GUTIÉRREZ
Venezuela

EDUCATION

1989 -1992 Art and Fashion Design, Instituto Artistico de Enseñanza, Madrid, Spain
1985 - 1989 BA in Business administration, Universidad Rafael Urdaneta, Maracaibo, Venezuela

SELECTED EXHIBITIONS

2024
Trastienda, OMSA Gallery, Southwest Ranches, FL
Deco Accents Gallery, Doral, FL

2023
Deco Accents Gallery, Doral, FL

2022
Deco Accents Gallery, Doral, FL

2019
AGAPE Art Gallery, Maracaibo, Venezuela

2018
Gala Gallery, Maracaibo, Venezuela

2017
Tamacuari Art Gallery, Maracaibo, Venezuela

2015
Curators Voice Art Project, Miami, FL

2010
Magnolia Art Gallery, Acworth, GA

COMMISSIONS

2023
Mural at Wynwood Haus, Miami, Florida

Born in the city of Maracaibo, Venezuela, on April 29, 1963, Ana grew up in the “land of the beloved sun,” filled with many bright and vivid colors, cheerful people, and a culture that infused her personality and her work as an artist.

Ana’s experience in fine arts began when she moved to Madrid and studied fashion design for three years at the IADE (Educational Institution for the Arts). Here is where she began to explore deeper that world of creativity that she had cultivated as a child. Ana was surrounded by works of great visual artists including her inspirations in Velázquez, Goya, Picasso, Dalí, Monet, Manet, and so many other masters.

This immersion in different artistic tendencies such as impressionism, cubism, helped her define her voice and understand from where to garner inspiration to inform her artistic narrative in her work.

In 2002, she moved to Atlanta and lived there with her husband and young son. For 13 years, she got to know the southern charm and its particular vintage aesthetic, which also greatly influenced her art and vision.

When Ana moved to Miami in 2014, she began working what she refers to as Mis Meninas (my Meninas) in an abstract figurative manner. This approach allows her to present a story but allow the viewer to fill in their own impression of what they experience in viewing her paintings.

Ana’s family and her friends play a huge role for her in support of her adventure through the exploration and revelation of what it means to be an artist.

ANA GUTIÉRREZ
Venezuela

EDUCATION

1989 -1992 Art and Fashion Design, Instituto Artistico de Enseñanza, Madrid, Spain
1985 - 1989 BA in Business administration, Universidad Rafael Urdaneta, Maracaibo, Venezuela

SELECTED EXHIBITIONS

2024
Trastienda, OMSA Gallery, Southwest Ranches, FL
Deco Accents Gallery, Doral, FL

2023
Deco Accents Gallery, Doral, FL

2022
Deco Accents Gallery, Doral, FL

2019
AGAPE Art Gallery, Maracaibo, Venezuela

2018
Gala Gallery, Maracaibo, Venezuela

2017
Tamacuari Art Gallery, Maracaibo, Venezuela

2015
Curators Voice Art Project, Miami, FL

2010
Magnolia Art Gallery, Acworth, GA

COMMISSIONS

2023
Mural at Wynwood Haus, Miami, Florida

Annelisse Molini was born in San Juan, Puerto Rico. She is an artist who dabbles in painting, sculpture and installation. In 1984 she began her studies at the School of Architecture of the University of Puerto Rico where she obtained a Bachelor’s Degree in Environmental Design. In 1991 she completed her Masters in Architecture at the University of Wisconsin-Milwaukee where she received the Henry Adams Medal awarded by the American Institute of Architects to the most outstanding graduate student. She then went on to earn a Bachelor of Architecture degree.

Her interest in drawing and painting led her to complement her profession with the visual arts. While working as an architect, she took courses at the League of Arts of San Juan and from 1994 to 1998 worked under the tutelage of artist Andy Bueso, a teacher and friend, whom enriched her theoretical knowledge and helped her to formalize her participation in painting, holding her first solo exhibition at the Museum of the Americas in San Juan, Puerto Rico in 1999.

Annelisse continued her learning in a self-taught way, becoming from that moment on a tireless reader and student of the subject of art and its history. In 2006 she started working full time in art and began to combine figuration with abstraction, working on social themes and experimenting with different materials such as wood, metal and rubber. Her background in architecture also led her to experiment with space, working with various installations.

Again seeking new languages of expression, Annelisse has collaborated with the prestigious fashion designer Gustavo Arango, where the combination of their disciplines has led to several works on magazine covers and in the press. Aware of the impact that art can have on human beings, and as a result of the impact of the pandemic, Molini has also developed CREATE IS GROW: ART FOR ALL, an art program for young adults with special needs with the mission of using art as a means of self-expression, increasing self-esteem and providing them with tools to work through their conditions. At this time Annelisse continues to develop her work using elements of drawing in architecture such as: sketches, perspectives, facades and other conceptual elements such as deconstructivism. These elements, together with the “collage” technique, are now part of this artist’s complex work, with her pieces belonging to important private collections and public institutions in the country as well as numerous private spaces in Puerto Rico and abroad.

ANNELISSE MOLINI
Puerto Rico

EDUCATION

1991 MA in Architecture, University of Wisconsin-Milwaukee, Milwaukee, WI
1990 International Studies in Urbanism, École d’Architecture, Paris, France
1988 BA in Environmental Design, School of Architecture, University of Puerto Rico, Puerto Rico
1987 International Studies in Urban Planning, Centro Internazionale de Architettura Andrea
Palladio, Vicenza, Italy

SELECTED EXHIBITIONS

2024
Trastienda Works, OMSA Gallery, Southwest Ranches, FL

2023
Convergencias, Sala de Exposiciones del Plata, Dorado, Puerto Rico

2022
Art in Motion Auction, Sala de Exposiciones del Plata, Dorado, Puerto Rico
Por Amor a la Liga, Liga de Arte de San Juan, San Juan, Puerto Rico

2021
El Arte en Tiempos de Pandemia II, Manifiesto artístico puertorriqueño-Delta, virtual exhibition
La Ciudad en el Tiempo: Cinco Siglos de Representaciones Artísticas de San Juan, Museo de San Juan, San Juan, Puerto Rico

2020
Mascarilla… Mi Única Protección, virtual exhibition of contemporary art
Intervenidas, Museo de las Américas, San Juan, Puerto Rico

2019
Collaboration with fashion designer Gustavo Arango, Hotel San Juan, San Juan, Puerto Rico

2009
Art Santa Fe, Santa Fe, NM

2008
Diálogos / Devoción Verde (dual exposition), Galería A. Cueto, San Juan, Puerto Rico

2006
Ciudad a Cuatro Manos (dual exposition), Compañía de Turismo, Viego San Juan, Puerto Rico
Operación Serenidad, Museo Pablo Casals, San Juan, Puerto Rico

2005
Operación Serenidad, Casino de Mayagüez, Mayagüez, Puerto Rico
Plástica Latina XX, Salon Internacional Du Val D´Or, Meillant, France

2004
Santos Irreverentes, Galería Petrus, San Juan, Puerto Rico
Mujeres en Tres Tiempos, Galería Petrus, San Juan, Puerto Rico

2001
Tribute to Andy Bueso, Latin American Art Museum, Miami, FL
Plástica Latina XXVII, Salon Internacional Du Val D´Or, Meillant, France

SELECTED SOLO EXHIBITIONS

2023
Baby Steps, Walter Otero Contemporary Gallery, San Juan, Puerto Rico

2019
La Escalera de Escape, Museo de las Américas, San Juan, Puerto Rico

2018
Detour: Between Art and Fashion, Gustavo Arango Atelier, San Juan, Puerto Rico
La Crisis que nos Habita, Galería A. Cueto, San Juan, Puerto Rico

2011
Los Viajeros: Cuerpos que Albergan las Almas, Museo de Arte de Puerto Rico, San Juan, Puerto
Rico

2010
Cautivo, Museo de Arte de Caguas, Caguas, Puerto Rico
Des(a)tinos, Galería A. Cueto, San Juan, Puerto Rico

2008
Diálogos y Diagramas… Buscando un Camino, Latino Arts, Milwaukee, WI

2005
Entre Cielo y Suelo, Museo de las Américas, Old San Juan, San Juan, Puerto Rico
Entre Cielo y Suelo, West Gallery, Mayagüez, Puerto Rico

2000
Expresiones e Impresiones, Galería Tamara, San Juan, Puerto Rico

AWARDS

2010
Receipient of Lexus Scholarship, Los Viajeros: Cuerpos que Albergan Las Almas

1991
Henry Adams Medal Award, American Institute of Architects

Annelisse Molini was born in San Juan, Puerto Rico. She is an artist who dabbles in painting, sculpture and installation. In 1984 she began her studies at the School of Architecture of the University of Puerto Rico where she obtained a Bachelor’s Degree in Environmental Design. In 1991 she completed her Masters in Architecture at the University of Wisconsin-Milwaukee where she received the Henry Adams Medal awarded by the American Institute of Architects to the most outstanding graduate student. She then went on to earn a Bachelor of Architecture degree.

Her interest in drawing and painting led her to complement her profession with the visual arts. While working as an architect, she took courses at the League of Arts of San Juan and from 1994 to 1998 worked under the tutelage of artist Andy Bueso, a teacher and friend, whom enriched her theoretical knowledge and helped her to formalize her participation in painting, holding her first solo exhibition at the Museum of the Americas in San Juan, Puerto Rico in 1999.

Annelisse continued her learning in a self-taught way, becoming from that moment on a tireless reader and student of the subject of art and its history. In 2006 she started working full time in art and began to combine figuration with abstraction, working on social themes and experimenting with different materials such as wood, metal and rubber. Her background in architecture also led her to experiment with space, working with various installations.

Again seeking new languages of expression, Annelisse has collaborated with the prestigious fashion designer Gustavo Arango, where the combination of their disciplines has led to several works on magazine covers and in the press. Aware of the impact that art can have on human beings, and as a result of the impact of the pandemic, Molini has also developed CREATE IS GROW: ART FOR ALL, an art program for young adults with special needs with the mission of using art as a means of self-expression, increasing self-esteem and providing them with tools to work through their conditions. At this time Annelisse continues to develop her work using elements of drawing in architecture such as: sketches, perspectives, facades and other conceptual elements such as deconstructivism. These elements, together with the “collage” technique, are now part of this artist’s complex work, with her pieces belonging to important private collections and public institutions in the country as well as numerous private spaces in Puerto Rico and abroad.

ANNELISSE MOLINI
Puerto Rico

EDUCATION

1991 MA in Architecture, University of Wisconsin-Milwaukee, Milwaukee, WI
1990 International Studies in Urbanism, École d’Architecture, Paris, France
1988 BA in Environmental Design, School of Architecture, University of Puerto Rico, Puerto Rico
1987 International Studies in Urban Planning, Centro Internazionale de Architettura Andrea
Palladio, Vicenza, Italy

SELECTED EXHIBITIONS

2024
Trastienda Works, OMSA Gallery, Southwest Ranches, FL

2023
Convergencias, Sala de Exposiciones del Plata, Dorado, Puerto Rico

2022
Art in Motion Auction, Sala de Exposiciones del Plata, Dorado, Puerto Rico
Por Amor a la Liga, Liga de Arte de San Juan, San Juan, Puerto Rico

2021
El Arte en Tiempos de Pandemia II, Manifiesto artístico puertorriqueño-Delta, virtual exhibition
La Ciudad en el Tiempo: Cinco Siglos de Representaciones Artísticas de San Juan, Museo de San Juan, San Juan, Puerto Rico

2020
Mascarilla… Mi Única Protección, virtual exhibition of contemporary art
Intervenidas, Museo de las Américas, San Juan, Puerto Rico

2019
Collaboration with fashion designer Gustavo Arango, Hotel San Juan, San Juan, Puerto Rico

2009
Art Santa Fe, Santa Fe, NM

2008
Diálogos / Devoción Verde (dual exposition), Galería A. Cueto, San Juan, Puerto Rico

2006
Ciudad a Cuatro Manos (dual exposition), Compañía de Turismo, Viego San Juan, Puerto Rico
Operación Serenidad, Museo Pablo Casals, San Juan, Puerto Rico

2005
Operación Serenidad, Casino de Mayagüez, Mayagüez, Puerto Rico
Plástica Latina XX, Salon Internacional Du Val D´Or, Meillant, France

2004
Santos Irreverentes, Galería Petrus, San Juan, Puerto Rico
Mujeres en Tres Tiempos, Galería Petrus, San Juan, Puerto Rico

2001
Tribute to Andy Bueso, Latin American Art Museum, Miami, FL
Plástica Latina XXVII, Salon Internacional Du Val D´Or, Meillant, France

SELECTED SOLO EXHIBITIONS

2023
Baby Steps, Walter Otero Contemporary Gallery, San Juan, Puerto Rico

2019
La Escalera de Escape, Museo de las Américas, San Juan, Puerto Rico

2018
Detour: Between Art and Fashion, Gustavo Arango Atelier, San Juan, Puerto Rico
La Crisis que nos Habita, Galería A. Cueto, San Juan, Puerto Rico

2011
Los Viajeros: Cuerpos que Albergan las Almas, Museo de Arte de Puerto Rico, San Juan, Puerto
Rico

2010
Cautivo, Museo de Arte de Caguas, Caguas, Puerto Rico
Des(a)tinos, Galería A. Cueto, San Juan, Puerto Rico

2008
Diálogos y Diagramas… Buscando un Camino, Latino Arts, Milwaukee, WI

2005
Entre Cielo y Suelo, Museo de las Américas, Old San Juan, San Juan, Puerto Rico
Entre Cielo y Suelo, West Gallery, Mayagüez, Puerto Rico

2000
Expresiones e Impresiones, Galería Tamara, San Juan, Puerto Rico

AWARDS

2010
Receipient of Lexus Scholarship, Los Viajeros: Cuerpos que Albergan Las Almas

1991
Henry Adams Medal Award, American Institute of Architects

Annelisse Molini was born in San Juan, Puerto Rico. She is an artist who dabbles in painting, sculpture and installation. In 1984 she began her studies at the School of Architecture of the University of Puerto Rico where she obtained a Bachelor’s Degree in Environmental Design. In 1991 she completed her Masters in Architecture at the University of Wisconsin-Milwaukee where she received the Henry Adams Medal awarded by the American Institute of Architects to the most outstanding graduate student. She then went on to earn a Bachelor of Architecture degree.

Her interest in drawing and painting led her to complement her profession with the visual arts. While working as an architect, she took courses at the League of Arts of San Juan and from 1994 to 1998 worked under the tutelage of artist Andy Bueso, a teacher and friend, whom enriched her theoretical knowledge and helped her to formalize her participation in painting, holding her first solo exhibition at the Museum of the Americas in San Juan, Puerto Rico in 1999.

Annelisse continued her learning in a self-taught way, becoming from that moment on a tireless reader and student of the subject of art and its history. In 2006 she started working full time in art and began to combine figuration with abstraction, working on social themes and experimenting with different materials such as wood, metal and rubber. Her background in architecture also led her to experiment with space, working with various installations.

Again seeking new languages of expression, Annelisse has collaborated with the prestigious fashion designer Gustavo Arango, where the combination of their disciplines has led to several works on magazine covers and in the press. Aware of the impact that art can have on human beings, and as a result of the impact of the pandemic, Molini has also developed CREATE IS GROW: ART FOR ALL, an art program for young adults with special needs with the mission of using art as a means of self-expression, increasing self-esteem and providing them with tools to work through their conditions. At this time Annelisse continues to develop her work using elements of drawing in architecture such as: sketches, perspectives, facades and other conceptual elements such as deconstructivism. These elements, together with the “collage” technique, are now part of this artist’s complex work, with her pieces belonging to important private collections and public institutions in the country as well as numerous private spaces in Puerto Rico and abroad.

ANNELISSE MOLINI
Puerto Rico

EDUCATION

1991 MA in Architecture, University of Wisconsin-Milwaukee, Milwaukee, WI
1990 International Studies in Urbanism, École d’Architecture, Paris, France
1988 BA in Environmental Design, School of Architecture, University of Puerto Rico, Puerto Rico
1987 International Studies in Urban Planning, Centro Internazionale de Architettura Andrea
Palladio, Vicenza, Italy

SELECTED EXHIBITIONS

2024
Trastienda Works, OMSA Gallery, Southwest Ranches, FL

2023
Convergencias, Sala de Exposiciones del Plata, Dorado, Puerto Rico

2022
Art in Motion Auction, Sala de Exposiciones del Plata, Dorado, Puerto Rico
Por Amor a la Liga, Liga de Arte de San Juan, San Juan, Puerto Rico

2021
El Arte en Tiempos de Pandemia II, Manifiesto artístico puertorriqueño-Delta, virtual exhibition
La Ciudad en el Tiempo: Cinco Siglos de Representaciones Artísticas de San Juan, Museo de San Juan, San Juan, Puerto Rico

2020
Mascarilla… Mi Única Protección, virtual exhibition of contemporary art
Intervenidas, Museo de las Américas, San Juan, Puerto Rico

2019
Collaboration with fashion designer Gustavo Arango, Hotel San Juan, San Juan, Puerto Rico

2009
Art Santa Fe, Santa Fe, NM

2008
Diálogos / Devoción Verde (dual exposition), Galería A. Cueto, San Juan, Puerto Rico

2006
Ciudad a Cuatro Manos (dual exposition), Compañía de Turismo, Viego San Juan, Puerto Rico
Operación Serenidad, Museo Pablo Casals, San Juan, Puerto Rico

2005
Operación Serenidad, Casino de Mayagüez, Mayagüez, Puerto Rico
Plástica Latina XX, Salon Internacional Du Val D´Or, Meillant, France

2004
Santos Irreverentes, Galería Petrus, San Juan, Puerto Rico
Mujeres en Tres Tiempos, Galería Petrus, San Juan, Puerto Rico

2001
Tribute to Andy Bueso, Latin American Art Museum, Miami, FL
Plástica Latina XXVII, Salon Internacional Du Val D´Or, Meillant, France

SELECTED SOLO EXHIBITIONS

2023
Baby Steps, Walter Otero Contemporary Gallery, San Juan, Puerto Rico

2019
La Escalera de Escape, Museo de las Américas, San Juan, Puerto Rico

2018
Detour: Between Art and Fashion, Gustavo Arango Atelier, San Juan, Puerto Rico
La Crisis que nos Habita, Galería A. Cueto, San Juan, Puerto Rico

2011
Los Viajeros: Cuerpos que Albergan las Almas, Museo de Arte de Puerto Rico, San Juan, Puerto
Rico

2010
Cautivo, Museo de Arte de Caguas, Caguas, Puerto Rico
Des(a)tinos, Galería A. Cueto, San Juan, Puerto Rico

2008
Diálogos y Diagramas… Buscando un Camino, Latino Arts, Milwaukee, WI

2005
Entre Cielo y Suelo, Museo de las Américas, Old San Juan, San Juan, Puerto Rico
Entre Cielo y Suelo, West Gallery, Mayagüez, Puerto Rico

2000
Expresiones e Impresiones, Galería Tamara, San Juan, Puerto Rico

AWARDS

2010
Receipient of Lexus Scholarship, Los Viajeros: Cuerpos que Albergan Las Almas

1991
Henry Adams Medal Award, American Institute of Architects

Carlos’ abstractions present spectators with a complex visual language full of expression, color, and motion. Sometimes minimalistic and other times complex networks of shapes and lines create vibrant canvases buzzing with his signature mark.

Born in 1958, he participated in the GLCA Apprenticeship program in 1979 (now called the AICAD / New York Studio Residency Program), assisting NYC artists Robert Stackhouse and Louis Liberman. He graduated from DePauw University in 1980 with a Liberal Arts Degree.

Though he is widely recognized as a painter and sculptor, throughout his career he has also worked as a Graphic Designer, Illustrator, Art Director, and Creative Director, which has given him an eye for what is current. As an artist, he exhibited four solo shows at Galleria Luigi Marrozzini until the mid-1990s, which were pivotal in his career, positioning him as a creative force within the local art scene.

During this period, Carlos was selected for the traveling exhibit, “New Art from Puerto Rico,” organized by the Springfield Art Museum in Massachusetts and curated by Susana Torruella. In 1994, he took part in the Caribbean Painting Biennial at Museo de Arte Moderno in Santo Domingo. Also that year, his works were included in “Yslas: Art in Transit,” presented at Hostos Community College, Bronx, NY.

He became a painting professor at the Escuela de Artes Plásticas in San Juan for two years in the late 1990s and later, in 2001, exhibited his “No Boundaries: a 20-year Survey” at the Museo de Ballaja in Old San Juan, curated by Nilda Peraza (Director at Cayman Gallery, NYC). In 2004, Carlos was part of the traveling exhibit “Puerto Rican Art: Image of a Culture,” presented at the Orlando Museum of Art in Florida. In May 2012, he exhibited a mid-career survey, “Only Essence Remains,” also held at the Museo de Ballaja, curated by William Stover (Curator at the Museum of Fine Arts, Boston).

His work is included in major private and public collections around the world, including the Museo de Arte de Puerto Rico (MAPR), the Ponce Museum, the Museo de Arte Contemporáneo de PR (MAC), and the New York Federal Reserve Bank, NYC. In recent years, he has participated in various international art fairs, including Red Dot, Circa, Scope, the Armory Show, and PhotoMiami.

His body of work oscillates between colorful abstractions loaded with intricate markings and bold representational works that are keen, almost satirical observations of social issues found in his native Puerto Rico, where he expresses his acute vernacular in vivid colors.

In 2018, he presented “Aftermath,” a personal view of the issues the island faced after Hurricane Maria. In 2020, which proved to be one of his most productive years, he exhibited his perspective on the COVID Pandemic in “Lockdown Paintings,” a series of large-scale paintings that reflect his experience, thoughts, and comments during those highly medically-political times. In 2020, Carlos was part of the “Art in U.S. Embassies Program” in Kolonia, Federated States of Micronesia. In 2023, he presented “Caribbean Soul” at the Puerto Rico Tourism Co. in San Juan.

As an established artist, he has a quiet, resolute approach, while rendering bold and remarkable modernist strokes of his genius. To divide his work into social commentary through figuration and complex abstract language is to be reductive, as his work is a complex visual language full of expression, color, and motion.

CARLOS DÁVILA RINALDI
Puerto Rico

EDUCATION

1974-1976 Art Students League, Old San Juan, Puerto Rico
1979 GLCA Artist Apprenticeship Program, New York, NY
(Apprentice to Robert Stackhouse and Louis Lieberman)
1980 BA DePauw University, Indiana

SELECTED SOLO EXHIBITIONS

2023
Caribbean Soul, Puerto Rico Tourism Co., Paseo La Princesa, Old San Juan, Puerto Rico
Sin Wash, Galería Petrus, Miramar, Puerto Rico
The Tarps / Sube El Telón, Galería Petrus, Miramar, Puerto Rico

2022
Accumulations/REVISITED, Galería Petrus, Miramar, Puerto Rico
Frenzy, Galería Petrus, Miramar, Puerto Rico

2021
Nothing in Between, Galería Petrus, Miramar, Puerto Rico

2020
The Lockdown Paintings, Galería Petrus, Miramar, Puerto Rico

2019
Same’O Same’O, Galería Petrus, Miramar, Puerto Rico

2018
Aftermath, Arte@Plaza, Plaza las Americas, Hato Rey, Puerto Rico

2017
Habitat, Arte@Plaza, Plaza las Americas, Hato Rey, Puerto Rico
Absent Reality, Art Students League, Old San Juan, Puerto Rico

2015
Magicians, Hypnotists & Other Acts, Arte@Plaza, Plaza las Americas, Hato Rey, Puerto Rico

2014
Dual / Duel, Galería Petrus, Miramar, Puerto Rico

2013
Lingo, Galería Petrus, Miramar, Puerto Rico

2012
Only Essence Remains (Mid-Career survey curated by William Stover), Museo Las Américas,
Old San Juan, Puerto Rico

2010
New Work / Last 5 years: 2006-2010, Obra Galería, Old San Juan, Puerto Rico

2006
Colectivo, Obra Reciente, Petrus, Miramar Puerto Rico

2004
Musas, Galería La Alcaldía (City Hall), Old San Juan, Puerto Rico
Comeback, Petrus, Miramar, Puerto Rico

2003
Pensamientos Paralelos, Petrus, Miramar, Puerto Rico

2002
Mood Swings, Petrus Galeros, Hato Rey, Puerto Rico

2001
No Boundaries: a 20 year survey, Museo Las Américas, Old San Juan, Puerto Rico

1999
Entrando en la Curva, Petrus Galeros, Hato Rey, Puerto Rico

1996
Ojos que Ven, Museo de Arte Contemporáneo, Santurce

1993
Crux, Museo de Casa Roig, Humacao, Puerto Rico

1992
Acumulaciones, Galería Luigi Marrozzini, Old San Juan

1989
Construcciones, UPR, Recinto de Mayagüez, Puerto Rico

1981
Alfombras, Galería Coabey, Old San Juan, Puerto Rico

SELECTED GROUP EXHIBITIONS

2024
Flower Power, Galería Petrus, Miramar, Puerto Rico

2022
This is not Surrealism, RegularNormal at Dinner Gallery, Chelsea NYC, New York, NY
En Vivo y a Todo Color, Eve Leibe Gallery, London, United Kingdom

2021
El Poder Expresivo: Una Mirada a la Colección McConnell Valdés, Museo de Arte de Puerto
Rico, Santurce, Puerto Rico

2020
Art in U.S. Embassies, Kolonia, Federated States of Micronesia

2019
Los 50 de La Liga, Museo Las Américas, Old San Juan, Puerto Rico

2015
COLOR DRAMA / Carmen Ines Blondet / Carlos Davila Rinaldi / Frances Pico, Petrus, Miramar,
Puerto Rico

2014
COLPERMA: Selected Works from MAC Permanent Collection, Banco Popular, Popular Center,
Hato Rey, Puerto Rico

2013
SUMMERTIME, Miramar, Puerto Rico
Colectiva MONOPATIN 2.0, C787STUDIOS, Santurce, Puerto Rico

2012
INTERCONECCIONES: Lecturas Curatoriales de la Col. MAPR, Museo de Arte de Puerto Rico,
Santurce, Puerto Rico
Pasiones Contemporáneas de la Col. Serapion & Belk, Museo de Ponce, Ponce, Puerto Rico

2010
SEX SELLS / ArteFoundation, Obra Galería, Old San Juan, Puerto Rico

2009
IMMUNITY / ArteFoundation, CIRCA Art Fair, Puerto Rico Convention Center, San Juan, Puerto Rico
Reality Check / ArteFoundation, SCOPE Miami 09, Miami, FL

2008
Terruño y Paraíso Perdido 2, Museo de Arte de Caguas, Caguas, Puerto Rico

2007
Contexto puertorriqueño: del Rococó Colonial al Arte Global, Museo de Arte de P.R, Santurce,
Puerto Rico
Puerto Rican Art: Image of a Culture, Orlando Museum of Art, Orlando, FL

2006
Y Bernalerías Y, Museo de Arte Moderno, Santo Domingo, Dominican Republic
Proposals: Recent Works, ArteFoundation, ARWI, San Juan Convention Center, Puerto Rico
Adult Juxtapositions / ArteFoundation, Old San Juan, Puerto Rico
Wall Street 1968-2008 / ArteFoundation, PhotoMiami, Wynwood Art District, Miami, FL

2005
Imagen de una Cultura, Museo de Arte de Puerto Rico, Santurce, Puerto Rico

2003
Muestra Nacional, Arsenal de la Puntilla, Old San Juan, Puerto Rico
La Otra Ventana: 50 Años de Television en Puerto Rico, Museo de Arte de Puerto Rico, Santurce, Puerto Rico

2000
Tesoros de la Pintura Puertorriqueña, Museo de Arte de Puerto Rico, Santurce, Puerto Rico
Small Wonders, Galerie Van Der Straeten, Amsterdam, Netherlands

1998
Grecia Olímpica, Galería Botello, Hato Rey, Puerto Rico
100 en la Cien, Museo de Arte Contemporáneo de Puerto Rico, Santurce, Puerto Rico
Invitational 1998, Galerie Van Der Straeten, Amsterdam, Netherlands

1996
The Art Exchange Show / Anne Plumb Gallery, New York, NY

1994
Colectiva en Conmemoración del Primer Centenario del Olimpismo Mundial, Chase Manhattan
Bank, Hato Rey, Puerto Rico
Segunda Bienal de Pintura del Caribe y Centro América, Museo de Arte Moderno, Santo Domingo, Dominican Republic
Pequeño Formato Latinoamericano, Galería Luigi Marrozzini, Old San Juan, Puerto Rico
Yslas: Art in Transit, Hostos Art Gallery, Bronx, New York, NY

1993
Arte, Objetos y Artefactos: Ocho Artistas, Citibank Center Atrium, Cupey, Puerto Rico

1992
De la “A” a la “Z”, Banco de Desarrollo, Hato Rey, Puerto Rico
Primera Bienal de Pintura del Caribe y Centro América, Museo de Arte Moderno, Santo Domingo, Dominican Republic
Colectiva de Artistas Puertorriqueños, GalerÌa Arawak, Santo Domingo, Dominican Republic

1991
Artistas de la Nueva Era, La Princesa, Old San Juan, Puerto Rico

1990
Arte Contra Hambre, Chase Manhattan Bank, Hato Rey
New Art from Puerto Rico, Museum of Fine Arts, Springfield, MA
Museum of Art, Brockton, MA / The Forum, St. Louis, MO
Art Gallery of Hostos Community College, Bronx, NY / Museo de Ponce, Ponce, Puerto Rico

1988
Certamen 5to Centenario AVCO, Casa Blanca, Old San Juan, Puerto Rico
Pequeño Formato, GalerÌa Luigi Marrozzini, Old San Juan, Puerto Rico

1987
Best of the Latest, DePauw University, Greencastle, IN
Professor’s Exhibit, Art Students League, Old San Juan, Puerto Rico

1986
2do Congreso de Artistas Abstractos, Arsenal de La Puntilla, Old San Juan, Puerto Rico

1986
Congreso de Artistas Abstractos, Museo de Arte Moderno, Santo Domingo, Dominican Republic
2do Congreso de Artistas Abstractos, Arsenal de La Puntilla, Old San Juan, Puerto Rico

1985
Galería Luigi Marrozzini, Old San Juan, Puerto Rico

1984
1er Congreso de Artistas Abstractos, Arsenal de La Puntilla, Old San Juan, Puerto Rico

1981
Muestra Nacional de Pintura y Escultura Puertorrriqueña, Instituto de Cultura, Old San Juan, Puerto Rico

COLLECTIONS

ALMA, Boutique Hotel, Old San Juan, Puerto Rico
American Express, San Juan, Puerto Rico
Arco Asset Management, San Juan, Puerto Rico
Ateneo de Puerto Rico, San Juan, Puerto Rico
B. Fernández & Hnos., Bayamón, Puerto Rico
Banco de Desarrollo Económico, Hato Rey, Puerto Rico
Banco Popular, Hato Rey, Puerto Rico
Buxeda, Inc. Hato Rey, Puerto Rico
Centro Wilfredo Lam, Havana, Cuba
Cooperativa de Seguros Multiples, Puerto Rico
Condado Vanderbilt, San Juan, Puerto Rico
Rollins Museum, Rollins College, Winter Park, FL
Federal Reserve Bank of New York, New York, NY

FirstBank, Puerto Rico
Leheigh University Museum, PA
Leo Burnet, Puerto Rico
Lopito, Ileana & Howie, Guaynabo, Puerto Rico
MAC, Museo de Arte Contemporáneo de Puerto Rico, Santurce, Puerto Rico
MAP, Museo de Ponce, Ponce, Puerto Rico
MAPR, Museo de Arte de Puerto Rico, Santurce, Puerto Rico
McConnell Valdés, Hato Rey, Puerto Rico
Mobil Oil del Caribe, Puerto Rico
Museo de Arte Contemporaneo, Santo Domingo, Dominican Republic
Reyes-Veray Collection, Puerto Rico
Serapion Belk Collection, Puerto Rico
SIMED, Santurce, Puerto Rico
St. Regis Bahia Beach Resort, Rio Grande, Puerto Rico
UBS, Hato Rey, Puerto Rico
Universidad Metropolitana, Cupey, Puerto Rico
Universidad del Turabo, Puerto Rico

AWARDS

2nd Prize in Painting- Certamen Mobil
Honorable Mention- Certamen AVCO
Honorable Mention- Arte Joven / Chase Manhattan Bank
Premio / Portfolio de Carteles - Pabellón de Sevilla
Best Individual Exhibit / CRUX / AICA, Puerto Rico

SELECTED BIBILIOGRAPHY

Alegre Barrios, Mario: Nuevas dimensiones de la obra de Carlos Dávila, El Nuevo Día, May 13, 1990
Alegre Barrios, Mario: Ojos que ven en el MAC, El Nuevo Día, Por Dentro, April 19, 1996
Alegre Barrios, Mario: Con la mirada en si mismo, El Nuevo Día, Por Dentro, February 10, 2002
Alvarez Lezama, Manuel: Rhythms of Our Cultural Growth, The San Juan Star, Venue, April 21, 1996
Alvarez Lezama, Manuel: Nuestra pintura está muy viva, El Nuevo Día, Por Dentro, December 3, 2000
Alvarez Lezama: Manuel: 20 años rompiendo fronteras, El Nuevo Día, Por Dentro, February 25, 2001
Author unknown: Carlos Dávila abre hoy en Coabey, El Nuevo Día, August 13, 1981
Author unknown: Jugar por jugar, El Nuevo Día, May 16, 1999
Author unknown: Toldos en Galería Petrus, El Nuevo Día, Arte y Cultura, August 23, 2003
Author unknown: “Comeback” de Dávila Rinaldi, El Vocero, Escenario, December 2, 2004
Balk, Carolyn: Platanos y La Gringomatic, puertoricandiaspora.wordpress.com, April 2014
Benabe, Patricia: El fluir de la conciencia, El Nuevo Día, Arte y Cultura, June 8, 2003
Benítez, Marimar: Dos artistas jóvenes, El Reportero, May 2, 1987
Benítez, Marimar: Neurotic Imperatives: Contemporary Art from Puerto Rico, Art Journal, Vol. 57, 1998
Blasor Lorraine: Artists for Art’s Sake, Caribbean Business - Living Well, December 7, 1989
Cherson, Samuel B.: Carlos Dávila: refrescante brisa iconoclasta, El Nuevo Día, June 2, 1990
Cherson, Samuel B.: Sencillas y refrescantes las colectivas navideñas, El Nuevo Día, January 13, 1991
Cherson, Samuel B.: La juventud busca su espacio, El Nuevo Día - Revista Domingo, September 29, 1991
Colón Camacho, Doreen: Alicea, Collazo y Dávila Rinaldi, El Nuevo Día, Por Dentro, May 24, 1996
Delgado Figueroa, Elaine: “Inspiración Real” en Petrus, El Nuevo Día, Arte y Cultura, December 1, 2004
Delgado Figueroa, Elaine: Fusión de placer y reflexión, El Nuevo Día, Arte y Cultura, December 26, 2004
Fullana Acosta, Mariela: Carlos Dávila Rinaldi presenta obras inspiradas en el huracán María, El Nuevo Día, Arte y Cultura, April 2, 2018
Fullana Acosta, Mariela: Carlos Dávila Rinaldi: entre caos y la creatividad, El Nuevo Día, Arte y Cultura, June 7, 2020
García Gutiérrez, Enrique: José Perdomo en Las Américas, Dávila-Rinaldi en el MAC, El Nuevo Día, Revista Domingo, May 12, 1996
García Gutiérrez, Enrique: La curva de Dávila Rinaldi, El Nuevo Día, Revista Domingo, October 17, 1999
García Gutiérrez, Enrique: Dávila Rinaldi sin límites, El Nuevo Día, Revista Domingo, March 18, 2001
Gil, Laura: Artistas abstractos de Puerto Rico, El Caribe, February 22, 1986
Jover Tovar, Alejandra M.: Puerto Rico en PhotoMiami 2008, Primera Hora, December 4, 2008
Morales, Carlos A.: Carlos Dávila Rinaldi: Artista polifacético, Revista Ambiente, October, 1987
Paniagua, Tere: Hay que desaprender mucho, El Nuevo Día, Por Dentro, October 3, 1999
Pérez-Lizano, Manuel: Quince artistas en Bella Artes, El Nuevo Día, June 14, 1987
Pérez -Lizano, Manuel: Grandes valores y formatos pequeños, El Nuevo Día, December 26, 1988
Pérez Rivera, Tatiana: La odisea de vivir del arte, El Nuevo Día, July 24, 2005
Pérez Rivera, Tatiana: Abraza Dávila Rinaldi el libre albedrío, El Nuevo Día, September 10, 2010
Pérez Rivera, Tatiana: La Costura del Truco, Lapiceroverde.com, June 13, 2015
Pérez Rivera, Tatiana: Lo memorable de “Contra viento y María”, Oenegé / Fundación Ángel Ramos, March 25, 2018
Pérez Ruiz, José A.: Exposición colectiva, El Mundo, December 4, 1981
Pérez Ruiz, José A.: Artistas jóvenes de Puerto Rico, El Reportero, May 26, 1988
Pérez Ruiz, José A.: Art, Objects and Artifacts, ArtNexus No.10, November, 1993
Raynor, Vivien: Art; Puerto Rican Artists Bridge Two Worlds Apart, December 4, 1994
Rodríguez, Jorge: Reflexiones pictóricas de dos artistas, El Vocero, Escenario, October 6, 1999
Rodríguez, Jorge: Carlos Dávila-Rinaldi sin límites, El Vocero, Escenario, February 3, 2001
Rodríguez, Jorge: ...cambios de ánimo, El Vocero, Escenario, February 9, 2002
Rodríguez, Jorge: Pensamientos Paralelos, El Vocero, Escenario, June 9, 2003
Rodríguez, Jorge: Un Nuevo Hábitat par Carlos Dávila Rinaldi, El Vocero, Escenario, May 25, 2017
Rodríguez, Myrna: Constructions at City Hall, The San Juan Star, April 19, 1981
Rodríguez, Myrna: Cafe Art, The San Juan Star, December 6, 1981
Rodríguez, Myrna: Bad, Better & Best at Marrozzini’s, The San Juan Star, June 9, 1985
Rodríguez, Myrna: Maturity becomes Dávila-Rinaldi, The San Juan Star, April 30, 1987
Rodríguez, Myrna: Young Artists at Bellas Artes, The San Juan Star, July 9, 1987
Rodríguez, Myrna: Arte Joven exhibits a good collection of works, The San Juan Star, October 7, 1991
Roldán Soto, Camile: Desvío hacia lo Hermoso, Flash & Cultura, El Nuevo Día, May 23, 2017
Roldán Soto, Camile: CDR presenta exhibición sobre problematicas sociales de hace mas de una decada, Cultura, El Nuevo Día, June 30, 2019
Roulet, Laura: Treading New Path on the Cosmic Map, The San Juan Star, October 25, 1992
Ruiz de la Mata, Ernesto: Molto Bravo!, The San Juan Star Sunday Magazine, November 1, 1992
Russel, Gloria: Puerto Rican Concerns Expressed in Art, Sunday Republican, June 17, 1990
Soto Melendez, Juan: Pasarela a pincel y puntada, El Vocero, Escenario, June 17, 2003
Temin, Christine: Puerto Rican Show Grapples with Social and Political Issues. The Boston Sunday Globe, May 5, 1991
Tió, Teresa: Abstractos en el Arsenal, El Mundo, May 22, 1986
Tolentino, Marianne: II Congreso de Artistas Abstractos e Imponente Muestra, Listín Diario, May 17, 1986
Toro, Ana Teresa: La mancha que nos une, Cultura, El Nuevo Día, Dec. 25, 2012
Toro, Ana Teresa: Objetos, juego y un arte con humor, Cultura, El Nuevo Día, April 4, 2013
Toro, Ana Teresa: Tres miradas para un verano lluvioso, Cultura, El Nuevo Día, July 9, 2013
Van Atten, Suzanne: After the Storm, The Atlanta Journal - Constitution, April 15, 2018
Vázquez Zapata, Larissa: Olor a azul cobalto, El Nuevo DÌa, Por Dentro, June 27, 1999
Vázquez Zapata, Larissa: Asientos de la creatividad, El Nuevo Día, Arte y Cultura, August 16, 2005
Vélez, Pedro: Puerto Rico is Hardcore. www.artnet.com, April 2010
Vícens, Marilyn: Sin límites en Las Américas, El Nuevo DÌa, Por Dentro, February 4, 2001
Zimmer, William: Moving from autobiography to identity, New York Times, November 24, 1991

Carlos’ abstractions present spectators with a complex visual language full of expression, color, and motion. Sometimes minimalistic and other times complex networks of shapes and lines create vibrant canvases buzzing with his signature mark.

Born in 1958, he participated in the GLCA Apprenticeship program in 1979 (now called the AICAD / New York Studio Residency Program), assisting NYC artists Robert Stackhouse and Louis Liberman. He graduated from DePauw University in 1980 with a Liberal Arts Degree.

Though he is widely recognized as a painter and sculptor, throughout his career he has also worked as a Graphic Designer, Illustrator, Art Director, and Creative Director, which has given him an eye for what is current. As an artist, he exhibited four solo shows at Galleria Luigi Marrozzini until the mid-1990s, which were pivotal in his career, positioning him as a creative force within the local art scene.

During this period, Carlos was selected for the traveling exhibit, “New Art from Puerto Rico,” organized by the Springfield Art Museum in Massachusetts and curated by Susana Torruella. In 1994, he took part in the Caribbean Painting Biennial at Museo de Arte Moderno in Santo Domingo. Also that year, his works were included in “Yslas: Art in Transit,” presented at Hostos Community College, Bronx, NY.

He became a painting professor at the Escuela de Artes Plásticas in San Juan for two years in the late 1990s and later, in 2001, exhibited his “No Boundaries: a 20-year Survey” at the Museo de Ballaja in Old San Juan, curated by Nilda Peraza (Director at Cayman Gallery, NYC). In 2004, Carlos was part of the traveling exhibit “Puerto Rican Art: Image of a Culture,” presented at the Orlando Museum of Art in Florida. In May 2012, he exhibited a mid-career survey, “Only Essence Remains,” also held at the Museo de Ballaja, curated by William Stover (Curator at the Museum of Fine Arts, Boston).

His work is included in major private and public collections around the world, including the Museo de Arte de Puerto Rico (MAPR), the Ponce Museum, the Museo de Arte Contemporáneo de PR (MAC), and the New York Federal Reserve Bank, NYC. In recent years, he has participated in various international art fairs, including Red Dot, Circa, Scope, the Armory Show, and PhotoMiami.

His body of work oscillates between colorful abstractions loaded with intricate markings and bold representational works that are keen, almost satirical observations of social issues found in his native Puerto Rico, where he expresses his acute vernacular in vivid colors.

In 2018, he presented “Aftermath,” a personal view of the issues the island faced after Hurricane Maria. In 2020, which proved to be one of his most productive years, he exhibited his perspective on the COVID Pandemic in “Lockdown Paintings,” a series of large-scale paintings that reflect his experience, thoughts, and comments during those highly medically-political times. In 2020, Carlos was part of the “Art in U.S. Embassies Program” in Kolonia, Federated States of Micronesia. In 2023, he presented “Caribbean Soul” at the Puerto Rico Tourism Co. in San Juan.

As an established artist, he has a quiet, resolute approach, while rendering bold and remarkable modernist strokes of his genius. To divide his work into social commentary through figuration and complex abstract language is to be reductive, as his work is a complex visual language full of expression, color, and motion.

CARLOS DÁVILA RINALDI
Puerto Rico

EDUCATION

1974-1976 Art Students League, Old San Juan, Puerto Rico
1979 GLCA Artist Apprenticeship Program, New York, NY
(Apprentice to Robert Stackhouse and Louis Lieberman)
1980 BA DePauw University, Indiana

SELECTED SOLO EXHIBITIONS

2023
Caribbean Soul, Puerto Rico Tourism Co., Paseo La Princesa, Old San Juan, Puerto Rico
Sin Wash, Galería Petrus, Miramar, Puerto Rico
The Tarps / Sube El Telón, Galería Petrus, Miramar, Puerto Rico

2022
Accumulations/REVISITED, Galería Petrus, Miramar, Puerto Rico
Frenzy, Galería Petrus, Miramar, Puerto Rico

2021
Nothing in Between, Galería Petrus, Miramar, Puerto Rico

2020
The Lockdown Paintings, Galería Petrus, Miramar, Puerto Rico

2019
Same’O Same’O, Galería Petrus, Miramar, Puerto Rico

2018
Aftermath, Arte@Plaza, Plaza las Americas, Hato Rey, Puerto Rico

2017
Habitat, Arte@Plaza, Plaza las Americas, Hato Rey, Puerto Rico
Absent Reality, Art Students League, Old San Juan, Puerto Rico

2015
Magicians, Hypnotists & Other Acts, Arte@Plaza, Plaza las Americas, Hato Rey, Puerto Rico

2014
Dual / Duel, Galería Petrus, Miramar, Puerto Rico

2013
Lingo, Galería Petrus, Miramar, Puerto Rico

2012
Only Essence Remains (Mid-Career survey curated by William Stover), Museo Las Américas,
Old San Juan, Puerto Rico

2010
New Work / Last 5 years: 2006-2010, Obra Galería, Old San Juan, Puerto Rico

2006
Colectivo, Obra Reciente, Petrus, Miramar Puerto Rico

2004
Musas, Galería La Alcaldía (City Hall), Old San Juan, Puerto Rico
Comeback, Petrus, Miramar, Puerto Rico

2003
Pensamientos Paralelos, Petrus, Miramar, Puerto Rico

2002
Mood Swings, Petrus Galeros, Hato Rey, Puerto Rico

2001
No Boundaries: a 20 year survey, Museo Las Américas, Old San Juan, Puerto Rico

1999
Entrando en la Curva, Petrus Galeros, Hato Rey, Puerto Rico

1996
Ojos que Ven, Museo de Arte Contemporáneo, Santurce

1993
Crux, Museo de Casa Roig, Humacao, Puerto Rico

1992
Acumulaciones, Galería Luigi Marrozzini, Old San Juan

1989
Construcciones, UPR, Recinto de Mayagüez, Puerto Rico

1981
Alfombras, Galería Coabey, Old San Juan, Puerto Rico

SELECTED GROUP EXHIBITIONS

2024
Flower Power, Galería Petrus, Miramar, Puerto Rico

2022
This is not Surrealism, RegularNormal at Dinner Gallery, Chelsea NYC, New York, NY
En Vivo y a Todo Color, Eve Leibe Gallery, London, United Kingdom

2021
El Poder Expresivo: Una Mirada a la Colección McConnell Valdés, Museo de Arte de Puerto
Rico, Santurce, Puerto Rico

2020
Art in U.S. Embassies, Kolonia, Federated States of Micronesia

2019
Los 50 de La Liga, Museo Las Américas, Old San Juan, Puerto Rico

2015
COLOR DRAMA / Carmen Ines Blondet / Carlos Davila Rinaldi / Frances Pico, Petrus, Miramar,
Puerto Rico

2014
COLPERMA: Selected Works from MAC Permanent Collection, Banco Popular, Popular Center,
Hato Rey, Puerto Rico

2013
SUMMERTIME, Miramar, Puerto Rico
Colectiva MONOPATIN 2.0, C787STUDIOS, Santurce, Puerto Rico

2012
INTERCONECCIONES: Lecturas Curatoriales de la Col. MAPR, Museo de Arte de Puerto Rico,
Santurce, Puerto Rico
Pasiones Contemporáneas de la Col. Serapion & Belk, Museo de Ponce, Ponce, Puerto Rico

2010
SEX SELLS / ArteFoundation, Obra Galería, Old San Juan, Puerto Rico

2009
IMMUNITY / ArteFoundation, CIRCA Art Fair, Puerto Rico Convention Center, San Juan, Puerto Rico
Reality Check / ArteFoundation, SCOPE Miami 09, Miami, FL

2008
Terruño y Paraíso Perdido 2, Museo de Arte de Caguas, Caguas, Puerto Rico

2007
Contexto puertorriqueño: del Rococó Colonial al Arte Global, Museo de Arte de P.R, Santurce,
Puerto Rico
Puerto Rican Art: Image of a Culture, Orlando Museum of Art, Orlando, FL

2006
Y Bernalerías Y, Museo de Arte Moderno, Santo Domingo, Dominican Republic
Proposals: Recent Works, ArteFoundation, ARWI, San Juan Convention Center, Puerto Rico
Adult Juxtapositions / ArteFoundation, Old San Juan, Puerto Rico
Wall Street 1968-2008 / ArteFoundation, PhotoMiami, Wynwood Art District, Miami, FL

2005
Imagen de una Cultura, Museo de Arte de Puerto Rico, Santurce, Puerto Rico

2003
Muestra Nacional, Arsenal de la Puntilla, Old San Juan, Puerto Rico
La Otra Ventana: 50 Años de Television en Puerto Rico, Museo de Arte de Puerto Rico, Santurce, Puerto Rico

2000
Tesoros de la Pintura Puertorriqueña, Museo de Arte de Puerto Rico, Santurce, Puerto Rico
Small Wonders, Galerie Van Der Straeten, Amsterdam, Netherlands

1998
Grecia Olímpica, Galería Botello, Hato Rey, Puerto Rico
100 en la Cien, Museo de Arte Contemporáneo de Puerto Rico, Santurce, Puerto Rico
Invitational 1998, Galerie Van Der Straeten, Amsterdam, Netherlands

1996
The Art Exchange Show / Anne Plumb Gallery, New York, NY

1994
Colectiva en Conmemoración del Primer Centenario del Olimpismo Mundial, Chase Manhattan
Bank, Hato Rey, Puerto Rico
Segunda Bienal de Pintura del Caribe y Centro América, Museo de Arte Moderno, Santo Domingo, Dominican Republic
Pequeño Formato Latinoamericano, Galería Luigi Marrozzini, Old San Juan, Puerto Rico
Yslas: Art in Transit, Hostos Art Gallery, Bronx, New York, NY

1993
Arte, Objetos y Artefactos: Ocho Artistas, Citibank Center Atrium, Cupey, Puerto Rico

1992
De la “A” a la “Z”, Banco de Desarrollo, Hato Rey, Puerto Rico
Primera Bienal de Pintura del Caribe y Centro América, Museo de Arte Moderno, Santo Domingo, Dominican Republic
Colectiva de Artistas Puertorriqueños, GalerÌa Arawak, Santo Domingo, Dominican Republic

1991
Artistas de la Nueva Era, La Princesa, Old San Juan, Puerto Rico

1990
Arte Contra Hambre, Chase Manhattan Bank, Hato Rey
New Art from Puerto Rico, Museum of Fine Arts, Springfield, MA
Museum of Art, Brockton, MA / The Forum, St. Louis, MO
Art Gallery of Hostos Community College, Bronx, NY / Museo de Ponce, Ponce, Puerto Rico

1988
Certamen 5to Centenario AVCO, Casa Blanca, Old San Juan, Puerto Rico
Pequeño Formato, GalerÌa Luigi Marrozzini, Old San Juan, Puerto Rico

1987
Best of the Latest, DePauw University, Greencastle, IN
Professor’s Exhibit, Art Students League, Old San Juan, Puerto Rico

1986
2do Congreso de Artistas Abstractos, Arsenal de La Puntilla, Old San Juan, Puerto Rico

1986
Congreso de Artistas Abstractos, Museo de Arte Moderno, Santo Domingo, Dominican Republic
2do Congreso de Artistas Abstractos, Arsenal de La Puntilla, Old San Juan, Puerto Rico

1985
Galería Luigi Marrozzini, Old San Juan, Puerto Rico

1984
1er Congreso de Artistas Abstractos, Arsenal de La Puntilla, Old San Juan, Puerto Rico

1981
Muestra Nacional de Pintura y Escultura Puertorrriqueña, Instituto de Cultura, Old San Juan, Puerto Rico

COLLECTIONS

ALMA, Boutique Hotel, Old San Juan, Puerto Rico
American Express, San Juan, Puerto Rico
Arco Asset Management, San Juan, Puerto Rico
Ateneo de Puerto Rico, San Juan, Puerto Rico
B. Fernández & Hnos., Bayamón, Puerto Rico
Banco de Desarrollo Económico, Hato Rey, Puerto Rico
Banco Popular, Hato Rey, Puerto Rico
Buxeda, Inc. Hato Rey, Puerto Rico
Centro Wilfredo Lam, Havana, Cuba
Cooperativa de Seguros Multiples, Puerto Rico
Condado Vanderbilt, San Juan, Puerto Rico
Rollins Museum, Rollins College, Winter Park, FL
Federal Reserve Bank of New York, New York, NY

FirstBank, Puerto Rico
Leheigh University Museum, PA
Leo Burnet, Puerto Rico
Lopito, Ileana & Howie, Guaynabo, Puerto Rico
MAC, Museo de Arte Contemporáneo de Puerto Rico, Santurce, Puerto Rico
MAP, Museo de Ponce, Ponce, Puerto Rico
MAPR, Museo de Arte de Puerto Rico, Santurce, Puerto Rico
McConnell Valdés, Hato Rey, Puerto Rico
Mobil Oil del Caribe, Puerto Rico
Museo de Arte Contemporaneo, Santo Domingo, Dominican Republic
Reyes-Veray Collection, Puerto Rico
Serapion Belk Collection, Puerto Rico
SIMED, Santurce, Puerto Rico
St. Regis Bahia Beach Resort, Rio Grande, Puerto Rico
UBS, Hato Rey, Puerto Rico
Universidad Metropolitana, Cupey, Puerto Rico
Universidad del Turabo, Puerto Rico

AWARDS

2nd Prize in Painting- Certamen Mobil
Honorable Mention- Certamen AVCO
Honorable Mention- Arte Joven / Chase Manhattan Bank
Premio / Portfolio de Carteles - Pabellón de Sevilla
Best Individual Exhibit / CRUX / AICA, Puerto Rico

SELECTED BIBILIOGRAPHY

Alegre Barrios, Mario: Nuevas dimensiones de la obra de Carlos Dávila, El Nuevo Día, May 13, 1990
Alegre Barrios, Mario: Ojos que ven en el MAC, El Nuevo Día, Por Dentro, April 19, 1996
Alegre Barrios, Mario: Con la mirada en si mismo, El Nuevo Día, Por Dentro, February 10, 2002
Alvarez Lezama, Manuel: Rhythms of Our Cultural Growth, The San Juan Star, Venue, April 21, 1996
Alvarez Lezama, Manuel: Nuestra pintura está muy viva, El Nuevo Día, Por Dentro, December 3, 2000
Alvarez Lezama: Manuel: 20 años rompiendo fronteras, El Nuevo Día, Por Dentro, February 25, 2001
Author unknown: Carlos Dávila abre hoy en Coabey, El Nuevo Día, August 13, 1981
Author unknown: Jugar por jugar, El Nuevo Día, May 16, 1999
Author unknown: Toldos en Galería Petrus, El Nuevo Día, Arte y Cultura, August 23, 2003
Author unknown: “Comeback” de Dávila Rinaldi, El Vocero, Escenario, December 2, 2004
Balk, Carolyn: Platanos y La Gringomatic, puertoricandiaspora.wordpress.com, April 2014
Benabe, Patricia: El fluir de la conciencia, El Nuevo Día, Arte y Cultura, June 8, 2003
Benítez, Marimar: Dos artistas jóvenes, El Reportero, May 2, 1987
Benítez, Marimar: Neurotic Imperatives: Contemporary Art from Puerto Rico, Art Journal, Vol. 57, 1998
Blasor Lorraine: Artists for Art’s Sake, Caribbean Business - Living Well, December 7, 1989
Cherson, Samuel B.: Carlos Dávila: refrescante brisa iconoclasta, El Nuevo Día, June 2, 1990
Cherson, Samuel B.: Sencillas y refrescantes las colectivas navideñas, El Nuevo Día, January 13, 1991
Cherson, Samuel B.: La juventud busca su espacio, El Nuevo Día - Revista Domingo, September 29, 1991
Colón Camacho, Doreen: Alicea, Collazo y Dávila Rinaldi, El Nuevo Día, Por Dentro, May 24, 1996
Delgado Figueroa, Elaine: “Inspiración Real” en Petrus, El Nuevo Día, Arte y Cultura, December 1, 2004
Delgado Figueroa, Elaine: Fusión de placer y reflexión, El Nuevo Día, Arte y Cultura, December 26, 2004
Fullana Acosta, Mariela: Carlos Dávila Rinaldi presenta obras inspiradas en el huracán María, El Nuevo Día, Arte y Cultura, April 2, 2018
Fullana Acosta, Mariela: Carlos Dávila Rinaldi: entre caos y la creatividad, El Nuevo Día, Arte y Cultura, June 7, 2020
García Gutiérrez, Enrique: José Perdomo en Las Américas, Dávila-Rinaldi en el MAC, El Nuevo Día, Revista Domingo, May 12, 1996
García Gutiérrez, Enrique: La curva de Dávila Rinaldi, El Nuevo Día, Revista Domingo, October 17, 1999
García Gutiérrez, Enrique: Dávila Rinaldi sin límites, El Nuevo Día, Revista Domingo, March 18, 2001
Gil, Laura: Artistas abstractos de Puerto Rico, El Caribe, February 22, 1986
Jover Tovar, Alejandra M.: Puerto Rico en PhotoMiami 2008, Primera Hora, December 4, 2008
Morales, Carlos A.: Carlos Dávila Rinaldi: Artista polifacético, Revista Ambiente, October, 1987
Paniagua, Tere: Hay que desaprender mucho, El Nuevo Día, Por Dentro, October 3, 1999
Pérez-Lizano, Manuel: Quince artistas en Bella Artes, El Nuevo Día, June 14, 1987
Pérez -Lizano, Manuel: Grandes valores y formatos pequeños, El Nuevo Día, December 26, 1988
Pérez Rivera, Tatiana: La odisea de vivir del arte, El Nuevo Día, July 24, 2005
Pérez Rivera, Tatiana: Abraza Dávila Rinaldi el libre albedrío, El Nuevo Día, September 10, 2010
Pérez Rivera, Tatiana: La Costura del Truco, Lapiceroverde.com, June 13, 2015
Pérez Rivera, Tatiana: Lo memorable de “Contra viento y María”, Oenegé / Fundación Ángel Ramos, March 25, 2018
Pérez Ruiz, José A.: Exposición colectiva, El Mundo, December 4, 1981
Pérez Ruiz, José A.: Artistas jóvenes de Puerto Rico, El Reportero, May 26, 1988
Pérez Ruiz, José A.: Art, Objects and Artifacts, ArtNexus No.10, November, 1993
Raynor, Vivien: Art; Puerto Rican Artists Bridge Two Worlds Apart, December 4, 1994
Rodríguez, Jorge: Reflexiones pictóricas de dos artistas, El Vocero, Escenario, October 6, 1999
Rodríguez, Jorge: Carlos Dávila-Rinaldi sin límites, El Vocero, Escenario, February 3, 2001
Rodríguez, Jorge: ...cambios de ánimo, El Vocero, Escenario, February 9, 2002
Rodríguez, Jorge: Pensamientos Paralelos, El Vocero, Escenario, June 9, 2003
Rodríguez, Jorge: Un Nuevo Hábitat par Carlos Dávila Rinaldi, El Vocero, Escenario, May 25, 2017
Rodríguez, Myrna: Constructions at City Hall, The San Juan Star, April 19, 1981
Rodríguez, Myrna: Cafe Art, The San Juan Star, December 6, 1981
Rodríguez, Myrna: Bad, Better & Best at Marrozzini’s, The San Juan Star, June 9, 1985
Rodríguez, Myrna: Maturity becomes Dávila-Rinaldi, The San Juan Star, April 30, 1987
Rodríguez, Myrna: Young Artists at Bellas Artes, The San Juan Star, July 9, 1987
Rodríguez, Myrna: Arte Joven exhibits a good collection of works, The San Juan Star, October 7, 1991
Roldán Soto, Camile: Desvío hacia lo Hermoso, Flash & Cultura, El Nuevo Día, May 23, 2017
Roldán Soto, Camile: CDR presenta exhibición sobre problematicas sociales de hace mas de una decada, Cultura, El Nuevo Día, June 30, 2019
Roulet, Laura: Treading New Path on the Cosmic Map, The San Juan Star, October 25, 1992
Ruiz de la Mata, Ernesto: Molto Bravo!, The San Juan Star Sunday Magazine, November 1, 1992
Russel, Gloria: Puerto Rican Concerns Expressed in Art, Sunday Republican, June 17, 1990
Soto Melendez, Juan: Pasarela a pincel y puntada, El Vocero, Escenario, June 17, 2003
Temin, Christine: Puerto Rican Show Grapples with Social and Political Issues. The Boston Sunday Globe, May 5, 1991
Tió, Teresa: Abstractos en el Arsenal, El Mundo, May 22, 1986
Tolentino, Marianne: II Congreso de Artistas Abstractos e Imponente Muestra, Listín Diario, May 17, 1986
Toro, Ana Teresa: La mancha que nos une, Cultura, El Nuevo Día, Dec. 25, 2012
Toro, Ana Teresa: Objetos, juego y un arte con humor, Cultura, El Nuevo Día, April 4, 2013
Toro, Ana Teresa: Tres miradas para un verano lluvioso, Cultura, El Nuevo Día, July 9, 2013
Van Atten, Suzanne: After the Storm, The Atlanta Journal - Constitution, April 15, 2018
Vázquez Zapata, Larissa: Olor a azul cobalto, El Nuevo DÌa, Por Dentro, June 27, 1999
Vázquez Zapata, Larissa: Asientos de la creatividad, El Nuevo Día, Arte y Cultura, August 16, 2005
Vélez, Pedro: Puerto Rico is Hardcore. www.artnet.com, April 2010
Vícens, Marilyn: Sin límites en Las Américas, El Nuevo DÌa, Por Dentro, February 4, 2001
Zimmer, William: Moving from autobiography to identity, New York Times, November 24, 1991

Carlos’ abstractions present spectators with a complex visual language full of expression, color, and motion. Sometimes minimalistic and other times complex networks of shapes and lines create vibrant canvases buzzing with his signature mark.

Born in 1958, he participated in the GLCA Apprenticeship program in 1979 (now called the AICAD / New York Studio Residency Program), assisting NYC artists Robert Stackhouse and Louis Liberman. He graduated from DePauw University in 1980 with a Liberal Arts Degree.

Though he is widely recognized as a painter and sculptor, throughout his career he has also worked as a Graphic Designer, Illustrator, Art Director, and Creative Director, which has given him an eye for what is current. As an artist, he exhibited four solo shows at Galleria Luigi Marrozzini until the mid-1990s, which were pivotal in his career, positioning him as a creative force within the local art scene.

During this period, Carlos was selected for the traveling exhibit, “New Art from Puerto Rico,” organized by the Springfield Art Museum in Massachusetts and curated by Susana Torruella. In 1994, he took part in the Caribbean Painting Biennial at Museo de Arte Moderno in Santo Domingo. Also that year, his works were included in “Yslas: Art in Transit,” presented at Hostos Community College, Bronx, NY.

He became a painting professor at the Escuela de Artes Plásticas in San Juan for two years in the late 1990s and later, in 2001, exhibited his “No Boundaries: a 20-year Survey” at the Museo de Ballaja in Old San Juan, curated by Nilda Peraza (Director at Cayman Gallery, NYC). In 2004, Carlos was part of the traveling exhibit “Puerto Rican Art: Image of a Culture,” presented at the Orlando Museum of Art in Florida. In May 2012, he exhibited a mid-career survey, “Only Essence Remains,” also held at the Museo de Ballaja, curated by William Stover (Curator at the Museum of Fine Arts, Boston).

His work is included in major private and public collections around the world, including the Museo de Arte de Puerto Rico (MAPR), the Ponce Museum, the Museo de Arte Contemporáneo de PR (MAC), and the New York Federal Reserve Bank, NYC. In recent years, he has participated in various international art fairs, including Red Dot, Circa, Scope, the Armory Show, and PhotoMiami.

His body of work oscillates between colorful abstractions loaded with intricate markings and bold representational works that are keen, almost satirical observations of social issues found in his native Puerto Rico, where he expresses his acute vernacular in vivid colors.

In 2018, he presented “Aftermath,” a personal view of the issues the island faced after Hurricane Maria. In 2020, which proved to be one of his most productive years, he exhibited his perspective on the COVID Pandemic in “Lockdown Paintings,” a series of large-scale paintings that reflect his experience, thoughts, and comments during those highly medically-political times. In 2020, Carlos was part of the “Art in U.S. Embassies Program” in Kolonia, Federated States of Micronesia. In 2023, he presented “Caribbean Soul” at the Puerto Rico Tourism Co. in San Juan.

As an established artist, he has a quiet, resolute approach, while rendering bold and remarkable modernist strokes of his genius. To divide his work into social commentary through figuration and complex abstract language is to be reductive, as his work is a complex visual language full of expression, color, and motion.

CARLOS DÁVILA RINALDI
Puerto Rico

EDUCATION

1974-1976 Art Students League, Old San Juan, Puerto Rico
1979 GLCA Artist Apprenticeship Program, New York, NY
(Apprentice to Robert Stackhouse and Louis Lieberman)
1980 BA DePauw University, Indiana

SELECTED SOLO EXHIBITIONS

2023
Caribbean Soul, Puerto Rico Tourism Co., Paseo La Princesa, Old San Juan, Puerto Rico
Sin Wash, Galería Petrus, Miramar, Puerto Rico
The Tarps / Sube El Telón, Galería Petrus, Miramar, Puerto Rico

2022
Accumulations/REVISITED, Galería Petrus, Miramar, Puerto Rico
Frenzy, Galería Petrus, Miramar, Puerto Rico

2021
Nothing in Between, Galería Petrus, Miramar, Puerto Rico

2020
The Lockdown Paintings, Galería Petrus, Miramar, Puerto Rico

2019
Same’O Same’O, Galería Petrus, Miramar, Puerto Rico

2018
Aftermath, Arte@Plaza, Plaza las Americas, Hato Rey, Puerto Rico

2017
Habitat, Arte@Plaza, Plaza las Americas, Hato Rey, Puerto Rico
Absent Reality, Art Students League, Old San Juan, Puerto Rico

2015
Magicians, Hypnotists & Other Acts, Arte@Plaza, Plaza las Americas, Hato Rey, Puerto Rico

2014
Dual / Duel, Galería Petrus, Miramar, Puerto Rico

2013
Lingo, Galería Petrus, Miramar, Puerto Rico

2012
Only Essence Remains (Mid-Career survey curated by William Stover), Museo Las Américas,
Old San Juan, Puerto Rico

2010
New Work / Last 5 years: 2006-2010, Obra Galería, Old San Juan, Puerto Rico

2006
Colectivo, Obra Reciente, Petrus, Miramar Puerto Rico

2004
Musas, Galería La Alcaldía (City Hall), Old San Juan, Puerto Rico
Comeback, Petrus, Miramar, Puerto Rico

2003
Pensamientos Paralelos, Petrus, Miramar, Puerto Rico

2002
Mood Swings, Petrus Galeros, Hato Rey, Puerto Rico

2001
No Boundaries: a 20 year survey, Museo Las Américas, Old San Juan, Puerto Rico

1999
Entrando en la Curva, Petrus Galeros, Hato Rey, Puerto Rico

1996
Ojos que Ven, Museo de Arte Contemporáneo, Santurce

1993
Crux, Museo de Casa Roig, Humacao, Puerto Rico

1992
Acumulaciones, Galería Luigi Marrozzini, Old San Juan

1989
Construcciones, UPR, Recinto de Mayagüez, Puerto Rico

1981
Alfombras, Galería Coabey, Old San Juan, Puerto Rico

SELECTED GROUP EXHIBITIONS

2024
Flower Power, Galería Petrus, Miramar, Puerto Rico

2022
This is not Surrealism, RegularNormal at Dinner Gallery, Chelsea NYC, New York, NY
En Vivo y a Todo Color, Eve Leibe Gallery, London, United Kingdom

2021
El Poder Expresivo: Una Mirada a la Colección McConnell Valdés, Museo de Arte de Puerto
Rico, Santurce, Puerto Rico

2020
Art in U.S. Embassies, Kolonia, Federated States of Micronesia

2019
Los 50 de La Liga, Museo Las Américas, Old San Juan, Puerto Rico

2015
COLOR DRAMA / Carmen Ines Blondet / Carlos Davila Rinaldi / Frances Pico, Petrus, Miramar,
Puerto Rico

2014
COLPERMA: Selected Works from MAC Permanent Collection, Banco Popular, Popular Center,
Hato Rey, Puerto Rico

2013
SUMMERTIME, Miramar, Puerto Rico
Colectiva MONOPATIN 2.0, C787STUDIOS, Santurce, Puerto Rico

2012
INTERCONECCIONES: Lecturas Curatoriales de la Col. MAPR, Museo de Arte de Puerto Rico,
Santurce, Puerto Rico
Pasiones Contemporáneas de la Col. Serapion & Belk, Museo de Ponce, Ponce, Puerto Rico

2010
SEX SELLS / ArteFoundation, Obra Galería, Old San Juan, Puerto Rico

2009
IMMUNITY / ArteFoundation, CIRCA Art Fair, Puerto Rico Convention Center, San Juan, Puerto Rico
Reality Check / ArteFoundation, SCOPE Miami 09, Miami, FL

2008
Terruño y Paraíso Perdido 2, Museo de Arte de Caguas, Caguas, Puerto Rico

2007
Contexto puertorriqueño: del Rococó Colonial al Arte Global, Museo de Arte de P.R, Santurce,
Puerto Rico
Puerto Rican Art: Image of a Culture, Orlando Museum of Art, Orlando, FL

2006
Y Bernalerías Y, Museo de Arte Moderno, Santo Domingo, Dominican Republic
Proposals: Recent Works, ArteFoundation, ARWI, San Juan Convention Center, Puerto Rico
Adult Juxtapositions / ArteFoundation, Old San Juan, Puerto Rico
Wall Street 1968-2008 / ArteFoundation, PhotoMiami, Wynwood Art District, Miami, FL

2005
Imagen de una Cultura, Museo de Arte de Puerto Rico, Santurce, Puerto Rico

2003
Muestra Nacional, Arsenal de la Puntilla, Old San Juan, Puerto Rico
La Otra Ventana: 50 Años de Television en Puerto Rico, Museo de Arte de Puerto Rico, Santurce, Puerto Rico

2000
Tesoros de la Pintura Puertorriqueña, Museo de Arte de Puerto Rico, Santurce, Puerto Rico
Small Wonders, Galerie Van Der Straeten, Amsterdam, Netherlands

1998
Grecia Olímpica, Galería Botello, Hato Rey, Puerto Rico
100 en la Cien, Museo de Arte Contemporáneo de Puerto Rico, Santurce, Puerto Rico
Invitational 1998, Galerie Van Der Straeten, Amsterdam, Netherlands

1996
The Art Exchange Show / Anne Plumb Gallery, New York, NY

1994
Colectiva en Conmemoración del Primer Centenario del Olimpismo Mundial, Chase Manhattan
Bank, Hato Rey, Puerto Rico
Segunda Bienal de Pintura del Caribe y Centro América, Museo de Arte Moderno, Santo Domingo, Dominican Republic
Pequeño Formato Latinoamericano, Galería Luigi Marrozzini, Old San Juan, Puerto Rico
Yslas: Art in Transit, Hostos Art Gallery, Bronx, New York, NY

1993
Arte, Objetos y Artefactos: Ocho Artistas, Citibank Center Atrium, Cupey, Puerto Rico

1992
De la “A” a la “Z”, Banco de Desarrollo, Hato Rey, Puerto Rico
Primera Bienal de Pintura del Caribe y Centro América, Museo de Arte Moderno, Santo Domingo, Dominican Republic
Colectiva de Artistas Puertorriqueños, GalerÌa Arawak, Santo Domingo, Dominican Republic

1991
Artistas de la Nueva Era, La Princesa, Old San Juan, Puerto Rico

1990
Arte Contra Hambre, Chase Manhattan Bank, Hato Rey
New Art from Puerto Rico, Museum of Fine Arts, Springfield, MA
Museum of Art, Brockton, MA / The Forum, St. Louis, MO
Art Gallery of Hostos Community College, Bronx, NY / Museo de Ponce, Ponce, Puerto Rico

1988
Certamen 5to Centenario AVCO, Casa Blanca, Old San Juan, Puerto Rico
Pequeño Formato, GalerÌa Luigi Marrozzini, Old San Juan, Puerto Rico

1987
Best of the Latest, DePauw University, Greencastle, IN
Professor’s Exhibit, Art Students League, Old San Juan, Puerto Rico

1986
2do Congreso de Artistas Abstractos, Arsenal de La Puntilla, Old San Juan, Puerto Rico

1986
Congreso de Artistas Abstractos, Museo de Arte Moderno, Santo Domingo, Dominican Republic
2do Congreso de Artistas Abstractos, Arsenal de La Puntilla, Old San Juan, Puerto Rico

1985
Galería Luigi Marrozzini, Old San Juan, Puerto Rico

1984
1er Congreso de Artistas Abstractos, Arsenal de La Puntilla, Old San Juan, Puerto Rico

1981
Muestra Nacional de Pintura y Escultura Puertorrriqueña, Instituto de Cultura, Old San Juan, Puerto Rico

COLLECTIONS

ALMA, Boutique Hotel, Old San Juan, Puerto Rico
American Express, San Juan, Puerto Rico
Arco Asset Management, San Juan, Puerto Rico
Ateneo de Puerto Rico, San Juan, Puerto Rico
B. Fernández & Hnos., Bayamón, Puerto Rico
Banco de Desarrollo Económico, Hato Rey, Puerto Rico
Banco Popular, Hato Rey, Puerto Rico
Buxeda, Inc. Hato Rey, Puerto Rico
Centro Wilfredo Lam, Havana, Cuba
Cooperativa de Seguros Multiples, Puerto Rico
Condado Vanderbilt, San Juan, Puerto Rico
Rollins Museum, Rollins College, Winter Park, FL
Federal Reserve Bank of New York, New York, NY

FirstBank, Puerto Rico
Leheigh University Museum, PA
Leo Burnet, Puerto Rico
Lopito, Ileana & Howie, Guaynabo, Puerto Rico
MAC, Museo de Arte Contemporáneo de Puerto Rico, Santurce, Puerto Rico
MAP, Museo de Ponce, Ponce, Puerto Rico
MAPR, Museo de Arte de Puerto Rico, Santurce, Puerto Rico
McConnell Valdés, Hato Rey, Puerto Rico
Mobil Oil del Caribe, Puerto Rico
Museo de Arte Contemporaneo, Santo Domingo, Dominican Republic
Reyes-Veray Collection, Puerto Rico
Serapion Belk Collection, Puerto Rico
SIMED, Santurce, Puerto Rico
St. Regis Bahia Beach Resort, Rio Grande, Puerto Rico
UBS, Hato Rey, Puerto Rico
Universidad Metropolitana, Cupey, Puerto Rico
Universidad del Turabo, Puerto Rico

AWARDS

2nd Prize in Painting- Certamen Mobil
Honorable Mention- Certamen AVCO
Honorable Mention- Arte Joven / Chase Manhattan Bank
Premio / Portfolio de Carteles - Pabellón de Sevilla
Best Individual Exhibit / CRUX / AICA, Puerto Rico

SELECTED BIBILIOGRAPHY

Alegre Barrios, Mario: Nuevas dimensiones de la obra de Carlos Dávila, El Nuevo Día, May 13, 1990
Alegre Barrios, Mario: Ojos que ven en el MAC, El Nuevo Día, Por Dentro, April 19, 1996
Alegre Barrios, Mario: Con la mirada en si mismo, El Nuevo Día, Por Dentro, February 10, 2002
Alvarez Lezama, Manuel: Rhythms of Our Cultural Growth, The San Juan Star, Venue, April 21, 1996
Alvarez Lezama, Manuel: Nuestra pintura está muy viva, El Nuevo Día, Por Dentro, December 3, 2000
Alvarez Lezama: Manuel: 20 años rompiendo fronteras, El Nuevo Día, Por Dentro, February 25, 2001
Author unknown: Carlos Dávila abre hoy en Coabey, El Nuevo Día, August 13, 1981
Author unknown: Jugar por jugar, El Nuevo Día, May 16, 1999
Author unknown: Toldos en Galería Petrus, El Nuevo Día, Arte y Cultura, August 23, 2003
Author unknown: “Comeback” de Dávila Rinaldi, El Vocero, Escenario, December 2, 2004
Balk, Carolyn: Platanos y La Gringomatic, puertoricandiaspora.wordpress.com, April 2014
Benabe, Patricia: El fluir de la conciencia, El Nuevo Día, Arte y Cultura, June 8, 2003
Benítez, Marimar: Dos artistas jóvenes, El Reportero, May 2, 1987
Benítez, Marimar: Neurotic Imperatives: Contemporary Art from Puerto Rico, Art Journal, Vol. 57, 1998
Blasor Lorraine: Artists for Art’s Sake, Caribbean Business - Living Well, December 7, 1989
Cherson, Samuel B.: Carlos Dávila: refrescante brisa iconoclasta, El Nuevo Día, June 2, 1990
Cherson, Samuel B.: Sencillas y refrescantes las colectivas navideñas, El Nuevo Día, January 13, 1991
Cherson, Samuel B.: La juventud busca su espacio, El Nuevo Día - Revista Domingo, September 29, 1991
Colón Camacho, Doreen: Alicea, Collazo y Dávila Rinaldi, El Nuevo Día, Por Dentro, May 24, 1996
Delgado Figueroa, Elaine: “Inspiración Real” en Petrus, El Nuevo Día, Arte y Cultura, December 1, 2004
Delgado Figueroa, Elaine: Fusión de placer y reflexión, El Nuevo Día, Arte y Cultura, December 26, 2004
Fullana Acosta, Mariela: Carlos Dávila Rinaldi presenta obras inspiradas en el huracán María, El Nuevo Día, Arte y Cultura, April 2, 2018
Fullana Acosta, Mariela: Carlos Dávila Rinaldi: entre caos y la creatividad, El Nuevo Día, Arte y Cultura, June 7, 2020
García Gutiérrez, Enrique: José Perdomo en Las Américas, Dávila-Rinaldi en el MAC, El Nuevo Día, Revista Domingo, May 12, 1996
García Gutiérrez, Enrique: La curva de Dávila Rinaldi, El Nuevo Día, Revista Domingo, October 17, 1999
García Gutiérrez, Enrique: Dávila Rinaldi sin límites, El Nuevo Día, Revista Domingo, March 18, 2001
Gil, Laura: Artistas abstractos de Puerto Rico, El Caribe, February 22, 1986
Jover Tovar, Alejandra M.: Puerto Rico en PhotoMiami 2008, Primera Hora, December 4, 2008
Morales, Carlos A.: Carlos Dávila Rinaldi: Artista polifacético, Revista Ambiente, October, 1987
Paniagua, Tere: Hay que desaprender mucho, El Nuevo Día, Por Dentro, October 3, 1999
Pérez-Lizano, Manuel: Quince artistas en Bella Artes, El Nuevo Día, June 14, 1987
Pérez -Lizano, Manuel: Grandes valores y formatos pequeños, El Nuevo Día, December 26, 1988
Pérez Rivera, Tatiana: La odisea de vivir del arte, El Nuevo Día, July 24, 2005
Pérez Rivera, Tatiana: Abraza Dávila Rinaldi el libre albedrío, El Nuevo Día, September 10, 2010
Pérez Rivera, Tatiana: La Costura del Truco, Lapiceroverde.com, June 13, 2015
Pérez Rivera, Tatiana: Lo memorable de “Contra viento y María”, Oenegé / Fundación Ángel Ramos, March 25, 2018
Pérez Ruiz, José A.: Exposición colectiva, El Mundo, December 4, 1981
Pérez Ruiz, José A.: Artistas jóvenes de Puerto Rico, El Reportero, May 26, 1988
Pérez Ruiz, José A.: Art, Objects and Artifacts, ArtNexus No.10, November, 1993
Raynor, Vivien: Art; Puerto Rican Artists Bridge Two Worlds Apart, December 4, 1994
Rodríguez, Jorge: Reflexiones pictóricas de dos artistas, El Vocero, Escenario, October 6, 1999
Rodríguez, Jorge: Carlos Dávila-Rinaldi sin límites, El Vocero, Escenario, February 3, 2001
Rodríguez, Jorge: ...cambios de ánimo, El Vocero, Escenario, February 9, 2002
Rodríguez, Jorge: Pensamientos Paralelos, El Vocero, Escenario, June 9, 2003
Rodríguez, Jorge: Un Nuevo Hábitat par Carlos Dávila Rinaldi, El Vocero, Escenario, May 25, 2017
Rodríguez, Myrna: Constructions at City Hall, The San Juan Star, April 19, 1981
Rodríguez, Myrna: Cafe Art, The San Juan Star, December 6, 1981
Rodríguez, Myrna: Bad, Better & Best at Marrozzini’s, The San Juan Star, June 9, 1985
Rodríguez, Myrna: Maturity becomes Dávila-Rinaldi, The San Juan Star, April 30, 1987
Rodríguez, Myrna: Young Artists at Bellas Artes, The San Juan Star, July 9, 1987
Rodríguez, Myrna: Arte Joven exhibits a good collection of works, The San Juan Star, October 7, 1991
Roldán Soto, Camile: Desvío hacia lo Hermoso, Flash & Cultura, El Nuevo Día, May 23, 2017
Roldán Soto, Camile: CDR presenta exhibición sobre problematicas sociales de hace mas de una decada, Cultura, El Nuevo Día, June 30, 2019
Roulet, Laura: Treading New Path on the Cosmic Map, The San Juan Star, October 25, 1992
Ruiz de la Mata, Ernesto: Molto Bravo!, The San Juan Star Sunday Magazine, November 1, 1992
Russel, Gloria: Puerto Rican Concerns Expressed in Art, Sunday Republican, June 17, 1990
Soto Melendez, Juan: Pasarela a pincel y puntada, El Vocero, Escenario, June 17, 2003
Temin, Christine: Puerto Rican Show Grapples with Social and Political Issues. The Boston Sunday Globe, May 5, 1991
Tió, Teresa: Abstractos en el Arsenal, El Mundo, May 22, 1986
Tolentino, Marianne: II Congreso de Artistas Abstractos e Imponente Muestra, Listín Diario, May 17, 1986
Toro, Ana Teresa: La mancha que nos une, Cultura, El Nuevo Día, Dec. 25, 2012
Toro, Ana Teresa: Objetos, juego y un arte con humor, Cultura, El Nuevo Día, April 4, 2013
Toro, Ana Teresa: Tres miradas para un verano lluvioso, Cultura, El Nuevo Día, July 9, 2013
Van Atten, Suzanne: After the Storm, The Atlanta Journal - Constitution, April 15, 2018
Vázquez Zapata, Larissa: Olor a azul cobalto, El Nuevo DÌa, Por Dentro, June 27, 1999
Vázquez Zapata, Larissa: Asientos de la creatividad, El Nuevo Día, Arte y Cultura, August 16, 2005
Vélez, Pedro: Puerto Rico is Hardcore. www.artnet.com, April 2010
Vícens, Marilyn: Sin límites en Las Américas, El Nuevo DÌa, Por Dentro, February 4, 2001
Zimmer, William: Moving from autobiography to identity, New York Times, November 24, 1991

Amy Laskin, born in Philadelphia and currently residing in the rural Blue Mountains of Jamaica, is celebrated for her captivating, lush landscapes. Her artworks, primarily oils on linen, feature undulating mountains and native flora, often depicted as mythical female entities in intricate floral compositions.

Amy earned her MFA from The School of the Art Institute of Chicago (SAIC) in the late 1970s and spent a decade in Chicago, exhibiting her work and teaching. Her journey to Jamaica began as a US Peace Corps Volunteer, where she was enchanted by the country’s tropical beauty, diverse ethnicity, and rich multicultural layers. After her contract ended, she chose to stay, drawn by the verdant landscapes and unusual plant forms, and set up her studio in the Blue Mountains.

Amy’s art career is marked by extensive exhibitions both in Jamaica and abroad. She is represented by several galleries in the Western Hemisphere, and OMSA Gallery in Fort Lauderdale is lucky to have her. Her prolific career has seen her through many solo exhibitions, group shows and art fairs nationally and in the islands.

Her accolades include a solo museum exhibition at the Berman Museum of Art in Collegeville, PA. Her artworks are part of permanent collections at the National Gallery of Jamaica, the Bank of Jamaica, and the Phillip and Muriel Museum at Ursinus College.

Amy’s art is also in numerous private and corporate collections in the US and internationally, and has graced book covers and art magazines.

Amy’s distinctive style blends the visual influences of her Chicago years—surrealism, decorative abundance, and detailed artistry—with the natural beauty of her Jamaican environment, creating a unique and compelling body of work.

AMY LASKIN
United States

EDUCATION

1979 School of the Art Institute of Chicago, Chicago, IL
1977 Pennsylvania State University, PA

SOLO EXHIBITIONS

2022
Natural Mystic, Clark Gallery, Lincoln, MA

2021
Open Studio Exhibition, Breezy Tree, Guava Ridge, Jamaica

2019
Come as You Are, Carl Hammer Gallery, Chicago, IL

2018
Open Studio Exhibition, Breezy Tree, Guava Ridge, Jamaica

2017
Super Natural, French Embassy, Kingston, Jamaica

2013
Garden Goddess, Carl Hammer Gallery, Chicago, IL

2011
Open Studio Exhibition, Breezy Tree, Guava Ridge, Jamaica

2007
Open Studio Exhibition, Breezy Tree, Guava Ridge, Jamaica

2002
Revisions, Olympia Art Centre Gallery, Kingston, Jamaica

1999
Beyond Boundaries, Chelsea Gallery, Kingston, Jamaica

1998
Next Steps, Chelsea Gallery, Kingston, Jamaica

1997
Why Not, Chelsea Gallery, Chelsea Gallery, Kingston, Jamaica

1996
Jamaican Earth, Chelsea Gallery, Kingston, Jamaica

1995
Imaginary Realizations, Chelsea Gallery, Kingston, Jamaica

1994
Double Visions, Chelsea Gallery, Kingston, Jamaica

1993
Jamaica Botanica, Chelsea Gallery, Kingston, Jamaica

1992
Jungle Series, Chelsea Gallery, Kingston, Jamaica

1991
Snap Out Of It, Chelsea Gallery, Kingston, Jamaica

1990
Spotlight/Tropical Paradise, Philip and Muriel Berman Museum of Art at Ursinus College, PA

1989
Special Mysteries, Bolivar Gallery, Kingston, Jamaica

GROUP EXHIBITIONS

2023
Female Figuratively, OMSA Gallery, Southwest Ranches, FL

2023
The Face of Us, The National Gallery Jamaica, Kingston Jamaica

2022
Group Exhibition with Gallery Artists, Clark Gallery, Lincoln, MA

2021
Art Miami, with Clark Gallery, Miami, FL
Market Art + Design, Bridge Hampton Museum, with Clark Gallery, MA., NY
Art on Paper, with Clark Gallery, MA., NY
Isolation Chronicles, online Juried exhibition by Sergio Gomez
The Beauty of Nature, (with catalogue) Bougie Art Gallery, online exhibition
How She Grows, Otrera Arts, online exhibition

2020
Select 5, Garvey Simon, New York City, NY (online)
Manic Botanic, Garvey/Simon Gallery with Blue Review Project Space
JCAST Art Fair Juried Show, Jersey City, NJ

2019
Toward New Ways, Copro Gallery with Hyperrealism Magazine, Santa Monica, CA

2018
Freshly Picked, Carl Hammer Gallery, Chicago, IL

2017
Biennial, National Gallery Jamaica, Invited Artist, Kingston, Jamaica

2016
Armory 2016 NY, with Carl Hammer Gallery, IL., NY
Group Show with Gallery Artists, Carl Hammer Gallery, Chicago, IL

2015
Group Show with Gallery Artists, Carl Hammer Gallery, Chicago, IL
Navy Pier group show with Gallery Artists. Carl Hammer Gallery, Chicago, IL

2013
Summer Group Show With Gallery Artists, Carl Hammer Gallery, Chicago, IL

2012
Biennial, National Gallery Jamaica, Invited Artist, Kingston, Jamaica
Summer Group Show with Gallery artists, Carl Hammer Gallery, Chicago, IL

2011
The Real and the Imaginary, Mutual Life Gallery, Kingston, Jamaica

2010
Biennial, National Gallery Jamaica, Invited Artist, Kingston, Jamaica
Feminine Rising, Revolution Gallery, Kingston, Jamaica

2008
Color My Future, Island Art Gallery, Kingston, Jamaica
Biennial, National Gallery Jamaica, Kingston, Jamaica
Journeys, Gallerie 128, Kingston, Jamaica

2007
Color My Mood, Island Art Gallery, Kingston Jamaica
Ten Contemporary Artist's Still lifes, Seaview Fine Arts, Kingston, Jamaica

2006
Portals and Portraits, Olympia Art Centre Gallery, Kingston, Jamaica

2005
Forward Visions Olympia Art Centre Gallery, Kingston, Jamaica

2004
Paintings and Furniture, Art Effects Gallery Philadelphia, PA
Eight of the Great, Bolivar Gallery, Kingston, Jamaica

2003
Miniatures and Multiples, Olympia Art Centre Gallery, Kingston, Jamaica

2002
Philadelphia Furniture and Furnishings Show, Philadelphia, PA

2001
Level the Vibe, Olympia Art Centre Gallery, Kingston, Jamaica

1999
Jamaica Blue Coffee Shop, Exhibition of Minitures, London, UK

1998
From Jamaica to Miami, Jorge Sori Gallery, Miami, Florida

1995
Whirlwinds, Bianco Gallery, New Hope, PA

1994
Juried Exhibition Woodmere Art Museum (awarded prize) Chesnut Hill, PA

1993
Black and Red, Stendahl Gallery, Soho, NY

1992
From Jamaica to Brooklyn, Salena Gallery, long Island University, NY

1991
Nothing Natural, Owen Patrick Gallery, Manayunck, PA

1990
Works By Women, Chelsea Gallery, Kingston, Jamaica
Illumination Landscape, Chelsea Gallery Kingston Jamaica

1989
Annual National, National Gallery Jamaica, Kingston, Jamaica

1988
Annual National, National Gallery Jamaica, Kingston, Jamaica

1986
Juried Exhibition Hudson Valley Art Association, Hudson Valley, NY

1985
Juried Exhibition Hudson Valley Art Association, Hudson Valley, NY
Ten Folks at Hyde Park, Hyde Park Art Center, Chicago, IL

1984
Art Not Arms, W.P.A.Gallery of Art, Chicago, IL

1983
4/4 Juried exhibition of Illinois Artists A.R.C. Gallery of Art, Chicago, IL
100 Works 100 Artists, Paul Waggonner Art Gallery, Chicago, IL

1980
New Horizons, Chicago Public Library Cultural Center Gallery, Chicago, IL

1979
The Bradley Invitational Peoria, IL

1978
SAIC Graduate Student Exhibition, Indiana State University, Bloomington, IN

1976
Art76, Juried Exhibition, Altoona, PA
Shenango Valley Bicentennial Art show, Sharon, PA
Pennsylvania State University Exhibition Invitational, University Park, PA
Four Women, Kern Graduate Gallery State College, PA

FEATURES

2021
Visionary Art Collective, Directory artist
Interview: Art Feed Souls by Geraldine Khatchikian
Colossal: feature, interview and images

2020
Fantastical Figures, Feature: Create Magazine, October 6, 2020

2019
Provacative Patterns, Special Edition, Poets/Artists Magazine

2018
Issue #4, Hyperrealism Magazine, Article with images 6 pages

PUBLICATIONS

2023
Friend of the Artist, Volume 17
Golden Treasures, Second Edition of the Collection of Bank of Jamaica

2017
Island Contemporary Artists from Haiti and Jamaica, Luciano Benneton Collection Imago
Mundi, p. 268,269

2012
10 Days In Jamaica, Ifeona Fulani, Cover image
The Caribbean Writer, Volume 26 cover image

2011
Jamaican Art Then and Now, image p. 175

2001
The Garden Party, Celebrating the 20th Anniversary of the Bank of Jamaica, their
collection, p.99

COLLECTIONS

The Philip and Muriel Berman Museum of Art at Ursinus College, Collegeville,PA.
The Bank of Jamaica permanent Collection
The Scotia Bank Jamaica, Permanent collection
Luciano Benneton Collection Imago Mundi
Prime Minister Michael Manley
Governor of the Bank of Jamaica, Derrick Lattibeaudiere
Jean Michel Despax, French Ambassador
Numerous Private Collections Internationally

Amy Laskin, born in Philadelphia and currently residing in the rural Blue Mountains of Jamaica, is celebrated for her captivating, lush landscapes. Her artworks, primarily oils on linen, feature undulating mountains and native flora, often depicted as mythical female entities in intricate floral compositions.

Amy earned her MFA from The School of the Art Institute of Chicago (SAIC) in the late 1970s and spent a decade in Chicago, exhibiting her work and teaching. Her journey to Jamaica began as a US Peace Corps Volunteer, where she was enchanted by the country’s tropical beauty, diverse ethnicity, and rich multicultural layers. After her contract ended, she chose to stay, drawn by the verdant landscapes and unusual plant forms, and set up her studio in the Blue Mountains.

Amy’s art career is marked by extensive exhibitions both in Jamaica and abroad. She is represented by several galleries in the Western Hemisphere, and OMSA Gallery in Fort Lauderdale is lucky to have her. Her prolific career has seen her through many solo exhibitions, group shows and art fairs nationally and in the islands.

Her accolades include a solo museum exhibition at the Berman Museum of Art in Collegeville, PA. Her artworks are part of permanent collections at the National Gallery of Jamaica, the Bank of Jamaica, and the Phillip and Muriel Museum at Ursinus College.

Amy’s art is also in numerous private and corporate collections in the US and internationally, and has graced book covers and art magazines.

Amy’s distinctive style blends the visual influences of her Chicago years—surrealism, decorative abundance, and detailed artistry—with the natural beauty of her Jamaican environment, creating a unique and compelling body of work.

AMY LASKIN
United States

EDUCATION

1979 School of the Art Institute of Chicago, Chicago, IL
1977 Pennsylvania State University, PA

SOLO EXHIBITIONS

2022
Natural Mystic, Clark Gallery, Lincoln, MA

2021
Open Studio Exhibition, Breezy Tree, Guava Ridge, Jamaica

2019
Come as You Are, Carl Hammer Gallery, Chicago, IL

2018
Open Studio Exhibition, Breezy Tree, Guava Ridge, Jamaica

2017
Super Natural, French Embassy, Kingston, Jamaica

2013
Garden Goddess, Carl Hammer Gallery, Chicago, IL

2011
Open Studio Exhibition, Breezy Tree, Guava Ridge, Jamaica

2007
Open Studio Exhibition, Breezy Tree, Guava Ridge, Jamaica

2002
Revisions, Olympia Art Centre Gallery, Kingston, Jamaica

1999
Beyond Boundaries, Chelsea Gallery, Kingston, Jamaica

1998
Next Steps, Chelsea Gallery, Kingston, Jamaica

1997
Why Not, Chelsea Gallery, Chelsea Gallery, Kingston, Jamaica

1996
Jamaican Earth, Chelsea Gallery, Kingston, Jamaica

1995
Imaginary Realizations, Chelsea Gallery, Kingston, Jamaica

1994
Double Visions, Chelsea Gallery, Kingston, Jamaica

1993
Jamaica Botanica, Chelsea Gallery, Kingston, Jamaica

1992
Jungle Series, Chelsea Gallery, Kingston, Jamaica

1991
Snap Out Of It, Chelsea Gallery, Kingston, Jamaica

1990
Spotlight/Tropical Paradise, Philip and Muriel Berman Museum of Art at Ursinus College, PA

1989
Special Mysteries, Bolivar Gallery, Kingston, Jamaica

GROUP EXHIBITIONS

2023
Female Figuratively, OMSA Gallery, Southwest Ranches, FL

2023
The Face of Us, The National Gallery Jamaica, Kingston Jamaica

2022
Group Exhibition with Gallery Artists, Clark Gallery, Lincoln, MA

2021
Art Miami, with Clark Gallery, Miami, FL
Market Art + Design, Bridge Hampton Museum, with Clark Gallery, MA., NY
Art on Paper, with Clark Gallery, MA., NY
Isolation Chronicles, online Juried exhibition by Sergio Gomez
The Beauty of Nature, (with catalogue) Bougie Art Gallery, online exhibition
How She Grows, Otrera Arts, online exhibition

2020
Select 5, Garvey Simon, New York City, NY (online)
Manic Botanic, Garvey/Simon Gallery with Blue Review Project Space
JCAST Art Fair Juried Show, Jersey City, NJ

2019
Toward New Ways, Copro Gallery with Hyperrealism Magazine, Santa Monica, CA

2018
Freshly Picked, Carl Hammer Gallery, Chicago, IL

2017
Biennial, National Gallery Jamaica, Invited Artist, Kingston, Jamaica

2016
Armory 2016 NY, with Carl Hammer Gallery, IL., NY
Group Show with Gallery Artists, Carl Hammer Gallery, Chicago, IL

2015
Group Show with Gallery Artists, Carl Hammer Gallery, Chicago, IL
Navy Pier group show with Gallery Artists. Carl Hammer Gallery, Chicago, IL

2013
Summer Group Show With Gallery Artists, Carl Hammer Gallery, Chicago, IL

2012
Biennial, National Gallery Jamaica, Invited Artist, Kingston, Jamaica
Summer Group Show with Gallery artists, Carl Hammer Gallery, Chicago, IL

2011
The Real and the Imaginary, Mutual Life Gallery, Kingston, Jamaica

2010
Biennial, National Gallery Jamaica, Invited Artist, Kingston, Jamaica
Feminine Rising, Revolution Gallery, Kingston, Jamaica

2008
Color My Future, Island Art Gallery, Kingston, Jamaica
Biennial, National Gallery Jamaica, Kingston, Jamaica
Journeys, Gallerie 128, Kingston, Jamaica

2007
Color My Mood, Island Art Gallery, Kingston Jamaica
Ten Contemporary Artist's Still lifes, Seaview Fine Arts, Kingston, Jamaica

2006
Portals and Portraits, Olympia Art Centre Gallery, Kingston, Jamaica

2005
Forward Visions Olympia Art Centre Gallery, Kingston, Jamaica

2004
Paintings and Furniture, Art Effects Gallery Philadelphia, PA
Eight of the Great, Bolivar Gallery, Kingston, Jamaica

2003
Miniatures and Multiples, Olympia Art Centre Gallery, Kingston, Jamaica

2002
Philadelphia Furniture and Furnishings Show, Philadelphia, PA

2001
Level the Vibe, Olympia Art Centre Gallery, Kingston, Jamaica

1999
Jamaica Blue Coffee Shop, Exhibition of Minitures, London, UK

1998
From Jamaica to Miami, Jorge Sori Gallery, Miami, Florida

1995
Whirlwinds, Bianco Gallery, New Hope, PA

1994
Juried Exhibition Woodmere Art Museum (awarded prize) Chesnut Hill, PA

1993
Black and Red, Stendahl Gallery, Soho, NY

1992
From Jamaica to Brooklyn, Salena Gallery, long Island University, NY

1991
Nothing Natural, Owen Patrick Gallery, Manayunck, PA

1990
Works By Women, Chelsea Gallery, Kingston, Jamaica
Illumination Landscape, Chelsea Gallery Kingston Jamaica

1989
Annual National, National Gallery Jamaica, Kingston, Jamaica

1988
Annual National, National Gallery Jamaica, Kingston, Jamaica

1986
Juried Exhibition Hudson Valley Art Association, Hudson Valley, NY

1985
Juried Exhibition Hudson Valley Art Association, Hudson Valley, NY
Ten Folks at Hyde Park, Hyde Park Art Center, Chicago, IL

1984
Art Not Arms, W.P.A.Gallery of Art, Chicago, IL

1983
4/4 Juried exhibition of Illinois Artists A.R.C. Gallery of Art, Chicago, IL
100 Works 100 Artists, Paul Waggonner Art Gallery, Chicago, IL

1980
New Horizons, Chicago Public Library Cultural Center Gallery, Chicago, IL

1979
The Bradley Invitational Peoria, IL

1978
SAIC Graduate Student Exhibition, Indiana State University, Bloomington, IN

1976
Art76, Juried Exhibition, Altoona, PA
Shenango Valley Bicentennial Art show, Sharon, PA
Pennsylvania State University Exhibition Invitational, University Park, PA
Four Women, Kern Graduate Gallery State College, PA

FEATURES

2021
Visionary Art Collective, Directory artist
Interview: Art Feed Souls by Geraldine Khatchikian
Colossal: feature, interview and images

2020
Fantastical Figures, Feature: Create Magazine, October 6, 2020

2019
Provacative Patterns, Special Edition, Poets/Artists Magazine

2018
Issue #4, Hyperrealism Magazine, Article with images 6 pages

PUBLICATIONS

2023
Friend of the Artist, Volume 17
Golden Treasures, Second Edition of the Collection of Bank of Jamaica

2017
Island Contemporary Artists from Haiti and Jamaica, Luciano Benneton Collection Imago
Mundi, p. 268,269

2012
10 Days In Jamaica, Ifeona Fulani, Cover image
The Caribbean Writer, Volume 26 cover image

2011
Jamaican Art Then and Now, image p. 175

2001
The Garden Party, Celebrating the 20th Anniversary of the Bank of Jamaica, their
collection, p.99

COLLECTIONS

The Philip and Muriel Berman Museum of Art at Ursinus College, Collegeville,PA.
The Bank of Jamaica permanent Collection
The Scotia Bank Jamaica, Permanent collection
Luciano Benneton Collection Imago Mundi
Prime Minister Michael Manley
Governor of the Bank of Jamaica, Derrick Lattibeaudiere
Jean Michel Despax, French Ambassador
Numerous Private Collections Internationally

Amy Laskin, born in Philadelphia and currently residing in the rural Blue Mountains of Jamaica, is celebrated for her captivating, lush landscapes. Her artworks, primarily oils on linen, feature undulating mountains and native flora, often depicted as mythical female entities in intricate floral compositions.

Amy earned her MFA from The School of the Art Institute of Chicago (SAIC) in the late 1970s and spent a decade in Chicago, exhibiting her work and teaching. Her journey to Jamaica began as a US Peace Corps Volunteer, where she was enchanted by the country’s tropical beauty, diverse ethnicity, and rich multicultural layers. After her contract ended, she chose to stay, drawn by the verdant landscapes and unusual plant forms, and set up her studio in the Blue Mountains.

Amy’s art career is marked by extensive exhibitions both in Jamaica and abroad. She is represented by several galleries in the Western Hemisphere, and OMSA Gallery in Fort Lauderdale is lucky to have her. Her prolific career has seen her through many solo exhibitions, group shows and art fairs nationally and in the islands.

Her accolades include a solo museum exhibition at the Berman Museum of Art in Collegeville, PA. Her artworks are part of permanent collections at the National Gallery of Jamaica, the Bank of Jamaica, and the Phillip and Muriel Museum at Ursinus College.

Amy’s art is also in numerous private and corporate collections in the US and internationally, and has graced book covers and art magazines.

Amy’s distinctive style blends the visual influences of her Chicago years—surrealism, decorative abundance, and detailed artistry—with the natural beauty of her Jamaican environment, creating a unique and compelling body of work.

AMY LASKIN
United States

EDUCATION

1979 School of the Art Institute of Chicago, Chicago, IL
1977 Pennsylvania State University, PA

SOLO EXHIBITIONS

2022
Natural Mystic, Clark Gallery, Lincoln, MA

2021
Open Studio Exhibition, Breezy Tree, Guava Ridge, Jamaica

2019
Come as You Are, Carl Hammer Gallery, Chicago, IL

2018
Open Studio Exhibition, Breezy Tree, Guava Ridge, Jamaica

2017
Super Natural, French Embassy, Kingston, Jamaica

2013
Garden Goddess, Carl Hammer Gallery, Chicago, IL

2011
Open Studio Exhibition, Breezy Tree, Guava Ridge, Jamaica

2007
Open Studio Exhibition, Breezy Tree, Guava Ridge, Jamaica

2002
Revisions, Olympia Art Centre Gallery, Kingston, Jamaica

1999
Beyond Boundaries, Chelsea Gallery, Kingston, Jamaica

1998
Next Steps, Chelsea Gallery, Kingston, Jamaica

1997
Why Not, Chelsea Gallery, Chelsea Gallery, Kingston, Jamaica

1996
Jamaican Earth, Chelsea Gallery, Kingston, Jamaica

1995
Imaginary Realizations, Chelsea Gallery, Kingston, Jamaica

1994
Double Visions, Chelsea Gallery, Kingston, Jamaica

1993
Jamaica Botanica, Chelsea Gallery, Kingston, Jamaica

1992
Jungle Series, Chelsea Gallery, Kingston, Jamaica

1991
Snap Out Of It, Chelsea Gallery, Kingston, Jamaica

1990
Spotlight/Tropical Paradise, Philip and Muriel Berman Museum of Art at Ursinus College, PA

1989
Special Mysteries, Bolivar Gallery, Kingston, Jamaica

GROUP EXHIBITIONS

2023
Female Figuratively, OMSA Gallery, Southwest Ranches, FL

2023
The Face of Us, The National Gallery Jamaica, Kingston Jamaica

2022
Group Exhibition with Gallery Artists, Clark Gallery, Lincoln, MA

2021
Art Miami, with Clark Gallery, Miami, FL
Market Art + Design, Bridge Hampton Museum, with Clark Gallery, MA., NY
Art on Paper, with Clark Gallery, MA., NY
Isolation Chronicles, online Juried exhibition by Sergio Gomez
The Beauty of Nature, (with catalogue) Bougie Art Gallery, online exhibition
How She Grows, Otrera Arts, online exhibition

2020
Select 5, Garvey Simon, New York City, NY (online)
Manic Botanic, Garvey/Simon Gallery with Blue Review Project Space
JCAST Art Fair Juried Show, Jersey City, NJ

2019
Toward New Ways, Copro Gallery with Hyperrealism Magazine, Santa Monica, CA

2018
Freshly Picked, Carl Hammer Gallery, Chicago, IL

2017
Biennial, National Gallery Jamaica, Invited Artist, Kingston, Jamaica

2016
Armory 2016 NY, with Carl Hammer Gallery, IL., NY
Group Show with Gallery Artists, Carl Hammer Gallery, Chicago, IL

2015
Group Show with Gallery Artists, Carl Hammer Gallery, Chicago, IL
Navy Pier group show with Gallery Artists. Carl Hammer Gallery, Chicago, IL

2013
Summer Group Show With Gallery Artists, Carl Hammer Gallery, Chicago, IL

2012
Biennial, National Gallery Jamaica, Invited Artist, Kingston, Jamaica
Summer Group Show with Gallery artists, Carl Hammer Gallery, Chicago, IL

2011
The Real and the Imaginary, Mutual Life Gallery, Kingston, Jamaica

2010
Biennial, National Gallery Jamaica, Invited Artist, Kingston, Jamaica
Feminine Rising, Revolution Gallery, Kingston, Jamaica

2008
Color My Future, Island Art Gallery, Kingston, Jamaica
Biennial, National Gallery Jamaica, Kingston, Jamaica
Journeys, Gallerie 128, Kingston, Jamaica

2007
Color My Mood, Island Art Gallery, Kingston Jamaica
Ten Contemporary Artist's Still lifes, Seaview Fine Arts, Kingston, Jamaica

2006
Portals and Portraits, Olympia Art Centre Gallery, Kingston, Jamaica

2005
Forward Visions Olympia Art Centre Gallery, Kingston, Jamaica

2004
Paintings and Furniture, Art Effects Gallery Philadelphia, PA
Eight of the Great, Bolivar Gallery, Kingston, Jamaica

2003
Miniatures and Multiples, Olympia Art Centre Gallery, Kingston, Jamaica

2002
Philadelphia Furniture and Furnishings Show, Philadelphia, PA

2001
Level the Vibe, Olympia Art Centre Gallery, Kingston, Jamaica

1999
Jamaica Blue Coffee Shop, Exhibition of Minitures, London, UK

1998
From Jamaica to Miami, Jorge Sori Gallery, Miami, Florida

1995
Whirlwinds, Bianco Gallery, New Hope, PA

1994
Juried Exhibition Woodmere Art Museum (awarded prize) Chesnut Hill, PA

1993
Black and Red, Stendahl Gallery, Soho, NY

1992
From Jamaica to Brooklyn, Salena Gallery, long Island University, NY

1991
Nothing Natural, Owen Patrick Gallery, Manayunck, PA

1990
Works By Women, Chelsea Gallery, Kingston, Jamaica
Illumination Landscape, Chelsea Gallery Kingston Jamaica

1989
Annual National, National Gallery Jamaica, Kingston, Jamaica

1988
Annual National, National Gallery Jamaica, Kingston, Jamaica

1986
Juried Exhibition Hudson Valley Art Association, Hudson Valley, NY

1985
Juried Exhibition Hudson Valley Art Association, Hudson Valley, NY
Ten Folks at Hyde Park, Hyde Park Art Center, Chicago, IL

1984
Art Not Arms, W.P.A.Gallery of Art, Chicago, IL

1983
4/4 Juried exhibition of Illinois Artists A.R.C. Gallery of Art, Chicago, IL
100 Works 100 Artists, Paul Waggonner Art Gallery, Chicago, IL

1980
New Horizons, Chicago Public Library Cultural Center Gallery, Chicago, IL

1979
The Bradley Invitational Peoria, IL

1978
SAIC Graduate Student Exhibition, Indiana State University, Bloomington, IN

1976
Art76, Juried Exhibition, Altoona, PA
Shenango Valley Bicentennial Art show, Sharon, PA
Pennsylvania State University Exhibition Invitational, University Park, PA
Four Women, Kern Graduate Gallery State College, PA

FEATURES

2021
Visionary Art Collective, Directory artist
Interview: Art Feed Souls by Geraldine Khatchikian
Colossal: feature, interview and images

2020
Fantastical Figures, Feature: Create Magazine, October 6, 2020

2019
Provacative Patterns, Special Edition, Poets/Artists Magazine

2018
Issue #4, Hyperrealism Magazine, Article with images 6 pages

PUBLICATIONS

2023
Friend of the Artist, Volume 17
Golden Treasures, Second Edition of the Collection of Bank of Jamaica

2017
Island Contemporary Artists from Haiti and Jamaica, Luciano Benneton Collection Imago
Mundi, p. 268,269

2012
10 Days In Jamaica, Ifeona Fulani, Cover image
The Caribbean Writer, Volume 26 cover image

2011
Jamaican Art Then and Now, image p. 175

2001
The Garden Party, Celebrating the 20th Anniversary of the Bank of Jamaica, their
collection, p.99

COLLECTIONS

The Philip and Muriel Berman Museum of Art at Ursinus College, Collegeville,PA.
The Bank of Jamaica permanent Collection
The Scotia Bank Jamaica, Permanent collection
Luciano Benneton Collection Imago Mundi
Prime Minister Michael Manley
Governor of the Bank of Jamaica, Derrick Lattibeaudiere
Jean Michel Despax, French Ambassador
Numerous Private Collections Internationally

Born in Yauli, a tiny town in the Peruvian Andes, Jesus grew up in Lima, a cold, gray, chaotic and complicated city that forced him to escape with his imagination.

In his teen years the city impacted the initial work in a “gray and dark” manner, it was not until later that he began to adopt the lightness and brightness of the colors of the North of Perú and the Peruvian Andes.

Jesus traveled to this region whenever he had a chance of escaping the bustle of the city, seeking the light and colors that he also found in South Florida.

During his early years he was heavily influenced by the work of Marc Chagall and Tilsa Tsuchiya who he considers the parents that enabled his life as an artist. After graduating from the Art Faculty in 1980 in Peru, Jesus began making a living as an illustrator though always working on subjects of his imagination, with strong Expressionist and Surrealist tendencies. His focus always remained on draftsmanship, an important skill he deems essential as a starting point towards anything else creative.

Black and white was his palette of choice when first out of art school, as a main expression, and soon he learned to replace color with chiaroscuro and because of this skill he won several contests at an early age.

Jesus has always been attracted to light, clarity and clean, pure colors. This could be due to the influence of his work as an illustrator before leaving Perú in 1989. This also has informed the playfulness of his work, even when touching on such issues as humanism, erotism, spirituality and the concept of eternal duality. This concept greatly influences his work: viewing the Universe as the philosophical core that informs his narratives. That said, his pieces are about the joy of life, created with a love for life, light and color.

Upon landing in the United States, Jesus cultivated the disciplines of drawing, graphic design, calligraphy, illustration and painting, which enabled him to draw accolades and awards.

Becoming a professor at Miami Dade College through the South Florida Art Center (Painting, Drawing & Watercolor) was another way of expressing his joy for the medium, with his students.

He began exhibiting his work in the US at the Alliance Francaise and the Cultural Center for Hispanic Arts. In the 2000’s he showed his work in Wynwood and at FAT Village in Ft. Lauderdale. In February 2022 Rojas had his first important Retrospective that included 95 pieces sponsored by FAT Village, Ft. Lauderdale-Florida. Since 2010 he has focused on acrylics and watercolor, and continues to explore new mediums and narratives.

JESUS ROJAS
Peru

EDUCATION

1975-1980 Pontifical Catholic University of Peru, Lima, Peru
1982-1984 Pontifical Catholic University of Peru, Lima, Peru

EXHIBITIONS

2024
Mindfields of Color, OMSA Gallery, Southwest Ranches, FL
Ft. Lauderdale Art Walk (February-May), Ft. Lauderdale, FL

2023
Hollywood Art Walk (June-December), Hollywood, FL

2022
Retrospective at FAT Village, Ft. Lauderdale, FL

2018
FAT Village, Ft. Lauderdale, FL

2011
Fat Village, Ft. Lauderdale, FL

2008
Mario Flores Gallery, Miami, FL

2007
Art Basel, Edge Zones, Wynwood, Miami, Florida

2006
Art Basel, Wynwood Events, Wynwood, Miami, FL

2005
Art Basel, Wynwood Events, Wynwood, FL

2004
Museum of Art, Ft. Lauderdale, FL

2002
FAT Village, Ft. Lauderdale, FL

1996
Gilles Granier Art Gallery, Ft. Lauderdale, FL

1995
Cultural Center for Hispanic Arts, TX

1994
Praxis International Art Gallery, Lima, Peru
H & B Starr Art Gallery, West Palm Beach, FL
Janine Cox Art Gallery, South Beach, FL

1993
The New French Village, Coral Gables, FL
Praxis International Art Gallery, Lima, Peru

1992
Alliance Francaise, Coral Gables, FL

1991
Pierre’s Gate Art Gallery, VT

1990
South Florida Art Center, Miami Beach, FL
Peter Max Art Gallery, Ft. Lauderdale, FL

1989
OPUS Gallery, Coral Gables, FL

1980-1990
Exhibitions in South America, Galleries & Cultural Institutions

AWARDS

1997
Chrysler Corporation-Jeep, First Prize – Painting, San Antonio, TX

1990
Kiwanis Club - Miami International Festival Calle Ocho, First Prize - Poster Contest and
Exhibition, Miami, FL

1986-1988
Peruvian American Cultural Institute, Several Prizes on Drawing and Illustration, Lima, Peru

1985
Peruvian American Cultural Institute, First Prize-XX Print Contest and Exhibition, Lima, Peru
Peruvian Literature and Arts Association, First Prize

Born in Yauli, a tiny town in the Peruvian Andes, Jesus grew up in Lima, a cold, gray, chaotic and complicated city that forced him to escape with his imagination.

In his teen years the city impacted the initial work in a “gray and dark” manner, it was not until later that he began to adopt the lightness and brightness of the colors of the North of Perú and the Peruvian Andes.

Jesus traveled to this region whenever he had a chance of escaping the bustle of the city, seeking the light and colors that he also found in South Florida.

During his early years he was heavily influenced by the work of Marc Chagall and Tilsa Tsuchiya who he considers the parents that enabled his life as an artist. After graduating from the Art Faculty in 1980 in Peru, Jesus began making a living as an illustrator though always working on subjects of his imagination, with strong Expressionist and Surrealist tendencies. His focus always remained on draftsmanship, an important skill he deems essential as a starting point towards anything else creative.

Black and white was his palette of choice when first out of art school, as a main expression, and soon he learned to replace color with chiaroscuro and because of this skill he won several contests at an early age.

Jesus has always been attracted to light, clarity and clean, pure colors. This could be due to the influence of his work as an illustrator before leaving Perú in 1989. This also has informed the playfulness of his work, even when touching on such issues as humanism, erotism, spirituality and the concept of eternal duality. This concept greatly influences his work: viewing the Universe as the philosophical core that informs his narratives. That said, his pieces are about the joy of life, created with a love for life, light and color.

Upon landing in the United States, Jesus cultivated the disciplines of drawing, graphic design, calligraphy, illustration and painting, which enabled him to draw accolades and awards.

Becoming a professor at Miami Dade College through the South Florida Art Center (Painting, Drawing & Watercolor) was another way of expressing his joy for the medium, with his students.

He began exhibiting his work in the US at the Alliance Francaise and the Cultural Center for Hispanic Arts. In the 2000’s he showed his work in Wynwood and at FAT Village in Ft. Lauderdale. In February 2022 Rojas had his first important Retrospective that included 95 pieces sponsored by FAT Village, Ft. Lauderdale-Florida. Since 2010 he has focused on acrylics and watercolor, and continues to explore new mediums and narratives.

JESUS ROJAS
Peru

EDUCATION

1975-1980 Pontifical Catholic University of Peru, Lima, Peru
1982-1984 Pontifical Catholic University of Peru, Lima, Peru

EXHIBITIONS

2024
Mindfields of Color, OMSA Gallery, Southwest Ranches, FL
Ft. Lauderdale Art Walk (February-May), Ft. Lauderdale, FL

2023
Hollywood Art Walk (June-December), Hollywood, FL

2022
Retrospective at FAT Village, Ft. Lauderdale, FL

2018
FAT Village, Ft. Lauderdale, FL

2011
Fat Village, Ft. Lauderdale, FL

2008
Mario Flores Gallery, Miami, FL

2007
Art Basel, Edge Zones, Wynwood, Miami, Florida

2006
Art Basel, Wynwood Events, Wynwood, Miami, FL

2005
Art Basel, Wynwood Events, Wynwood, FL

2004
Museum of Art, Ft. Lauderdale, FL

2002
FAT Village, Ft. Lauderdale, FL

1996
Gilles Granier Art Gallery, Ft. Lauderdale, FL

1995
Cultural Center for Hispanic Arts, TX

1994
Praxis International Art Gallery, Lima, Peru
H & B Starr Art Gallery, West Palm Beach, FL
Janine Cox Art Gallery, South Beach, FL

1993
The New French Village, Coral Gables, FL
Praxis International Art Gallery, Lima, Peru

1992
Alliance Francaise, Coral Gables, FL

1991
Pierre’s Gate Art Gallery, VT

1990
South Florida Art Center, Miami Beach, FL
Peter Max Art Gallery, Ft. Lauderdale, FL

1989
OPUS Gallery, Coral Gables, FL

1980-1990
Exhibitions in South America, Galleries & Cultural Institutions

AWARDS

1997
Chrysler Corporation-Jeep, First Prize – Painting, San Antonio, TX

1990
Kiwanis Club - Miami International Festival Calle Ocho, First Prize - Poster Contest and
Exhibition, Miami, FL

1986-1988
Peruvian American Cultural Institute, Several Prizes on Drawing and Illustration, Lima, Peru

1985
Peruvian American Cultural Institute, First Prize-XX Print Contest and Exhibition, Lima, Peru
Peruvian Literature and Arts Association, First Prize

Born in Yauli, a tiny town in the Peruvian Andes, Jesus grew up in Lima, a cold, gray, chaotic and complicated city that forced him to escape with his imagination.

In his teen years the city impacted the initial work in a “gray and dark” manner, it was not until later that he began to adopt the lightness and brightness of the colors of the North of Perú and the Peruvian Andes.

Jesus traveled to this region whenever he had a chance of escaping the bustle of the city, seeking the light and colors that he also found in South Florida.

During his early years he was heavily influenced by the work of Marc Chagall and Tilsa Tsuchiya who he considers the parents that enabled his life as an artist. After graduating from the Art Faculty in 1980 in Peru, Jesus began making a living as an illustrator though always working on subjects of his imagination, with strong Expressionist and Surrealist tendencies. His focus always remained on draftsmanship, an important skill he deems essential as a starting point towards anything else creative.

Black and white was his palette of choice when first out of art school, as a main expression, and soon he learned to replace color with chiaroscuro and because of this skill he won several contests at an early age.

Jesus has always been attracted to light, clarity and clean, pure colors. This could be due to the influence of his work as an illustrator before leaving Perú in 1989. This also has informed the playfulness of his work, even when touching on such issues as humanism, erotism, spirituality and the concept of eternal duality. This concept greatly influences his work: viewing the Universe as the philosophical core that informs his narratives. That said, his pieces are about the joy of life, created with a love for life, light and color.

Upon landing in the United States, Jesus cultivated the disciplines of drawing, graphic design, calligraphy, illustration and painting, which enabled him to draw accolades and awards.

Becoming a professor at Miami Dade College through the South Florida Art Center (Painting, Drawing & Watercolor) was another way of expressing his joy for the medium, with his students.

He began exhibiting his work in the US at the Alliance Francaise and the Cultural Center for Hispanic Arts. In the 2000’s he showed his work in Wynwood and at FAT Village in Ft. Lauderdale. In February 2022 Rojas had his first important Retrospective that included 95 pieces sponsored by FAT Village, Ft. Lauderdale-Florida. Since 2010 he has focused on acrylics and watercolor, and continues to explore new mediums and narratives.

JESUS ROJAS
Peru

EDUCATION

1975-1980 Pontifical Catholic University of Peru, Lima, Peru
1982-1984 Pontifical Catholic University of Peru, Lima, Peru

EXHIBITIONS

2024
Mindfields of Color, OMSA Gallery, Southwest Ranches, FL
Ft. Lauderdale Art Walk (February-May), Ft. Lauderdale, FL

2023
Hollywood Art Walk (June-December), Hollywood, FL

2022
Retrospective at FAT Village, Ft. Lauderdale, FL

2018
FAT Village, Ft. Lauderdale, FL

2011
Fat Village, Ft. Lauderdale, FL

2008
Mario Flores Gallery, Miami, FL

2007
Art Basel, Edge Zones, Wynwood, Miami, Florida

2006
Art Basel, Wynwood Events, Wynwood, Miami, FL

2005
Art Basel, Wynwood Events, Wynwood, FL

2004
Museum of Art, Ft. Lauderdale, FL

2002
FAT Village, Ft. Lauderdale, FL

1996
Gilles Granier Art Gallery, Ft. Lauderdale, FL

1995
Cultural Center for Hispanic Arts, TX

1994
Praxis International Art Gallery, Lima, Peru
H & B Starr Art Gallery, West Palm Beach, FL
Janine Cox Art Gallery, South Beach, FL

1993
The New French Village, Coral Gables, FL
Praxis International Art Gallery, Lima, Peru

1992
Alliance Francaise, Coral Gables, FL

1991
Pierre’s Gate Art Gallery, VT

1990
South Florida Art Center, Miami Beach, FL
Peter Max Art Gallery, Ft. Lauderdale, FL

1989
OPUS Gallery, Coral Gables, FL

1980-1990
Exhibitions in South America, Galleries & Cultural Institutions

AWARDS

1997
Chrysler Corporation-Jeep, First Prize – Painting, San Antonio, TX

1990
Kiwanis Club - Miami International Festival Calle Ocho, First Prize - Poster Contest and
Exhibition, Miami, FL

1986-1988
Peruvian American Cultural Institute, Several Prizes on Drawing and Illustration, Lima, Peru

1985
Peruvian American Cultural Institute, First Prize-XX Print Contest and Exhibition, Lima, Peru
Peruvian Literature and Arts Association, First Prize

From his period when found photographs informed his narrative, Jon has expressed the nuanced, often untranslatable, realities that exist within the human experience. In the thread of his work where traces remain, it’s like a distant but familiar relative appears amidst his new body of work. Jon brings this concept closer to home. He renders a deeper, more personal, immediate, and almost intimate voyeuristic approach to the quotidian.

Featuring imagery he has captured himself, often with medium format, sometimes with what he has at hand, on the unique and quirky streets of Miami, which he calls home, Jon’s conversation with the present unfolds within the context of Art History. He provides his ubiquitous nod to reference what is often obscure, to bring it to light. In this way he translates his conceptually based process through splintered fragments of time and place often floating without foundation before our gaze.

In this way his work transcends perceptions, as he cuts away at the boundaries, that through having been merely captured at a still point in time, delineate a past and present. Jon distills and refines his imagery in this way, as if grappling with fixed conventions and playing with them to coax an understanding of contrasts while highlighting synergies.

Jon’s work has multiple planes that define a sense of chronological depth as if a Muybridge zoopraxiscope might render the gestures movement, coming toward or moving away from the viewer rather than across the view. His collage is often on many planes, and by being mounted on layers of often transparent glass, other times colorfields as surface, creates a scenario, a mirage of sorts. Whereas when those layers are rendered on one plane, the work is almost frontal in its approach

A working artist, Jon is self-taught, developing an art practice that continually develops a distinctly unique visual vernacular. Jon surfs inspiration and waxes philosophical, while standing barefoot waiting for no particular answer at all.

His references are subtle and you might miss them if you are less learned in the history of art. But his work can be understood on another more personal level. Life is rendered and recognized whether a Saint Sebastian, a nude in a raincoat, a pistol rearing young boy, or any of his other cast of characters who have graced, what you might consider ready-mades; devices as visual tools, gadgets to see through the often farcical canons we hold.

JON DAVIS
United States

EDUCATION

1990 Lansdale Catholic HS

SELECTED EXHIBITIONS

2023
“The Chronicle is the fable for these timid eyes,” Mifa Galley, Miami, FL

2017
“Locals Only,” Dianna Lowenstein Gallery, Miami, FL

2015
Context Art Miami 55 Bellechase Galleria, Miami, FL
55 Bellechase gallery show, Paris, France
YIA, Paris, France

SELECTED SOLO EXHIBITIONS

2021
“Brokedown Palace,” Fabien Castanier Gallery, Miami, FL

2017
Jon Davis 55 Bellechase Gallery, Miami, FL

2016
“Three Sided Dream,” University of Maine Museum of Art, Bangor, Maine
“Jon Davis solo show,” 55 Bellechase Gallery, Paris, France

2015
“Jon Davis,” 55 Bellechase Gallery, Paris, France

2013
“The Origin of Originality,” Kavachnina Contemporary, Miami, FL

2009
Dale Nally Gallery, Miami, FL

2008
“Lost Luggage,” Vero Beach Museum of Art, Vero Beach, FL

2006
Damien B Art Gallery; Art Basel, Miami, FL
“Time Capsules,” Jacksonville Museum of Modern Art, Jacksonville, FL

2004
Carousel Art Space, Art Basel, Miami, FL
Miami Beach Cinematheque: Art Basel, Miami Beach, FL
“Ravage,” Damien B Art Gallery, Miami, FL

2002
Kracer Art, Miami, FL

1998
The Pentagon Gallery, Cleveland, OH

COLLECTIONS
University of Maine Museum of Art
Vero Beach Museum of Art

From his period when found photographs informed his narrative, Jon has expressed the nuanced, often untranslatable, realities that exist within the human experience. In the thread of his work where traces remain, it’s like a distant but familiar relative appears amidst his new body of work. Jon brings this concept closer to home. He renders a deeper, more personal, immediate, and almost intimate voyeuristic approach to the quotidian.

Featuring imagery he has captured himself, often with medium format, sometimes with what he has at hand, on the unique and quirky streets of Miami, which he calls home, Jon’s conversation with the present unfolds within the context of Art History. He provides his ubiquitous nod to reference what is often obscure, to bring it to light. In this way he translates his conceptually based process through splintered fragments of time and place often floating without foundation before our gaze.

In this way his work transcends perceptions, as he cuts away at the boundaries, that through having been merely captured at a still point in time, delineate a past and present. Jon distills and refines his imagery in this way, as if grappling with fixed conventions and playing with them to coax an understanding of contrasts while highlighting synergies.

Jon’s work has multiple planes that define a sense of chronological depth as if a Muybridge zoopraxiscope might render the gestures movement, coming toward or moving away from the viewer rather than across the view. His collage is often on many planes, and by being mounted on layers of often transparent glass, other times colorfields as surface, creates a scenario, a mirage of sorts. Whereas when those layers are rendered on one plane, the work is almost frontal in its approach

A working artist, Jon is self-taught, developing an art practice that continually develops a distinctly unique visual vernacular. Jon surfs inspiration and waxes philosophical, while standing barefoot waiting for no particular answer at all.

His references are subtle and you might miss them if you are less learned in the history of art. But his work can be understood on another more personal level. Life is rendered and recognized whether a Saint Sebastian, a nude in a raincoat, a pistol rearing young boy, or any of his other cast of characters who have graced, what you might consider ready-mades; devices as visual tools, gadgets to see through the often farcical canons we hold.

JON DAVIS
United States

EDUCATION

1990 Lansdale Catholic HS

SELECTED EXHIBITIONS

2023
“The Chronicle is the fable for these timid eyes,” Mifa Galley, Miami, FL

2017
“Locals Only,” Dianna Lowenstein Gallery, Miami, FL

2015
Context Art Miami 55 Bellechase Galleria, Miami, FL
55 Bellechase gallery show, Paris, France
YIA, Paris, France

SELECTED SOLO EXHIBITIONS

2021
“Brokedown Palace,” Fabien Castanier Gallery, Miami, FL

2017
Jon Davis 55 Bellechase Gallery, Miami, FL

2016
“Three Sided Dream,” University of Maine Museum of Art, Bangor, Maine
“Jon Davis solo show,” 55 Bellechase Gallery, Paris, France

2015
“Jon Davis,” 55 Bellechase Gallery, Paris, France

2013
“The Origin of Originality,” Kavachnina Contemporary, Miami, FL

2009
Dale Nally Gallery, Miami, FL

2008
“Lost Luggage,” Vero Beach Museum of Art, Vero Beach, FL

2006
Damien B Art Gallery; Art Basel, Miami, FL
“Time Capsules,” Jacksonville Museum of Modern Art, Jacksonville, FL

2004
Carousel Art Space, Art Basel, Miami, FL
Miami Beach Cinematheque: Art Basel, Miami Beach, FL
“Ravage,” Damien B Art Gallery, Miami, FL

2002
Kracer Art, Miami, FL

1998
The Pentagon Gallery, Cleveland, OH

COLLECTIONS
University of Maine Museum of Art
Vero Beach Museum of Art

From his period when found photographs informed his narrative, Jon has expressed the nuanced, often untranslatable, realities that exist within the human experience. In the thread of his work where traces remain, it’s like a distant but familiar relative appears amidst his new body of work. Jon brings this concept closer to home. He renders a deeper, more personal, immediate, and almost intimate voyeuristic approach to the quotidian.

Featuring imagery he has captured himself, often with medium format, sometimes with what he has at hand, on the unique and quirky streets of Miami, which he calls home, Jon’s conversation with the present unfolds within the context of Art History. He provides his ubiquitous nod to reference what is often obscure, to bring it to light. In this way he translates his conceptually based process through splintered fragments of time and place often floating without foundation before our gaze.

In this way his work transcends perceptions, as he cuts away at the boundaries, that through having been merely captured at a still point in time, delineate a past and present. Jon distills and refines his imagery in this way, as if grappling with fixed conventions and playing with them to coax an understanding of contrasts while highlighting synergies.

Jon’s work has multiple planes that define a sense of chronological depth as if a Muybridge zoopraxiscope might render the gestures movement, coming toward or moving away from the viewer rather than across the view. His collage is often on many planes, and by being mounted on layers of often transparent glass, other times colorfields as surface, creates a scenario, a mirage of sorts. Whereas when those layers are rendered on one plane, the work is almost frontal in its approach

A working artist, Jon is self-taught, developing an art practice that continually develops a distinctly unique visual vernacular. Jon surfs inspiration and waxes philosophical, while standing barefoot waiting for no particular answer at all.

His references are subtle and you might miss them if you are less learned in the history of art. But his work can be understood on another more personal level. Life is rendered and recognized whether a Saint Sebastian, a nude in a raincoat, a pistol rearing young boy, or any of his other cast of characters who have graced, what you might consider ready-mades; devices as visual tools, gadgets to see through the often farcical canons we hold.

JON DAVIS
United States

EDUCATION

1990 Lansdale Catholic HS

SELECTED EXHIBITIONS

2023
“The Chronicle is the fable for these timid eyes,” Mifa Galley, Miami, FL

2017
“Locals Only,” Dianna Lowenstein Gallery, Miami, FL

2015
Context Art Miami 55 Bellechase Galleria, Miami, FL
55 Bellechase gallery show, Paris, France
YIA, Paris, France

SELECTED SOLO EXHIBITIONS

2021
“Brokedown Palace,” Fabien Castanier Gallery, Miami, FL

2017
Jon Davis 55 Bellechase Gallery, Miami, FL

2016
“Three Sided Dream,” University of Maine Museum of Art, Bangor, Maine
“Jon Davis solo show,” 55 Bellechase Gallery, Paris, France

2015
“Jon Davis,” 55 Bellechase Gallery, Paris, France

2013
“The Origin of Originality,” Kavachnina Contemporary, Miami, FL

2009
Dale Nally Gallery, Miami, FL

2008
“Lost Luggage,” Vero Beach Museum of Art, Vero Beach, FL

2006
Damien B Art Gallery; Art Basel, Miami, FL
“Time Capsules,” Jacksonville Museum of Modern Art, Jacksonville, FL

2004
Carousel Art Space, Art Basel, Miami, FL
Miami Beach Cinematheque: Art Basel, Miami Beach, FL
“Ravage,” Damien B Art Gallery, Miami, FL

2002
Kracer Art, Miami, FL

1998
The Pentagon Gallery, Cleveland, OH

COLLECTIONS
University of Maine Museum of Art
Vero Beach Museum of Art

Katherine Hofmann attended the Rhode Island School of Design, earning a BFA in Painting in 2023. She works as a mixed media watercolorist and explores sculptural mediums such as kiln-cast glass and ceramics, viewing her sculptural work as extensions of her paintings.

By capturing sensory experiences through processes like vitrification, fossilization, and erosion, she approaches her work, mindful of the subtle energy that surrounds her as she sloshes through the Everglades. Using noble materials like walnut ink, coffee stain, and the sinuous shadows and shapes found in nature, Katherine’s art, like vines and mangroves, entangles the organic with the Anthropocene, encapsulating, gracefully, the human era within her creations.

In this way her work reflects an almost reverent connection to nature, deeply rooted in the materiality she chooses. She merges glass, ceramics, and painting as witness to her perception beyond her vision while exploring deeper, tactile dimensions of the human senses that resemble William Blake’s cracks and chinks through which the soul seeps.

A fresh new artist, her spirit speaks with the depth of an old soul, layering memories that resonate with the earth itself. Katherine touches the soil lightly, leaving barely an imprint, creating waves of resonance with her work. Subtle tones inspired by nature—soft blues, earthy browns, and olive greens—are carefully assembled and awash with a quiet elegance.

Her work embodies the natural world’s beauty while reflecting the fragile interplay between humanity and nature, where we can no longer adhere to the paradigm of man vs. nature, a mindset of a bygone era of colonization of the wild and free.

KATHERINE HOFMANN
United States

EDUCATION

Rhode Island School of Design

SELECTED EXHIBITIONS

2024
Floridiana, the Land’s Identity, OMSA Gallery, Ft. Lauderdale, FL

2023
Understanding Chickpeas, Salem Art Works Barn 2, Salem, NY
Senior Invitational, Woods Gerry Gallery, Providence, RI,
Water Seeks the Lowest Ground, Gelman Gallery, Providence, RI
Painting Degree Project, Woods Gerry Gallery, Providence, RI
Field Works, The Red Eye Gallery, Providence, RI
Mineral Spirits, Memorial Hall Gallery, Providence, RI
Go Thither, Gelman Gallery, Providence, RI

AWARDS

2024
Graphite Journal, Almanac, The Hammer Museum, CA

2023
Salem Art Works, Ceramic Studio Resident, Salem, NY
Florence Leif Award, Rhode Island School of Design Painting Department, RI Graphite Journal,
Pocket, The Hammer Museum, CA

Katherine Hofmann attended the Rhode Island School of Design, earning a BFA in Painting in 2023. She works as a mixed media watercolorist and explores sculptural mediums such as kiln-cast glass and ceramics, viewing her sculptural work as extensions of her paintings.

By capturing sensory experiences through processes like vitrification, fossilization, and erosion, she approaches her work, mindful of the subtle energy that surrounds her as she sloshes through the Everglades. Using noble materials like walnut ink, coffee stain, and the sinuous shadows and shapes found in nature, Katherine’s art, like vines and mangroves, entangles the organic with the Anthropocene, encapsulating, gracefully, the human era within her creations.

In this way her work reflects an almost reverent connection to nature, deeply rooted in the materiality she chooses. She merges glass, ceramics, and painting as witness to her perception beyond her vision while exploring deeper, tactile dimensions of the human senses that resemble William Blake’s cracks and chinks through which the soul seeps.

A fresh new artist, her spirit speaks with the depth of an old soul, layering memories that resonate with the earth itself. Katherine touches the soil lightly, leaving barely an imprint, creating waves of resonance with her work. Subtle tones inspired by nature—soft blues, earthy browns, and olive greens—are carefully assembled and awash with a quiet elegance.

Her work embodies the natural world’s beauty while reflecting the fragile interplay between humanity and nature, where we can no longer adhere to the paradigm of man vs. nature, a mindset of a bygone era of colonization of the wild and free.

KATHERINE HOFMANN
United States

EDUCATION

Rhode Island School of Design

SELECTED EXHIBITIONS

2024
Floridiana, the Land’s Identity, OMSA Gallery, Ft. Lauderdale, FL

2023
Understanding Chickpeas, Salem Art Works Barn 2, Salem, NY
Senior Invitational, Woods Gerry Gallery, Providence, RI,
Water Seeks the Lowest Ground, Gelman Gallery, Providence, RI
Painting Degree Project, Woods Gerry Gallery, Providence, RI
Field Works, The Red Eye Gallery, Providence, RI
Mineral Spirits, Memorial Hall Gallery, Providence, RI
Go Thither, Gelman Gallery, Providence, RI

AWARDS

2024
Graphite Journal, Almanac, The Hammer Museum, CA

2023
Salem Art Works, Ceramic Studio Resident, Salem, NY
Florence Leif Award, Rhode Island School of Design Painting Department, RI Graphite Journal,
Pocket, The Hammer Museum, CA

Katherine Hofmann attended the Rhode Island School of Design, earning a BFA in Painting in 2023. She works as a mixed media watercolorist and explores sculptural mediums such as kiln-cast glass and ceramics, viewing her sculptural work as extensions of her paintings.

By capturing sensory experiences through processes like vitrification, fossilization, and erosion, she approaches her work, mindful of the subtle energy that surrounds her as she sloshes through the Everglades. Using noble materials like walnut ink, coffee stain, and the sinuous shadows and shapes found in nature, Katherine’s art, like vines and mangroves, entangles the organic with the Anthropocene, encapsulating, gracefully, the human era within her creations.

In this way her work reflects an almost reverent connection to nature, deeply rooted in the materiality she chooses. She merges glass, ceramics, and painting as witness to her perception beyond her vision while exploring deeper, tactile dimensions of the human senses that resemble William Blake’s cracks and chinks through which the soul seeps.

A fresh new artist, her spirit speaks with the depth of an old soul, layering memories that resonate with the earth itself. Katherine touches the soil lightly, leaving barely an imprint, creating waves of resonance with her work. Subtle tones inspired by nature—soft blues, earthy browns, and olive greens—are carefully assembled and awash with a quiet elegance.

Her work embodies the natural world’s beauty while reflecting the fragile interplay between humanity and nature, where we can no longer adhere to the paradigm of man vs. nature, a mindset of a bygone era of colonization of the wild and free.

KATHERINE HOFMANN
United States

EDUCATION

Rhode Island School of Design

SELECTED EXHIBITIONS

2024
Floridiana, the Land’s Identity, OMSA Gallery, Ft. Lauderdale, FL

2023
Understanding Chickpeas, Salem Art Works Barn 2, Salem, NY
Senior Invitational, Woods Gerry Gallery, Providence, RI,
Water Seeks the Lowest Ground, Gelman Gallery, Providence, RI
Painting Degree Project, Woods Gerry Gallery, Providence, RI
Field Works, The Red Eye Gallery, Providence, RI
Mineral Spirits, Memorial Hall Gallery, Providence, RI
Go Thither, Gelman Gallery, Providence, RI

AWARDS

2024
Graphite Journal, Almanac, The Hammer Museum, CA

2023
Salem Art Works, Ceramic Studio Resident, Salem, NY
Florence Leif Award, Rhode Island School of Design Painting Department, RI Graphite Journal,
Pocket, The Hammer Museum, CA

Antuan, born in Santa Clara, Cuba in 1972, is an influential environmentalist and cosmogonic artist whose work spans diverse disciplines, integrating themes of ecology and social responsibility. Since his artistic training began in the 1980s, at the height of the environmental art movement, Antuan has maintained a steady focus on ecological issues. His commitment to these concerns has defined his work and positioned him as a unique voice in art, blending aesthetics with social activism.

At age 17, Antuan initiated the ECO project, an ephemeral art endeavor that marked the beginning of his environmental focus. He graduated in 1995 from ISP “Félix Varela” in Santa Clara, Cuba, completing a thesis titled Art, Ecology, and Humanism, which underscored his belief in the artist’s role as a social practitioner. Since then, he has created work that reflects his holistic vision, merging art, design, and architecture to address themes of environmental degradation, endangered species, and contemporary human conflicts.

Antuan’s career has gained broad recognition, with his works exhibited at prominent institutions worldwide, including the Museum of Contemporary Art in Toronto, Cobra Museum in Amsterdam, Palacio de Cristal in Madrid, The Patricia & Phillip Frost Art Museum in Miami, and the Museum of Latin American Art in California, among others. His presence in art biennials, fairs, and leading museums across the U.S., Latin America, and Europe has further established his reputation as a socially engaged artist.

In the late 1990s, Antuan developed impactful projects such as Memories of the 20th Century and the Forks and Spoons series, a reflective exploration on concentration camps. In 1998, he was awarded a scholarship from Fundación Bancaja in Valencia, Spain, where he studied bronze casting with sculptor Joseph Castell in France.

Upon migrating to the U.S. in 1999, Antuan’s experiences shaped his focus on humanity’s complex relationship with environmental and social challenges. His “cosmogonic vision” began to influence his work, as he delved into issues like human healing, AIDS, political manipulation, human trafficking, financial greed, and ecological concerns. This vision transcended conventional art market trends, imbuing his work with a profound exploration of our interconnected world.

Today, Antuan’s work is a powerful commentary on human vulnerability, environmental fragility, and the need for collective action. Through his art, he invites reflection on urgent global issues, encouraging a renewed connection to our shared planet and offering a space for healing and social awareness.

EDUCATION

2019 Fault Line Artist in residence. Landers,California , USA
2014 IPS Residency at the IBB Center for Contemporary Arts. Curacao
2006 Art Fellowship, University of Valencia, Spain
2001 Master in Iron and Resin, Atelier D’Art Ros Mari, Valencia, Spain
1998 Fine Arts Scholarship granted by Fundación Bancaja, Valencia, Spain
1997 Master in Bronze Casting under the direction of sculptor Joseph Castell, Perpignan, France
1996 B. A. Fine Arts., Universidad Félix Varela, Villa Clara, Cuba
1987 Graduated from San Alejandro National Academy of Arts, Habana, Cuba
1985 Graduate of Elemental Level in Art, Eva Olga Alonso, Villa Clara, Cuba

COLLECTIVE EXHIBITS

2024
Museo AAl Arte al Limite, Santiago de Chile
Museo La Neomudejar, Madrid, Spain.
Feria Internacional de Arte Contemporaneo (Fiaci) Asr Galeria
Museo de Arte Moderno. Fiaci, Santo Domingo
Museo Siglo XXI Zapadores, Madrid, Spain
Diverse Art La, Los Angeles. USA.
Art Palm Beach Fair. USA.

2023
WAO Galeria & Centro Cultural, Casa de Campo. Dominicana.
The DAO, Arte al Limite, Magazine, Santiago de Chile
Copper Bridge Foundation, Miami, USA.

2022
Kerr Gallery, Miami Design District, USA.
Building Bridges Art Exchange, Santa Monica.ca
Yucca Valley Arts Center, The Hi desert.ca USA.
Samadhi, Modernom, Design District Miami, USA

2021
Samadhi. Miami, Virginia Keys Beach. art with me, USA.
Copper Bridge Foundation, Miami, USA.

2020
Contemporary Art Lab, Mind-Works. Reshaping Art Series, Philadelphia, PA.
Building Bridges Art Exchange, Santa Mónica, CA.
Archipresente \ Colección Casa, Centro cultural El Tranque ,Santiago de Chile.
Freijo Gallery Metáforas Latinoamericanas, Madrid Spain
Kerr Gallery, Miami Design District, USA.

2019
DOX Center of Contemporary Arts in Prague.
Bombay Beach Biennale, CA.USA
Art Wynwood, Art fair, Mimai, USA.
Bloc Art, Espacios Experimentales ,Coleccion ALL.PERU
Yucca Valley Arts Center, The Hi Desert, CA, USA
Fault Line Artist in residence.Fusion of Art, Science, and Technology.Landers, CA.

2018
Power of art house. Amsterdan.NL
Texas Contemporary Art Fair. USA
Alvarez Gallery, opioid, Stamford, USA
18th Asian Art Biennale, Bangladesh
LA art show, Los Angeles, California, USA
Building Bridges Art Exchange, Santa Monica, California, USA.

2017
Espacio Fundación Telefonica .Santiago, Chile.
Pinta Art Fair. Freijo Fine Art Gallery, Spain. Miami, FL.
C.A.S.A Collection. Santiago, Chile.
Art Palm Beach International, FL.

2016
MOCA Museum of Contemporary Art, “The Other Dimension. Solo show covering all Museum galleries. Miami, FL.
MDC Museum of Art + Design. Miami, FL.
Centro Cultural Matucana 100. Santiago, Chile.
Museo de Arte Moderno, Vibración 7.8. Santo Domingo, Dominican Republic..
MPAC, MIAMI Institute Private Art Collection Project, Miami Beach, FL.
Cintas Fellows Awards, Finalist. 2016 – 2017. Cintas Foundation – MDC.Miami, FL.
Art Medellin 2016. Medellin, Colombia.

2015
Centro Cultural Matucana 100 Santiago de Chile, Chile.
Art.es.art magazine Arco Madrid project. Madrid, Spain.

2014
Central Fine Art Contemporary. Cadiz, Spain.
IPS Residency at the IBB Center for Contemporary Arts. Curacao.
Centro Fine Art. Asturias, Spain.
Aluna Art Foundation. Walking in Someone Else´s Shoes: Identities in Transit. Miami, FL.

2013
Global Caribbean IV, Focus on Miami Contemporary Visual Arts Landscape.
Haitian Cultural Arts Alliance-Art Basel Miami Beach. FL.
Tenerife Espacio Arte. (TEA). Caanary Islands. Misterpink Art Gallery, digital video.
Creation series. Miami selected artist.
Miramar Cultural Center. Americana| Arts Park, Miramar, FL.
Bienal Del Sur, Panama City, Panamá.
The 8th Floor-Stealing Base: Cuba at Bat. New York City-NY.
USF Contemporary Art Museum. Occupying Building, Thinking: Poetic and Discursive Perspectives on Contemporary Cuban Video Art. Tampa. FL.

2012
Art Museum of the Americas –OAS. Transitional Bodies Foto Week.Washington DC.
Convento San Francisco de Asís, Faith Substitutes, Havana, Cuba.

2011
III Bienal Del Fin del Mundo, Argentina
Centro Cultural Español Inhabiting, building, thinking.Centro Cultural Español, Miami, FL, USA
Stenersen Museum, Oslo, Norway
Mocca, Museum of Contemporary Art, Toronto, Canada
Cobra Museum, Amsterdam, Netherlands
The Patricia & Phillip Frost Art Museum, Base Paint, Miami, FL, USA
Wynwood Art Fair, Miami, FL, USA
Pinta Art Fair, New York, USA

2010
Scope Miami International Contemporary Art Show, Miami, FL, USA
Frost Art Museum, FIU, Miami, FL, USA
Base Paint, Epic, Miami, FL.
Museum of Modern Art. Trienal Internacional Caribe,Santo Domingo. Dominican Republic.
IKF – Latin America, Art Auction, Miami, FL.
The Freedom Tower – Past is history-future is a mystery, Miami, FL, USA
Patria o Libertad, The Freedom Tower, Miami, FL, USA
Laboratorio Evolutivo de Arte Contemporáneo, Dominican Republic
Art Chicago Art Fair, Chicago, IL, USA
Fiart -Palacio de Bellas Artes, Dominican Republic
Miami International Art Fair, Miami, FL, USA
Art Palm Beach, Palm Beach, FL, USA
Los Ángeles Art Show, Los Ángeles, CA, USA
Arte Americas, Miami, FL, USA
Art Shanghai, Shanghai, China
Pinta Art Fair, London, UK

2009
Durban-Segnini Gallery, Miami, FL, USA
Bridge Art Fair- Miami, FL, USA
Red Dot Art Fair, Miami, FL, USA
Museum Of Latin American Art, Molaa, CA, USA
Art on Track, Chicago Art Track, Chicago, IL, USA
NOBE 67 ART, Miami, FL, USA

2008
Art Chicago, Chicago, IL, USA
Collective Cuban Artists, University of Miami, Miami, FL, USA
Arteamericas, Miami, FL, USA
First Art Fair Arte Al Limite, Santiago, Chile
Circa-Art- Fair, Puerto Rico.

2007
Sculpture Key West, Key West, USA
Art Fair, Valencia, Spain
Circa Art Fair, Puerto Rico
Art Fair – Photo, Buenos Aires, Argentina
Arte Latex, University of Valencia, Spain
Aldo Castillo Gallery, Chicago, IL, USA
Arte Américas, Miami, FL, USA
Sculpture Key West By Land, Sea and Sky, Key West, FL, USA
Art Miami, Miami, FL, USA

2006
Hard Core Art Gallery. Menu: Samples and Dishes, Miami, FL.
Dot 51 Art Space. Consuming Art, Miami, FL.
Alejandra Von Hartz Fine Arts, Miami, FL.
Palacio de Los Cristales. La Estampa, Madrid,Spain.
Valencia Art Fair, Valencia, Spain.
Art Miami art fair, Miami Beach, FL.
Galería Nina Menocal, D.F., México.
ZONAMACO, Contemporary Art Fair, México City. Mexico.
Art Fellowship, University of Valencia, Spain.

2005
Arte américas, Miami, FL, USA
Art Miami, Miami Beach Convention Center, Miami, FL, USA
XIV Feria Internacional de Arte Contemporánea, Santander, Spain

2004
Palacio de Los Cristales. La Estampa, Madrid, Spain.
Masters’ Mystery Art Show, FIU, Miami, FL.
Galeria Argenta Arte, Valencia, Spain.

2003
Arte Digital Diáspora, Studio Soto, Boston, MA, USA
International Art Fair, New York City, NY, USA
Hollywood Biennale, Hollywood, FL, USA
Galeriargenta, Valencia, Spain.

2002
Bronxville Art Center, Bronx, NY, USA

2001
Valencia University, Valencia, Spain.

2000
Fundación Bancaja, Valencia, Spain
531 Central Fine Arts Gallery, Saint Petersburg, FL, USA
Gallery Nouveau, San Juan, Puerto Rico

1999
Florida International University, The Art Museum, Miami, FL, USA

1998
Contemporary Art Center Wifredo Lam, Havana, Cuba
Artistic Center “La Regenta”, Canary Islands, Spain
Panamericana Gallery Mariano Rodríguez, Havana, Cuba
National Union of Cuban Writers and Artists (UNEAC), Havana. Cuba
National Gallery of Fine Arts, Matanzas, Cuba
Ridel Gallery , San Juan, Puerto Rico.

1997
Contemporary Art Center Joseph Castell, Perpignan, France
Gallery Albero, Canary Islands, Spain.

1995
Gallery Paisajes Fondo de Bienes Culturales de Cuba, Villa Clara, Cuba.

1994
UNEAC Exhibit of Artists from the Gallery Provincial of CAA, Cuba.

1993
First Center and Gallery Wilfredo Lam, Villa Clara, Cuba
Fourth Sculptural Encounter, Villa Clara, Cuba

INDIVIDUAL EXHIBITS

2020
Viral Geometry ,Building Bridges Art Exchange, Los Angeles, CA; Arte Al Limite art magazine, Santiago, Chile; Contemporary Art Lab |Arts Incubator, Philadelphia.

2019
BBAX. Building Bridges Art Exchange. Los Angeles, CA.

2017
Freijo Gallery ,Madrid,Spain.
Antuanlab Miami .FL.

2016
The Other Dimension, Museum of Contemporary Art ,Miami , FL.
HUBLOT Space Art Exhibition, Miami Design District, FL

2015
MATUCANA 100 .centro de arte en Santiago de chile
Museo de la Fortaleza osama,Republica Dominicana
Museo de arte moderno , Republica Dominicana

2007
HIDES – The Silvana Facchini Gallery, Miami, FL, USA

2006
Gallery Matthei, Santiago De Chile, Chile
“Visions” Hardcore, Contemporary Art Space, Miami, FL, USA

2004
“The Right Eye”Galeriargenta, Valencia, Spain

2003
Galleries at the Interchurch Center, New York City, NY, USA

2002
Bronxville Art Center, Bronx, NY, USA

2001
531 Central Fine Arts Gallery, Saint Petersburg, FL, USA
Gallery Noveau - San Juan, Puerto Rico

2000
Contemporary Art Center Jose Castell, Perpignan, France

1999
Gallery Ridel, San Juan, Puerto Rico

1998
Center of Contemporary Art, Castle San Felipe, Canary Islands, Spain
Without Permit to Travel, Luis De Soto, Havana University, Arts and Letters Faculty, Havana, Cuba
Memories of the Twentieth Century, Center for the Development of Visual Arts Havana, Cuba

1997
Arc of Memory, Canary Islands, Spain

1996
Origin, Perpignan, France

1995
Figure Three, Villa Clara, Cuba

HONORS AND AWARDS

2006
Sculpture Key West, Artist Award. Key West, FL.

2003
Cuban Artistic Foundation, Rockefeller Brothers Fund, New York City, NY.

1998
First Place Award, National Gallery of Fine Arts, Villa Clara, Cuba.

1997
First Place Award, Provincial Gallery of Fine Arts, Villa Clara, Cuba.

1995
Award, National Gallery of Fine Arts, Villa Clara, Cuba.

1994
Prize, Provincial Gallery of the CAA, Villa Clara, Cuba.

1993
Honorable Mention, First Center and Gallery Wifredo Lam, Cuba.
Honorable Mention, National Gallery of Fine Arts, Villa Clara, Cuba.
Honorable Mention, Galería de Caricaturas, Villa Clara, Cuba.

COLLECTIONS

Museum of Contemporary Art. Miami. FL.
Frost Art Museum, Florida International University, Miami, FL.
Vatican Art Museum, Vatican City, Italy.
CASA Collection, Santiago, Chile.
Museum of Latin American Art,MoLAA. Long Beach, CA.
Museum of Modern Art, Santo Domingo. Dominican Republic.
Fundación Bancaja, Valencia, Spain.
Contemporary Art Center Joseph Castell, Perpignan, France.
Cintas Foundation Art Collection, Miami, FL.
Pepe Cabrera Collection, Valencia, Spain.

COUNTRIES OF EXHIBITIONS

Mexico, Greece, Chile, Spain, United States, Italy, Vatican City (Italy),Canada, Canary Islands, Argentina, France, Puerto Rico, Martinique, Panama, Netherlands, Dominican Republic, China, London, Cuba, Haiti.

ART IN PUBLIC PLACE

Samadhi project. Miami Design District , FL 2020
Museum of Contemporary Art, Miami, FL. 2016
The Force of a Universal Prayer, Venice Italy. 2015.
IBB Center for Contemporary Art .Curacao.2014
Apogee Beach 3951, Hollywood Beach, FL. 2013.
Wynwood Art Fair, Miami ,FL, 2011
Base Paint.Curated by Antuan. Placed in Florida International University, EPIC HOTEL --- . . Park, Miami,FL; and at L’atheletique d’Haiti, Port-au-Prince, Haiti.. 2010.
Frost Art Museum, Miami, FL. 2010.
Art on Track, Chicago Art Track, Chicago, IL 2009
Ermita de la Caridad del Cobre, Miami, FL. 2008.
Sculpture Key West, Key West, and FL. 2007.
Art Basel, Design District, Miami, FL. 2004.
Valencia University, Spain. 2001.
Bancaja Foundation, Valencia, Spain.1998.
Contemporary Art Center Josep Castell, Perpignan, France. 1998.
Hotel Faro Luna. Cienfuegos, Cuba 1996.
Universidad Félix Varela, Villa Clara, Cuba, 1996.
ondo de Bienes Culturales, Villa, Clara, Cuba.1995.
UNEAC, Villa Clara, Cuba.1994.

Antuan, born in Santa Clara, Cuba in 1972, is an influential environmentalist and cosmogonic artist whose work spans diverse disciplines, integrating themes of ecology and social responsibility. Since his artistic training began in the 1980s, at the height of the environmental art movement, Antuan has maintained a steady focus on ecological issues. His commitment to these concerns has defined his work and positioned him as a unique voice in art, blending aesthetics with social activism.

At age 17, Antuan initiated the ECO project, an ephemeral art endeavor that marked the beginning of his environmental focus. He graduated in 1995 from ISP “Félix Varela” in Santa Clara, Cuba, completing a thesis titled Art, Ecology, and Humanism, which underscored his belief in the artist’s role as a social practitioner. Since then, he has created work that reflects his holistic vision, merging art, design, and architecture to address themes of environmental degradation, endangered species, and contemporary human conflicts.

Antuan’s career has gained broad recognition, with his works exhibited at prominent institutions worldwide, including the Museum of Contemporary Art in Toronto, Cobra Museum in Amsterdam, Palacio de Cristal in Madrid, The Patricia & Phillip Frost Art Museum in Miami, and the Museum of Latin American Art in California, among others. His presence in art biennials, fairs, and leading museums across the U.S., Latin America, and Europe has further established his reputation as a socially engaged artist.

In the late 1990s, Antuan developed impactful projects such as Memories of the 20th Century and the Forks and Spoons series, a reflective exploration on concentration camps. In 1998, he was awarded a scholarship from Fundación Bancaja in Valencia, Spain, where he studied bronze casting with sculptor Joseph Castell in France.

Upon migrating to the U.S. in 1999, Antuan’s experiences shaped his focus on humanity’s complex relationship with environmental and social challenges. His “cosmogonic vision” began to influence his work, as he delved into issues like human healing, AIDS, political manipulation, human trafficking, financial greed, and ecological concerns. This vision transcended conventional art market trends, imbuing his work with a profound exploration of our interconnected world.

Today, Antuan’s work is a powerful commentary on human vulnerability, environmental fragility, and the need for collective action. Through his art, he invites reflection on urgent global issues, encouraging a renewed connection to our shared planet and offering a space for healing and social awareness.

EDUCATION

2019 Fault Line Artist in residence. Landers,California , USA
2014 IPS Residency at the IBB Center for Contemporary Arts. Curacao
2006 Art Fellowship, University of Valencia, Spain
2001 Master in Iron and Resin, Atelier D’Art Ros Mari, Valencia, Spain
1998 Fine Arts Scholarship granted by Fundación Bancaja, Valencia, Spain
1997 Master in Bronze Casting under the direction of sculptor Joseph Castell, Perpignan, France
1996 B. A. Fine Arts., Universidad Félix Varela, Villa Clara, Cuba
1987 Graduated from San Alejandro National Academy of Arts, Habana, Cuba
1985 Graduate of Elemental Level in Art, Eva Olga Alonso, Villa Clara, Cuba

COLLECTIVE EXHIBITS

2024
Museo AAl Arte al Limite, Santiago de Chile
Museo La Neomudejar, Madrid, Spain.
Feria Internacional de Arte Contemporaneo (Fiaci) Asr Galeria
Museo de Arte Moderno. Fiaci, Santo Domingo
Museo Siglo XXI Zapadores, Madrid, Spain
Diverse Art La, Los Angeles. USA.
Art Palm Beach Fair. USA.

2023
WAO Galeria & Centro Cultural, Casa de Campo. Dominicana.
The DAO, Arte al Limite, Magazine, Santiago de Chile
Copper Bridge Foundation, Miami, USA.

2022
Kerr Gallery, Miami Design District, USA.
Building Bridges Art Exchange, Santa Monica.ca
Yucca Valley Arts Center, The Hi desert.ca USA.
Samadhi, Modernom, Design District Miami, USA

2021
Samadhi. Miami, Virginia Keys Beach. art with me, USA.
Copper Bridge Foundation, Miami, USA.

2020
Contemporary Art Lab, Mind-Works. Reshaping Art Series, Philadelphia, PA.
Building Bridges Art Exchange, Santa Mónica, CA.
Archipresente \ Colección Casa, Centro cultural El Tranque ,Santiago de Chile.
Freijo Gallery Metáforas Latinoamericanas, Madrid Spain
Kerr Gallery, Miami Design District, USA.

2019
DOX Center of Contemporary Arts in Prague.
Bombay Beach Biennale, CA.USA
Art Wynwood, Art fair, Mimai, USA.
Bloc Art, Espacios Experimentales ,Coleccion ALL.PERU
Yucca Valley Arts Center, The Hi Desert, CA, USA
Fault Line Artist in residence.Fusion of Art, Science, and Technology.Landers, CA.

2018
Power of art house. Amsterdan.NL
Texas Contemporary Art Fair. USA
Alvarez Gallery, opioid, Stamford, USA
18th Asian Art Biennale, Bangladesh
LA art show, Los Angeles, California, USA
Building Bridges Art Exchange, Santa Monica, California, USA.

2017
Espacio Fundación Telefonica .Santiago, Chile.
Pinta Art Fair. Freijo Fine Art Gallery, Spain. Miami, FL.
C.A.S.A Collection. Santiago, Chile.
Art Palm Beach International, FL.

2016
MOCA Museum of Contemporary Art, “The Other Dimension. Solo show covering all Museum galleries. Miami, FL.
MDC Museum of Art + Design. Miami, FL.
Centro Cultural Matucana 100. Santiago, Chile.
Museo de Arte Moderno, Vibración 7.8. Santo Domingo, Dominican Republic..
MPAC, MIAMI Institute Private Art Collection Project, Miami Beach, FL.
Cintas Fellows Awards, Finalist. 2016 – 2017. Cintas Foundation – MDC.Miami, FL.
Art Medellin 2016. Medellin, Colombia.

2015
Centro Cultural Matucana 100 Santiago de Chile, Chile.
Art.es.art magazine Arco Madrid project. Madrid, Spain.

2014
Central Fine Art Contemporary. Cadiz, Spain.
IPS Residency at the IBB Center for Contemporary Arts. Curacao.
Centro Fine Art. Asturias, Spain.
Aluna Art Foundation. Walking in Someone Else´s Shoes: Identities in Transit. Miami, FL.

2013
Global Caribbean IV, Focus on Miami Contemporary Visual Arts Landscape.
Haitian Cultural Arts Alliance-Art Basel Miami Beach. FL.
Tenerife Espacio Arte. (TEA). Caanary Islands. Misterpink Art Gallery, digital video.
Creation series. Miami selected artist.
Miramar Cultural Center. Americana| Arts Park, Miramar, FL.
Bienal Del Sur, Panama City, Panamá.
The 8th Floor-Stealing Base: Cuba at Bat. New York City-NY.
USF Contemporary Art Museum. Occupying Building, Thinking: Poetic and Discursive Perspectives on Contemporary Cuban Video Art. Tampa. FL.

2012
Art Museum of the Americas –OAS. Transitional Bodies Foto Week.Washington DC.
Convento San Francisco de Asís, Faith Substitutes, Havana, Cuba.

2011
III Bienal Del Fin del Mundo, Argentina
Centro Cultural Español Inhabiting, building, thinking.Centro Cultural Español, Miami, FL, USA
Stenersen Museum, Oslo, Norway
Mocca, Museum of Contemporary Art, Toronto, Canada
Cobra Museum, Amsterdam, Netherlands
The Patricia & Phillip Frost Art Museum, Base Paint, Miami, FL, USA
Wynwood Art Fair, Miami, FL, USA
Pinta Art Fair, New York, USA

2010
Scope Miami International Contemporary Art Show, Miami, FL, USA
Frost Art Museum, FIU, Miami, FL, USA
Base Paint, Epic, Miami, FL.
Museum of Modern Art. Trienal Internacional Caribe,Santo Domingo. Dominican Republic.
IKF – Latin America, Art Auction, Miami, FL.
The Freedom Tower – Past is history-future is a mystery, Miami, FL, USA
Patria o Libertad, The Freedom Tower, Miami, FL, USA
Laboratorio Evolutivo de Arte Contemporáneo, Dominican Republic
Art Chicago Art Fair, Chicago, IL, USA
Fiart -Palacio de Bellas Artes, Dominican Republic
Miami International Art Fair, Miami, FL, USA
Art Palm Beach, Palm Beach, FL, USA
Los Ángeles Art Show, Los Ángeles, CA, USA
Arte Americas, Miami, FL, USA
Art Shanghai, Shanghai, China
Pinta Art Fair, London, UK

2009
Durban-Segnini Gallery, Miami, FL, USA
Bridge Art Fair- Miami, FL, USA
Red Dot Art Fair, Miami, FL, USA
Museum Of Latin American Art, Molaa, CA, USA
Art on Track, Chicago Art Track, Chicago, IL, USA
NOBE 67 ART, Miami, FL, USA

2008
Art Chicago, Chicago, IL, USA
Collective Cuban Artists, University of Miami, Miami, FL, USA
Arteamericas, Miami, FL, USA
First Art Fair Arte Al Limite, Santiago, Chile
Circa-Art- Fair, Puerto Rico.

2007
Sculpture Key West, Key West, USA
Art Fair, Valencia, Spain
Circa Art Fair, Puerto Rico
Art Fair – Photo, Buenos Aires, Argentina
Arte Latex, University of Valencia, Spain
Aldo Castillo Gallery, Chicago, IL, USA
Arte Américas, Miami, FL, USA
Sculpture Key West By Land, Sea and Sky, Key West, FL, USA
Art Miami, Miami, FL, USA

2006
Hard Core Art Gallery. Menu: Samples and Dishes, Miami, FL.
Dot 51 Art Space. Consuming Art, Miami, FL.
Alejandra Von Hartz Fine Arts, Miami, FL.
Palacio de Los Cristales. La Estampa, Madrid,Spain.
Valencia Art Fair, Valencia, Spain.
Art Miami art fair, Miami Beach, FL.
Galería Nina Menocal, D.F., México.
ZONAMACO, Contemporary Art Fair, México City. Mexico.
Art Fellowship, University of Valencia, Spain.

2005
Arte américas, Miami, FL, USA
Art Miami, Miami Beach Convention Center, Miami, FL, USA
XIV Feria Internacional de Arte Contemporánea, Santander, Spain

2004
Palacio de Los Cristales. La Estampa, Madrid, Spain.
Masters’ Mystery Art Show, FIU, Miami, FL.
Galeria Argenta Arte, Valencia, Spain.

2003
Arte Digital Diáspora, Studio Soto, Boston, MA, USA
International Art Fair, New York City, NY, USA
Hollywood Biennale, Hollywood, FL, USA
Galeriargenta, Valencia, Spain.

2002
Bronxville Art Center, Bronx, NY, USA

2001
Valencia University, Valencia, Spain.

2000
Fundación Bancaja, Valencia, Spain
531 Central Fine Arts Gallery, Saint Petersburg, FL, USA
Gallery Nouveau, San Juan, Puerto Rico

1999
Florida International University, The Art Museum, Miami, FL, USA

1998
Contemporary Art Center Wifredo Lam, Havana, Cuba
Artistic Center “La Regenta”, Canary Islands, Spain
Panamericana Gallery Mariano Rodríguez, Havana, Cuba
National Union of Cuban Writers and Artists (UNEAC), Havana. Cuba
National Gallery of Fine Arts, Matanzas, Cuba
Ridel Gallery , San Juan, Puerto Rico.

1997
Contemporary Art Center Joseph Castell, Perpignan, France
Gallery Albero, Canary Islands, Spain.

1995
Gallery Paisajes Fondo de Bienes Culturales de Cuba, Villa Clara, Cuba.

1994
UNEAC Exhibit of Artists from the Gallery Provincial of CAA, Cuba.

1993
First Center and Gallery Wilfredo Lam, Villa Clara, Cuba
Fourth Sculptural Encounter, Villa Clara, Cuba

INDIVIDUAL EXHIBITS

2020
Viral Geometry ,Building Bridges Art Exchange, Los Angeles, CA; Arte Al Limite art magazine, Santiago, Chile; Contemporary Art Lab |Arts Incubator, Philadelphia.

2019
BBAX. Building Bridges Art Exchange. Los Angeles, CA.

2017
Freijo Gallery ,Madrid,Spain.
Antuanlab Miami .FL.

2016
The Other Dimension, Museum of Contemporary Art ,Miami , FL.
HUBLOT Space Art Exhibition, Miami Design District, FL

2015
MATUCANA 100 .centro de arte en Santiago de chile
Museo de la Fortaleza osama,Republica Dominicana
Museo de arte moderno , Republica Dominicana

2007
HIDES – The Silvana Facchini Gallery, Miami, FL, USA

2006
Gallery Matthei, Santiago De Chile, Chile
“Visions” Hardcore, Contemporary Art Space, Miami, FL, USA

2004
“The Right Eye”Galeriargenta, Valencia, Spain

2003
Galleries at the Interchurch Center, New York City, NY, USA

2002
Bronxville Art Center, Bronx, NY, USA

2001
531 Central Fine Arts Gallery, Saint Petersburg, FL, USA
Gallery Noveau - San Juan, Puerto Rico

2000
Contemporary Art Center Jose Castell, Perpignan, France

1999
Gallery Ridel, San Juan, Puerto Rico

1998
Center of Contemporary Art, Castle San Felipe, Canary Islands, Spain
Without Permit to Travel, Luis De Soto, Havana University, Arts and Letters Faculty, Havana, Cuba
Memories of the Twentieth Century, Center for the Development of Visual Arts Havana, Cuba

1997
Arc of Memory, Canary Islands, Spain

1996
Origin, Perpignan, France

1995
Figure Three, Villa Clara, Cuba

HONORS AND AWARDS

2006
Sculpture Key West, Artist Award. Key West, FL.

2003
Cuban Artistic Foundation, Rockefeller Brothers Fund, New York City, NY.

1998
First Place Award, National Gallery of Fine Arts, Villa Clara, Cuba.

1997
First Place Award, Provincial Gallery of Fine Arts, Villa Clara, Cuba.

1995
Award, National Gallery of Fine Arts, Villa Clara, Cuba.

1994
Prize, Provincial Gallery of the CAA, Villa Clara, Cuba.

1993
Honorable Mention, First Center and Gallery Wifredo Lam, Cuba.
Honorable Mention, National Gallery of Fine Arts, Villa Clara, Cuba.
Honorable Mention, Galería de Caricaturas, Villa Clara, Cuba.

COLLECTIONS

Museum of Contemporary Art. Miami. FL.
Frost Art Museum, Florida International University, Miami, FL.
Vatican Art Museum, Vatican City, Italy.
CASA Collection, Santiago, Chile.
Museum of Latin American Art,MoLAA. Long Beach, CA.
Museum of Modern Art, Santo Domingo. Dominican Republic.
Fundación Bancaja, Valencia, Spain.
Contemporary Art Center Joseph Castell, Perpignan, France.
Cintas Foundation Art Collection, Miami, FL.
Pepe Cabrera Collection, Valencia, Spain.

COUNTRIES OF EXHIBITIONS

Mexico, Greece, Chile, Spain, United States, Italy, Vatican City (Italy),Canada, Canary Islands, Argentina, France, Puerto Rico, Martinique, Panama, Netherlands, Dominican Republic, China, London, Cuba, Haiti.

ART IN PUBLIC PLACE

Samadhi project. Miami Design District , FL 2020
Museum of Contemporary Art, Miami, FL. 2016
The Force of a Universal Prayer, Venice Italy. 2015.
IBB Center for Contemporary Art .Curacao.2014
Apogee Beach 3951, Hollywood Beach, FL. 2013.
Wynwood Art Fair, Miami ,FL, 2011
Base Paint.Curated by Antuan. Placed in Florida International University, EPIC HOTEL --- . . Park, Miami,FL; and at L’atheletique d’Haiti, Port-au-Prince, Haiti.. 2010.
Frost Art Museum, Miami, FL. 2010.
Art on Track, Chicago Art Track, Chicago, IL 2009
Ermita de la Caridad del Cobre, Miami, FL. 2008.
Sculpture Key West, Key West, and FL. 2007.
Art Basel, Design District, Miami, FL. 2004.
Valencia University, Spain. 2001.
Bancaja Foundation, Valencia, Spain.1998.
Contemporary Art Center Josep Castell, Perpignan, France. 1998.
Hotel Faro Luna. Cienfuegos, Cuba 1996.
Universidad Félix Varela, Villa Clara, Cuba, 1996.
ondo de Bienes Culturales, Villa, Clara, Cuba.1995.
UNEAC, Villa Clara, Cuba.1994.

As a neurodivergent artist with Tourette’s, Michael creates his universe on the canvas, finding an almost alchemical release in the use of his paint to render 3-D sparks, spirals, spins, splashes and strokes that defy gravity in our field of vision.

Michael received his artistic training in Los Angeles, studying at Loyola Marymount University while simultaneously serving as an apprentice under respected artists Jane Brucker and Roland Reiss. He graduated at the top of his class with honors including the Scholar of Distinction Award in Painting.

Michael returned to his hometown in San Diego, where he currently maintains his studio. With over 100 exhibitions nationally and internationally, he has received over a dozen major awards and was named Emerging Artist of the Year by Art Design Consultants.

Michaels work can be found all over the world in the collections of celebrities, major businesses, and private collectors as well as OMSA Gallery.

MICHAEL CARINI
United States

EDUCATION

B.A. (Magna cum Laude), Loyola Marymount University, Los Angeles
Apprenticeship, Roland Reiss, Los Angeles
Apprenticeship, Jane Brucker, Los Angeles
Artist In Residence, Alexander Salazar Fine Art, San Diego

EXHIBITIONS

2024
Trastienda Works, OMSA Gallery, Southwest Ranches, FL

2019
“Wonderfront,” San Diego
“KAABOO Del Mar,” Del Mar
“Michael Carini,” ArcLight Cinemas, La Jolla
“Minis,” Sparks Gallery, San Diego
“Recovering The Artist 2019: A Show About Hope,” Martha Pace Swift Gallery (Expressive Arts
Institute), San Diego
“Harmony,” Sparks Gallery, San Diego

2018
“The Quest For Rhythm,” La Playa Gallery, La Jolla
"KAABOO Del Mar," Del Mar
"ArtWalk Carlsbad," Carlsbad
"ArtWalk NTC," San Diego
"Michael Carini," ArcLight Cinemas, La Jolla
"San Diego Festival Of The Arts," San Diego
“Minis,” Sparks Gallery, San Diego
"Mission Federal ArtWalk," San Diego
"Michael Carini," ArcLight Cinemas, Pasadena
"Michael Carini," FIT Athletic, Salazar Contemporary Art Exhibitions, San Diego

2017
"ACA," ADC Fine Art, Cincinnati
"La Jolla Art & Wine Festival," La Jolla
"Beautiful Accidents," Lyceum Theatre, San Diego
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
"Art San Diego 17," San Diego
"Fall Exhibition," ArtBlend, Fort Lauderdale
"Kaaboo," Del Mar
"Summer Exhibition," ArtBlend, Fort Lauderdale
"ArtWalk NTC," San Diego
"Reign Upon Sonrise," Martha Pace Swift Gallery, San Diego
"SPECTRUM Miami," Miami
"San Diego Festival Of The Arts," San Diego
"Mission Federal ArtWalk," San Diego
"Spring Exhibition," ArtBlend, Fort Lauderdale
"Art Expo NY," New York
"Art Boca Raton," Contemporary Art Projects USA, Boca Raton
"Winter Exhibition," ArtBlend, Fort Lauderdale
"Edge Of The Ocean," Sparks Gallery, San Diego
"Beautiful Accidents & Acrylic Alchemy," OBR Architecture, San Diego

2016
“Art San Diego 16: Treshold,” Balboa Park Activity Center, San Diego
“ArtWalk NTC,” San Diego
“San Diego Festival Of The Arts,” San Diego
“Live In Color,” Mission Federal ArtWalk, San Diego
“SPECTRUM Indian Wells,” Renaissance Indian Wells Resort, Indian Wells

2015
“Select Contemporary Art Fair,” Brooklyn

2014
“Our Soul Group,” TPG2, San Diego
“Michael Carini,” Bumble and Bumble Salon Jose-Salazar Contemporary Art Exhibits, La Jolla
“Michael Carini,” High Note Cafe (Symphony Towers)-Salazar Contemporary Art Exhibits, San
Diego
“Michael Carini,” Hotel Palomar-Salazar Contemporary Art Exhibits, Los Angeles
“Michael Carini,” OBR Architecture, San Diego
“Who Am I This Time,” North Coast Repertory Theatre, Solana Beach
“Michael Carini,” Scripps Memorial Hospital La Jolla, La Jolla

2013
“Red Dot Art Fair,” Wynwood Art District, Miami
“Affordable Art Fair,” Seattle Center, Seattle
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
“Art San Diego 2013,” Balboa Park Activity Center, San Diego
“Affordable Art Fair,” The Tunnel, New York
“Project Ethos,” FLUXX, San Diego
“Regenaissance (Polyversikube),” 701 B Street, San Diego
“Art A La Carte,” Aventine-Salazar Contemporary Art Exhibits, La Jolla
“Regenaissance (Polyversikube),” White Box Contemporary, San Diego
“Michael Carini,” Hotel Palomar-Salazar Contemporary Art Exhibits, Los Angeles
“Michael Carini,” FIT San Diego-Salazar Contemporary Art Exhibits, San Diego
“Michael Carini,” Alexander Salazar Fine Art, San Diego
“Michael Carini,” Merrill Lynch-Salazar Contemporary Art Exhibits, San Diego
“When Lost Is Just A Step Away From Found,” OBR Architecture, San Diego

2012
“Michael Carini,” Gio & Gio New Concept Salon-Salazar Contemporary Art Exhibits, San Diego
“Michael Carini,” Merrill Lynch-Salazar Contemporary Art Exhibits, San Diego
“Michael Carini,” Palomar Hotel-Salazar Contemporary Art Exhibits, San Diego
“Artist In Residence,” White Box Contemporary, San Diego
“AIR,” Salazar AIR Gallery, San Diego
“Hybrids II,” Thumbprint Gallery, La Jolla
“New Beginnings,” Thumbprint Gallery, La Jolla

2011
“New Paintings,” U31, San Diego
“Sight and Sound,” 3RDSPACE, San Diego
“2011,” OBR Architecture, San Diego
“Breaking Barriers: The Boy In The Box,” OBR Architecture, San Diego
“Art 100,” Laband Gallery, Los Angeles
“America,” 2CC Gallery, Long Beach
“Kettner Nights,” McNabb Martin Contemporary Art, San Diego
“28,” St. Clair Gallery, San Diego
“New Paintings,” Jacobs Center, San Diego
“Abstract,” Basic, San Diego
“Elements of Expression,” Basic, San Diego
“Primal Forces: Pattern & Pathos,” L Street Fine Art, San Diego

2010
“Departures from Reality,” Basic, San Diego
“Finding Beauty in Negative Spaces,” Counterpoint, San Diego
“Midnight Dancer (Take Me Away),” OBR Architecture, San Diego
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
“Counterpoint,” Counterpoint, San Diego
“The Up-Side of Down,” OBR Architecture, San Diego
“619,” Gallery A.K.A., San Diego
“Juried Exhibition,” Spa Velia Gallery, San Diego
“Conflicted Harmony,” Project X: Art, Solana Beach
“Anomalies & Associations,” Thumbprint Gallery, San Diego
“Spatial Conditions,” 643 Project Space, Ventura
“New Paintings,” True North, San Diego

2009
“Get In Where You Fit In,” Thumbprint Gallery, San Diego
“944 Challenge,” Gallery A.K.A., San Diego
“No Way as Way,” Thumbprint Gallery, San Diego
“The Art of Transitions,” San Diego Art Department, San Diego

2007
“Small Wonders III,” Pharmaka, Los Angeles
“Dangerous,” Patrick Moore Gallery, San Diego
“Pride,” District 117 Gallery, San Diego
“Uglier,” 18th Street Arts Center, Los Angeles

2006
“Small Wonders II,” Pharmaka, Los Angeles
“Ricochet,” Laband Gallery, Los Angeles
“22nd Annual Juried Exhibition,” Laband Gallery, Los Angeles
“Bravo 17,” Von Der Ahe Library, Los Angeles
“Footnotes,” Alex Haleigh Gallery, Gardena
“Four Degrees of Consciousness,” Studio 156, Los Angeles

2005
“Small Wonders,” Pharmaka, Los Angeles
“21st Annual Juried Exhibition,” Laband Gallery, Los Angeles
“Squeeze,” Studio 156, Los Angeles
“Itty-Bitty and Witty,” Artisan’s Exchange, Claremont

2004
“Studio 156,” Studio 156, Los Angeles

PUBLICATIONS

Art Around Adams, CBS 8, 31 May, 2019
Point Loma Native Michael Carini: The Acrylic Alchemist, Peninsula Beacon, 6 December, 2018
KAABOO Del Mar, FOX 5, 15 September, 2018
KAABOO Del Mar, ABC, 13 September, 2018
KAABOO Del Mar, KUSI, 13 September, 2018
KAABOO Del Mar, CBS 8, 13 September, 2018
NTC ArtWalk Liberty Station, KUSI, 10 August, 2018
San Diego Festival Of The Arts, FOX 5, 8 June, 2018
Comeback Artist Returns To San Diego Art Scene With Renewed Passion, The Zevely Zone, CW
6, 5 June, 2018
Comeback Artist Returns To San Diego Art Scene With Renewed Passion, The Zevely Zone, CBS
8, 4 June, 2018
Michael Carini: Beautiful Accidents, LALALA Weekly, 1 June, 2018
Art & Life With Michael Carini, SD Voyager, 10 April, 2018
An Artistic Voyage: Exploring Local Creative And Artistic Works, SD Voyager, 5 April, 2018
Michael Carini: Artist Feature, Professional Artist Magazine, March 2018
Meet Michael Carini Of Carini Arts In University Heights, SD Voyager, 15 March, 2018
The San Diego Arts And Culture Weekly Review, SD Voyager, 11 March, 2018
What's Next With Artist Michael Carini, Radisson RED, 30 January, 2018
The Sale Of The Art, San Diego Business Journal, 26 October, 2017
The 9th Annual La Jolla Art & Wine Festival Returns This Weekend, KUSI 9, 3 October, 2017
Don't Miss Opening Night Of Art San Diego In Del Mar, CBS 8, 28 September, 2017
A Tribute To Despair-A Journey Toward Light, D/Railed, 18 September, 2017
KAABOO Shines Bright Through Local Artists, Pacific, 18 September, 2017
KAABOO Shines Bright Through Local Artists, San Diego Union Tribune, 18 September, 2017
Spotted: 9/16/17 KAABOO Featured Artists, Pacific, 18 September, 2017
KAABOO Del Mar 2017, CBS 8, 14 September, 2017
KAABOO Del Mar 2017, Fox 5, 14 September, 2017
Reign Upon Sonrise: The Spiritual Path Of Michael Carini, Arte Fuse, 6 September, 2017
Carini Turns Struggle Into Art, San Diego Union Tribune, 31 August, 2017
Artist Michael Carini: It's Okay To Share Our Struggles, Pacific, 30 August, 2017
Artist Michael Carini: It's Okay To Share Our Struggles, San Diego Union Tribune, 28 August,
2017
Taxonomy Of Transcendence: The Subtle Triumph Of Michael Carini, Quiet Lunch, 25 August,
2017
Studio Visit, Volume 37, February 2017
Michael Carini: The Acrylic Alchemist, Art Tour International, Summer 2017
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
San Diego Festival of the Arts, ABC, 10 June, 2017
San Diego Festival of the Arts, CBS, 9 June, 2017
Reign Upon Sonrise: A Five Year Healing, Meditation and Rebirth of Artist Michael Carini,
ArtBeat, May 2017
Michael Carini, ArtBlend, Vol. 5 Issue 9, Spring 2017
Kaaboo Del Mar Announces 2017 Artist Lineup, San Diego Union Tribune, 11 May, 2017
As The Universe Falls Together: The Work of Michael Carini, Art Tour International, Spring 2017
Artist Of The Month, Radisson RED, April 2017
Art Boca Raton, Art Daily News International Magazine, 24 February, 2017
Studio Visit, Volume 35, February 2017
Art San Diego 2016: Threshold, KUSI, 4 Nov, 2016
Michael Carini-Creating His Own Place, ARTBEAT, 19 October, 2016
Mercury Rising, ARTBEAT, Volume 1, September 2016
ArtWalk Sports a Taste of Uptown, San Diego Uptown News, Volume 8 (Issue 17), August 2016
ArtWalk Liberty Station, CW, 13 August, 2016
ArtWalk Liberty Station, FOX 5, 12 August, 2016
San Diego Festival of the Arts, CW, 12 June, 2016
San Diego Festival of the Arts, CW, 9 June, 2016
Mission Federal ArtWalk Preview, CW, 27 April, 2016
ArtWalk In Little Italy, KUSI, 24 April, 2016
Michael Carini, Creative Life, 7 September, 2015
Nativa, Architectural Digest, April, 2015
Featured Curator, Cross Connect Mag, September, 2014
Do I Need Art In My Life? Seven Reasons Why You Have No Choice, RAGE Magazine, March,
2014
Feature Artist of the Month, Art Kills Artists, October, 2013
Michael Carini Day, Studio Vox, 30 September, 2013
Michael Carini, The 22 Magazine, 29 July, 2013
Art A La Carte With Alexander Salazar At Aventine, Good Morning San Diego, KUSI, 5 July, 2013
Say What? 95 Billion Ways To View Michael Carini’s New Work, Art Pulse: Culture Buzz, 17 June,
2013
Cover Art, decomP, May, 2013
Subasta De Arte, Despierta San Diego, Univision San Diego, 3 April, 2013
Artist/Alum Mike Carini Brightens Kolbe Center, EL CID, 23 March, 2013
Featured Artist 2179, Artist A Day, 6 March, 2013
Painter Transcends Obstacles To Share What Inspires Him, The Rancho Santa Fe News, 25
January, 2013
Painter Transcends Obstacles To Share What Inspires Him, The Coast News, 18 January, 2013
Alumni Feed, LMU Magazine, December, 2012
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
Michael Carini, Bizarre Beyond Belief-Volume. 1 Issue #6, December, 2012
Michael Carini, San Diego Art Journal, November, 2012
Michael Carini: Astranomelly, Movements and Nonsense, 14 November, 2012
Michael Carini-Abstract Art, Bizarre Beyond Belief, 21 September, 2012
Michael Carini-“Boy In The Box,” Escape Into Life, 17 September, 2012
The Boy In The Box Breaks Free: Art By Michael Carini, Lost At E Minor, 30 August, 2012
What did Tony winner John Lloyd Young do after leaving “Jersey Boys”? “I adapted,” Associated
Press, 1 August, 2012
MC Carini-The Artist In His Own Words, Reviewer Magazine, June, 2012
Michael Carini: Artist In Residence Show, San Diego Art Guide, June, 2012
Michael Carini’s Awakening, San Diego CityBeat, June, 2012
Contemporary Artist Michael Carini Evolves, San Diego CityBeat, June, 2012
Review of “Breaking Barriers: The Boy In The Box,” San Diego Art Guide, October, 2011
Hidden Spaces, Dark Beauty Magazine, October, 2011
Shopping With Purse Designer Anne Marie Beard, Austin American-Statesman, June, 2011
Studio Visit, Volume 14, May, 2011
Most Modern, Pacific Magazine, April, 2011
Art With An Edge, San Diego CityBeat, March, 2011
Review-Primal Forces: Pattern & Pathos, Baudelaire at the Gallery, March, 2011
Arts: Report “The Beautiful Accident,” Voice of San Diego, January, 2011
More on Michael Carini, San Diego CityBeat, January, 2011
Beautiful Precision, San Diego CityBeat, January, 2011
Finding A Muse, San Diego CityBeat, November, 2010
Reader Art, Juxtapoz, 27 July, 2010
Painter Turns Pain Into Art, FOX 5 Morning Show, 14 June, 2010
A Thoughtful Musing, RARW, May, 2010
Editor’s Picks, 944 Magazine, May, 2010
Dynamic Duo, San Diego CityBeat, April, 2010
Featured Artist, The Stack House Collective, March, 2010

WORK

Acrylic Alchemist + Educator and Lecturer, Carini Arts, 2006-Present
Gallery Technician/Exhibition Preparator, Carini Arts, 2006-2016
Columnist (The Painter’s Edge), Rogue Art Research and Writing, 2012-2013
Studio Assistant, Giant Canvas Company, 2012
Guest Writer, Lost At E Minor, 2012
ARTsmart Mentor, Loyola Marymount University, 2006
Figure Drawing Selection Committee, Loyola Marymount University, 2006
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
Painting Studio Manager, Loyola Marymount University, 2004-2006
Volunteer Art Instructor, Sacred Heart Academy, 2004-2005

AWARDS

Emerging Artist of the Year, ACA Awards, ADC Fine Art, 2017
Spotlight Artist Award, "Art San Diego 2016"
Directors’ Award, “Spectrum Indian Wells 2016”
Finalist- Most Modern Art Competition, Pacific Magazine
People’s Choice Award, “The Art of Transitions,” San Diego Art Department
Scholar of Distinction, Painting (LMU)
3rd Place, “22nd Annual Juried Exhibition,” Laband Gallery
Sharon Walter Memorial Art Scholarship
Richards Family Art Scholarship
Grace Swanson Award for Excellence in Painting
1st Place, “21st Annual Juried Exhibition,” Laband Gallery
Italian Catholic Federation Art Scholarship
Martin Luther King Jr. Community Choir Art Scholarship
Bank of America Fine Arts Achievement Award

As a neurodivergent artist with Tourette’s, Michael creates his universe on the canvas, finding an almost alchemical release in the use of his paint to render 3-D sparks, spirals, spins, splashes and strokes that defy gravity in our field of vision.

Michael received his artistic training in Los Angeles, studying at Loyola Marymount University while simultaneously serving as an apprentice under respected artists Jane Brucker and Roland Reiss. He graduated at the top of his class with honors including the Scholar of Distinction Award in Painting.

Michael returned to his hometown in San Diego, where he currently maintains his studio. With over 100 exhibitions nationally and internationally, he has received over a dozen major awards and was named Emerging Artist of the Year by Art Design Consultants.

Michaels work can be found all over the world in the collections of celebrities, major businesses, and private collectors as well as OMSA Gallery.

MICHAEL CARINI
United States

EDUCATION

B.A. (Magna cum Laude), Loyola Marymount University, Los Angeles
Apprenticeship, Roland Reiss, Los Angeles
Apprenticeship, Jane Brucker, Los Angeles
Artist In Residence, Alexander Salazar Fine Art, San Diego

EXHIBITIONS

2024
Trastienda Works, OMSA Gallery, Southwest Ranches, FL

2019
“Wonderfront,” San Diego
“KAABOO Del Mar,” Del Mar
“Michael Carini,” ArcLight Cinemas, La Jolla
“Minis,” Sparks Gallery, San Diego
“Recovering The Artist 2019: A Show About Hope,” Martha Pace Swift Gallery (Expressive Arts
Institute), San Diego
“Harmony,” Sparks Gallery, San Diego

2018
“The Quest For Rhythm,” La Playa Gallery, La Jolla
"KAABOO Del Mar," Del Mar
"ArtWalk Carlsbad," Carlsbad
"ArtWalk NTC," San Diego
"Michael Carini," ArcLight Cinemas, La Jolla
"San Diego Festival Of The Arts," San Diego
“Minis,” Sparks Gallery, San Diego
"Mission Federal ArtWalk," San Diego
"Michael Carini," ArcLight Cinemas, Pasadena
"Michael Carini," FIT Athletic, Salazar Contemporary Art Exhibitions, San Diego

2017
"ACA," ADC Fine Art, Cincinnati
"La Jolla Art & Wine Festival," La Jolla
"Beautiful Accidents," Lyceum Theatre, San Diego
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
"Art San Diego 17," San Diego
"Fall Exhibition," ArtBlend, Fort Lauderdale
"Kaaboo," Del Mar
"Summer Exhibition," ArtBlend, Fort Lauderdale
"ArtWalk NTC," San Diego
"Reign Upon Sonrise," Martha Pace Swift Gallery, San Diego
"SPECTRUM Miami," Miami
"San Diego Festival Of The Arts," San Diego
"Mission Federal ArtWalk," San Diego
"Spring Exhibition," ArtBlend, Fort Lauderdale
"Art Expo NY," New York
"Art Boca Raton," Contemporary Art Projects USA, Boca Raton
"Winter Exhibition," ArtBlend, Fort Lauderdale
"Edge Of The Ocean," Sparks Gallery, San Diego
"Beautiful Accidents & Acrylic Alchemy," OBR Architecture, San Diego

2016
“Art San Diego 16: Treshold,” Balboa Park Activity Center, San Diego
“ArtWalk NTC,” San Diego
“San Diego Festival Of The Arts,” San Diego
“Live In Color,” Mission Federal ArtWalk, San Diego
“SPECTRUM Indian Wells,” Renaissance Indian Wells Resort, Indian Wells

2015
“Select Contemporary Art Fair,” Brooklyn

2014
“Our Soul Group,” TPG2, San Diego
“Michael Carini,” Bumble and Bumble Salon Jose-Salazar Contemporary Art Exhibits, La Jolla
“Michael Carini,” High Note Cafe (Symphony Towers)-Salazar Contemporary Art Exhibits, San
Diego
“Michael Carini,” Hotel Palomar-Salazar Contemporary Art Exhibits, Los Angeles
“Michael Carini,” OBR Architecture, San Diego
“Who Am I This Time,” North Coast Repertory Theatre, Solana Beach
“Michael Carini,” Scripps Memorial Hospital La Jolla, La Jolla

2013
“Red Dot Art Fair,” Wynwood Art District, Miami
“Affordable Art Fair,” Seattle Center, Seattle
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
“Art San Diego 2013,” Balboa Park Activity Center, San Diego
“Affordable Art Fair,” The Tunnel, New York
“Project Ethos,” FLUXX, San Diego
“Regenaissance (Polyversikube),” 701 B Street, San Diego
“Art A La Carte,” Aventine-Salazar Contemporary Art Exhibits, La Jolla
“Regenaissance (Polyversikube),” White Box Contemporary, San Diego
“Michael Carini,” Hotel Palomar-Salazar Contemporary Art Exhibits, Los Angeles
“Michael Carini,” FIT San Diego-Salazar Contemporary Art Exhibits, San Diego
“Michael Carini,” Alexander Salazar Fine Art, San Diego
“Michael Carini,” Merrill Lynch-Salazar Contemporary Art Exhibits, San Diego
“When Lost Is Just A Step Away From Found,” OBR Architecture, San Diego

2012
“Michael Carini,” Gio & Gio New Concept Salon-Salazar Contemporary Art Exhibits, San Diego
“Michael Carini,” Merrill Lynch-Salazar Contemporary Art Exhibits, San Diego
“Michael Carini,” Palomar Hotel-Salazar Contemporary Art Exhibits, San Diego
“Artist In Residence,” White Box Contemporary, San Diego
“AIR,” Salazar AIR Gallery, San Diego
“Hybrids II,” Thumbprint Gallery, La Jolla
“New Beginnings,” Thumbprint Gallery, La Jolla

2011
“New Paintings,” U31, San Diego
“Sight and Sound,” 3RDSPACE, San Diego
“2011,” OBR Architecture, San Diego
“Breaking Barriers: The Boy In The Box,” OBR Architecture, San Diego
“Art 100,” Laband Gallery, Los Angeles
“America,” 2CC Gallery, Long Beach
“Kettner Nights,” McNabb Martin Contemporary Art, San Diego
“28,” St. Clair Gallery, San Diego
“New Paintings,” Jacobs Center, San Diego
“Abstract,” Basic, San Diego
“Elements of Expression,” Basic, San Diego
“Primal Forces: Pattern & Pathos,” L Street Fine Art, San Diego

2010
“Departures from Reality,” Basic, San Diego
“Finding Beauty in Negative Spaces,” Counterpoint, San Diego
“Midnight Dancer (Take Me Away),” OBR Architecture, San Diego
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
“Counterpoint,” Counterpoint, San Diego
“The Up-Side of Down,” OBR Architecture, San Diego
“619,” Gallery A.K.A., San Diego
“Juried Exhibition,” Spa Velia Gallery, San Diego
“Conflicted Harmony,” Project X: Art, Solana Beach
“Anomalies & Associations,” Thumbprint Gallery, San Diego
“Spatial Conditions,” 643 Project Space, Ventura
“New Paintings,” True North, San Diego

2009
“Get In Where You Fit In,” Thumbprint Gallery, San Diego
“944 Challenge,” Gallery A.K.A., San Diego
“No Way as Way,” Thumbprint Gallery, San Diego
“The Art of Transitions,” San Diego Art Department, San Diego

2007
“Small Wonders III,” Pharmaka, Los Angeles
“Dangerous,” Patrick Moore Gallery, San Diego
“Pride,” District 117 Gallery, San Diego
“Uglier,” 18th Street Arts Center, Los Angeles

2006
“Small Wonders II,” Pharmaka, Los Angeles
“Ricochet,” Laband Gallery, Los Angeles
“22nd Annual Juried Exhibition,” Laband Gallery, Los Angeles
“Bravo 17,” Von Der Ahe Library, Los Angeles
“Footnotes,” Alex Haleigh Gallery, Gardena
“Four Degrees of Consciousness,” Studio 156, Los Angeles

2005
“Small Wonders,” Pharmaka, Los Angeles
“21st Annual Juried Exhibition,” Laband Gallery, Los Angeles
“Squeeze,” Studio 156, Los Angeles
“Itty-Bitty and Witty,” Artisan’s Exchange, Claremont

2004
“Studio 156,” Studio 156, Los Angeles

PUBLICATIONS

Art Around Adams, CBS 8, 31 May, 2019
Point Loma Native Michael Carini: The Acrylic Alchemist, Peninsula Beacon, 6 December, 2018
KAABOO Del Mar, FOX 5, 15 September, 2018
KAABOO Del Mar, ABC, 13 September, 2018
KAABOO Del Mar, KUSI, 13 September, 2018
KAABOO Del Mar, CBS 8, 13 September, 2018
NTC ArtWalk Liberty Station, KUSI, 10 August, 2018
San Diego Festival Of The Arts, FOX 5, 8 June, 2018
Comeback Artist Returns To San Diego Art Scene With Renewed Passion, The Zevely Zone, CW
6, 5 June, 2018
Comeback Artist Returns To San Diego Art Scene With Renewed Passion, The Zevely Zone, CBS
8, 4 June, 2018
Michael Carini: Beautiful Accidents, LALALA Weekly, 1 June, 2018
Art & Life With Michael Carini, SD Voyager, 10 April, 2018
An Artistic Voyage: Exploring Local Creative And Artistic Works, SD Voyager, 5 April, 2018
Michael Carini: Artist Feature, Professional Artist Magazine, March 2018
Meet Michael Carini Of Carini Arts In University Heights, SD Voyager, 15 March, 2018
The San Diego Arts And Culture Weekly Review, SD Voyager, 11 March, 2018
What's Next With Artist Michael Carini, Radisson RED, 30 January, 2018
The Sale Of The Art, San Diego Business Journal, 26 October, 2017
The 9th Annual La Jolla Art & Wine Festival Returns This Weekend, KUSI 9, 3 October, 2017
Don't Miss Opening Night Of Art San Diego In Del Mar, CBS 8, 28 September, 2017
A Tribute To Despair-A Journey Toward Light, D/Railed, 18 September, 2017
KAABOO Shines Bright Through Local Artists, Pacific, 18 September, 2017
KAABOO Shines Bright Through Local Artists, San Diego Union Tribune, 18 September, 2017
Spotted: 9/16/17 KAABOO Featured Artists, Pacific, 18 September, 2017
KAABOO Del Mar 2017, CBS 8, 14 September, 2017
KAABOO Del Mar 2017, Fox 5, 14 September, 2017
Reign Upon Sonrise: The Spiritual Path Of Michael Carini, Arte Fuse, 6 September, 2017
Carini Turns Struggle Into Art, San Diego Union Tribune, 31 August, 2017
Artist Michael Carini: It's Okay To Share Our Struggles, Pacific, 30 August, 2017
Artist Michael Carini: It's Okay To Share Our Struggles, San Diego Union Tribune, 28 August,
2017
Taxonomy Of Transcendence: The Subtle Triumph Of Michael Carini, Quiet Lunch, 25 August,
2017
Studio Visit, Volume 37, February 2017
Michael Carini: The Acrylic Alchemist, Art Tour International, Summer 2017
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
San Diego Festival of the Arts, ABC, 10 June, 2017
San Diego Festival of the Arts, CBS, 9 June, 2017
Reign Upon Sonrise: A Five Year Healing, Meditation and Rebirth of Artist Michael Carini,
ArtBeat, May 2017
Michael Carini, ArtBlend, Vol. 5 Issue 9, Spring 2017
Kaaboo Del Mar Announces 2017 Artist Lineup, San Diego Union Tribune, 11 May, 2017
As The Universe Falls Together: The Work of Michael Carini, Art Tour International, Spring 2017
Artist Of The Month, Radisson RED, April 2017
Art Boca Raton, Art Daily News International Magazine, 24 February, 2017
Studio Visit, Volume 35, February 2017
Art San Diego 2016: Threshold, KUSI, 4 Nov, 2016
Michael Carini-Creating His Own Place, ARTBEAT, 19 October, 2016
Mercury Rising, ARTBEAT, Volume 1, September 2016
ArtWalk Sports a Taste of Uptown, San Diego Uptown News, Volume 8 (Issue 17), August 2016
ArtWalk Liberty Station, CW, 13 August, 2016
ArtWalk Liberty Station, FOX 5, 12 August, 2016
San Diego Festival of the Arts, CW, 12 June, 2016
San Diego Festival of the Arts, CW, 9 June, 2016
Mission Federal ArtWalk Preview, CW, 27 April, 2016
ArtWalk In Little Italy, KUSI, 24 April, 2016
Michael Carini, Creative Life, 7 September, 2015
Nativa, Architectural Digest, April, 2015
Featured Curator, Cross Connect Mag, September, 2014
Do I Need Art In My Life? Seven Reasons Why You Have No Choice, RAGE Magazine, March,
2014
Feature Artist of the Month, Art Kills Artists, October, 2013
Michael Carini Day, Studio Vox, 30 September, 2013
Michael Carini, The 22 Magazine, 29 July, 2013
Art A La Carte With Alexander Salazar At Aventine, Good Morning San Diego, KUSI, 5 July, 2013
Say What? 95 Billion Ways To View Michael Carini’s New Work, Art Pulse: Culture Buzz, 17 June,
2013
Cover Art, decomP, May, 2013
Subasta De Arte, Despierta San Diego, Univision San Diego, 3 April, 2013
Artist/Alum Mike Carini Brightens Kolbe Center, EL CID, 23 March, 2013
Featured Artist 2179, Artist A Day, 6 March, 2013
Painter Transcends Obstacles To Share What Inspires Him, The Rancho Santa Fe News, 25
January, 2013
Painter Transcends Obstacles To Share What Inspires Him, The Coast News, 18 January, 2013
Alumni Feed, LMU Magazine, December, 2012
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
Michael Carini, Bizarre Beyond Belief-Volume. 1 Issue #6, December, 2012
Michael Carini, San Diego Art Journal, November, 2012
Michael Carini: Astranomelly, Movements and Nonsense, 14 November, 2012
Michael Carini-Abstract Art, Bizarre Beyond Belief, 21 September, 2012
Michael Carini-“Boy In The Box,” Escape Into Life, 17 September, 2012
The Boy In The Box Breaks Free: Art By Michael Carini, Lost At E Minor, 30 August, 2012
What did Tony winner John Lloyd Young do after leaving “Jersey Boys”? “I adapted,” Associated
Press, 1 August, 2012
MC Carini-The Artist In His Own Words, Reviewer Magazine, June, 2012
Michael Carini: Artist In Residence Show, San Diego Art Guide, June, 2012
Michael Carini’s Awakening, San Diego CityBeat, June, 2012
Contemporary Artist Michael Carini Evolves, San Diego CityBeat, June, 2012
Review of “Breaking Barriers: The Boy In The Box,” San Diego Art Guide, October, 2011
Hidden Spaces, Dark Beauty Magazine, October, 2011
Shopping With Purse Designer Anne Marie Beard, Austin American-Statesman, June, 2011
Studio Visit, Volume 14, May, 2011
Most Modern, Pacific Magazine, April, 2011
Art With An Edge, San Diego CityBeat, March, 2011
Review-Primal Forces: Pattern & Pathos, Baudelaire at the Gallery, March, 2011
Arts: Report “The Beautiful Accident,” Voice of San Diego, January, 2011
More on Michael Carini, San Diego CityBeat, January, 2011
Beautiful Precision, San Diego CityBeat, January, 2011
Finding A Muse, San Diego CityBeat, November, 2010
Reader Art, Juxtapoz, 27 July, 2010
Painter Turns Pain Into Art, FOX 5 Morning Show, 14 June, 2010
A Thoughtful Musing, RARW, May, 2010
Editor’s Picks, 944 Magazine, May, 2010
Dynamic Duo, San Diego CityBeat, April, 2010
Featured Artist, The Stack House Collective, March, 2010

WORK

Acrylic Alchemist + Educator and Lecturer, Carini Arts, 2006-Present
Gallery Technician/Exhibition Preparator, Carini Arts, 2006-2016
Columnist (The Painter’s Edge), Rogue Art Research and Writing, 2012-2013
Studio Assistant, Giant Canvas Company, 2012
Guest Writer, Lost At E Minor, 2012
ARTsmart Mentor, Loyola Marymount University, 2006
Figure Drawing Selection Committee, Loyola Marymount University, 2006
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
Painting Studio Manager, Loyola Marymount University, 2004-2006
Volunteer Art Instructor, Sacred Heart Academy, 2004-2005

AWARDS

Emerging Artist of the Year, ACA Awards, ADC Fine Art, 2017
Spotlight Artist Award, "Art San Diego 2016"
Directors’ Award, “Spectrum Indian Wells 2016”
Finalist- Most Modern Art Competition, Pacific Magazine
People’s Choice Award, “The Art of Transitions,” San Diego Art Department
Scholar of Distinction, Painting (LMU)
3rd Place, “22nd Annual Juried Exhibition,” Laband Gallery
Sharon Walter Memorial Art Scholarship
Richards Family Art Scholarship
Grace Swanson Award for Excellence in Painting
1st Place, “21st Annual Juried Exhibition,” Laband Gallery
Italian Catholic Federation Art Scholarship
Martin Luther King Jr. Community Choir Art Scholarship
Bank of America Fine Arts Achievement Award

Sofía Balut Páez, born May 19, 1991, in Uruguay and Barcelona-based, is a highly regarded young artist whose creative journey is deeply rooted in her lineage and in self-discovery through her identity as a woman, mother, daughter, wife…

She walks on solid ground as her grandfather was the renowned and beloved Latin American artist, Carlos Páez Vilaró, known and loved in all Latin America as widely as Picasso was to the world.

Demonstrating exceptional artistic talent from a young age, particularly in the realm of Cubism, Sofia’s life experiences in countries like Spain, Italy, the US, and Uruguay have significantly influenced her artistic vision. Her role as a mother has enriched her narrative and infused her work with dedication and to serve as an example.

The past two years 2022/23 have marked a significant chapter in Sofía’s career, with participation in prestigious international exhibitions and fairs, including the International Contemporary Art Fair in Paris and recently inaugurated OMSA Gallery’s first exhibit, Female Figuratively, demonstrating interest in her work by a broad viewer base.

Sofia’s work gained global attention when showcased at the esteemed European Museum of Modern Art in Barcelona (MEAM), giving some of her signature pieces provenance. She has also exhibited at the Louvre Carrousel in Paris and more recently has been selected to be part of the pivotal Women in the Arts Biennial in London, UK for September 2024.

What distinguishes her art is the fresh palette blende and rendered with Neo-Cubist elements from a contemporary female perspective, challenging artistic conventions. Working from her studio in Barcelona, Spain, Sofía is passionate about exploring themes of unity, honesty, and love in her work, reflecting her personal narrative, and underscoring the importance of these values in her life, to be in turn, reflected in her art.

Her commitment to exploring new perspectives, positions Sofía as a promising figure in the contemporary art landscape, continually exploring new horizons. She is an artist to watch closely.

SOFÍA BALUT PÁEZ
Uruguay

SELECTED EXHIBITIONS

2023
Female Figuratively, OMSA Gallery, Southwest Ranches, FL
MEAM Museum, Barcelona, Spain
Solo Exhibition, BM Gallery, Cadaqués, Spain
Artio Gallery, Carrusel Du Louvre, Paris, France
Monat Gallery, Madrid, Spain.
Fasano Hotel, Punta del este, Uruguay

2022
Museu Sant Jaume, Premiá De Dalt, Barcelona, Spain
International Art Fair Paris, Monat Gallery, Madrid, Spain
Solo Exhibition, BM Gallery, Cadaqués, Spain
Artly Gallery, La Moraleja, Madrid, Spain
International Art Fair, BADA, Madrid, Spain
Narbona, La Barra, Uruguay
Sofía Balut Páez Gallery, La Barra, Uruguay

2021
Narbona, La Barra, Uruguay
Sofía Balut Páez Gallery, La Barra, Uruguay
Sant Jaume Museum, Premiá de Dalt, Barcelona, Spain

2020
Hotel El Fasano, La Barra, Uruguay
El Médano, Punta del Este, Uruguay
Estancia Vik, La Susana, Jose Ignacio, Uruguay

2019
Sofía Balut Páez Gallery, La Barra, Uruguay
Hamney Gallery, Barcelona, Spain
Haber Gallery, Barcelona, Spain
El Médano, Punta del Este, Uruguay
Sofía Balut Páez Gallery, Punta del Este, Uruguay

2018
Hotel Punta del Este, Punta del Este, Uruguay
Sofía Balut Páez Gallery, Punta del Este, Uruguay

2017
Bagattelle. Punta del Este, Uruguay
Sofía Balut Páez Gallery, Punta del Este, Uruguay
Hotel Punta del Este. Pde, Uruguay
Bagattelle, Punta del Este, Uruguay

2016
Sofía Balut Páez Gallery, Punta del Este, Uruguay
Hotel Punta del Este, Punta del Este, Uruguay

2014
Sofía Balut Páez Gallery, Punta del Este, Uruguay

2013
Galería Pueblo Garzón, Uruguay

Adrian Avila's technique and ability to convey complete narrative scenes using light and color are his hallmarks.

Born in 1989 in Holguin, Cuba, he spent his childhood years there before moving to South Florida, where his passion for visual expression took root.

He honed his skills at the New World School of the Arts and earned a scholarship to the prestigious Art Center College of Design in Pasadena, CA.

It was here that Adrian developed disciplined craftsmanship and a keen artistic eye that quickly attracted the attention of industry giants like Disney and Warner Brothers, fostering a professional dedication that defines his approach to work today.

In the early 2000s, Adrian was drawn to Miami’s Wynwood Art District, where he established his base. By the age of 34, he had become a prominent figure in the street art scene, creating over 28 captivating murals worldwide and gaining national and international attention from collectors.

With a nod to the Pre-Raphaelites, art nouveau, and the neo-classical imagery of Maxfield Parrish, Adrian evokes light with a precise, almost sublime intensity. Through the female form, he seeks to challenge conventional perceptions of female representation in art.

Adrian crafts a visual narrative that celebrates women’s empowerment, aiming to inspire societal transformation and renewal for both sexes.
His philosophical approach imbues his work with a mysticism that transcends the visual, creating an aura of beauty beyond the paint.

SELECTED SOLO EXHIBITIONS

2022
AstroLogos, Wyn317 Gallery, Miami, FL

2019
Scorpio1969, Conde Contemporary Gallery, Miami, FL
Espinasse 31 Contemporary Art Gallery, Milan, Italy

SELECTED EXHIBITIONS

2024

Outside In, The Uncomfortable Genre, Southwest Ranches, FL
Collaboration project, Amanati, Faena Theatre, Miami, FL
Delray Museum, Delray, FL

2023
Bartoux Miami Exhibition, Gallery Bartoux, Miami, FL
Bartoux Paris Exhibition, Gallery Bartoux, Paris, France

2022
Gallery Bartoux, Miami, FL
Scope Art Fair, Miami, FL
Art Wynwood, Miami, FL
Proclamation by Miami-Dade Mayor Daniella Levine Cava, La Virgin de la Caridad Mural,
Miami, FL

2021
LA Art Fair, LA Convention Center, Los Angeles, CA
Havana Biennial Art Fair, Havana, Cuba

2020
Art Palm Beach, Miami Art Society Gallery, Palm Beach, FL
Frieze London Art Fair, London, UK
Conde Contemporary Exhibition, Conde Contemporary Gallery, Miami, FL

2019
Aqua Art Miami, Miami Art Society Gallery, Miami, FL

Adrian Avila's technique and ability to convey complete narrative scenes using light and color are his hallmarks.

Born in 1989 in Holguin, Cuba, he spent his childhood years there before moving to South Florida, where his passion for visual expression took root.

He honed his skills at the New World School of the Arts and earned a scholarship to the prestigious Art Center College of Design in Pasadena, CA.

It was here that Adrian developed disciplined craftsmanship and a keen artistic eye that quickly attracted the attention of industry giants like Disney and Warner Brothers, fostering a professional dedication that defines his approach to work today.

In the early 2000s, Adrian was drawn to Miami’s Wynwood Art District, where he established his base. By the age of 34, he had become a prominent figure in the street art scene, creating over 28 captivating murals worldwide and gaining national and international attention from collectors.

With a nod to the Pre-Raphaelites, art nouveau, and the neo-classical imagery of Maxfield Parrish, Adrian evokes light with a precise, almost sublime intensity. Through the female form, he seeks to challenge conventional perceptions of female representation in art.

Adrian crafts a visual narrative that celebrates women’s empowerment, aiming to inspire societal transformation and renewal for both sexes.
His philosophical approach imbues his work with a mysticism that transcends the visual, creating an aura of beauty beyond the paint.

SELECTED SOLO EXHIBITIONS

2022
AstroLogos, Wyn317 Gallery, Miami, FL

2019
Scorpio1969, Conde Contemporary Gallery, Miami, FL
Espinasse 31 Contemporary Art Gallery, Milan, Italy

SELECTED EXHIBITIONS

2024

Outside In, The Uncomfortable Genre, Southwest Ranches, FL
Collaboration project, Amanati, Faena Theatre, Miami, FL
Delray Museum, Delray, FL

2023
Bartoux Miami Exhibition, Gallery Bartoux, Miami, FL
Bartoux Paris Exhibition, Gallery Bartoux, Paris, France

2022
Gallery Bartoux, Miami, FL
Scope Art Fair, Miami, FL
Art Wynwood, Miami, FL
Proclamation by Miami-Dade Mayor Daniella Levine Cava, La Virgin de la Caridad Mural,
Miami, FL

2021
LA Art Fair, LA Convention Center, Los Angeles, CA
Havana Biennial Art Fair, Havana, Cuba

2020
Art Palm Beach, Miami Art Society Gallery, Palm Beach, FL
Frieze London Art Fair, London, UK
Conde Contemporary Exhibition, Conde Contemporary Gallery, Miami, FL

2019
Aqua Art Miami, Miami Art Society Gallery, Miami, FL

Capturing the essence of being female through a prism of intrigue, humor, and absurdity, Patricia Schnall Gutierrez offers a fresh perspective on the narratives that shape women’s lives. She believes that women have been oversimplified and misrepresented throughout eras in media and art history. Navigating the illusion between past and present, Patricia creates a contemporary chronicle of life interwoven with memories of joy, sorrow, growth, and introspection.

These emotions, she contends, need not be simplified, as they occur simultaneously in the lives of individuals. Themes of identity, feminine roles, child rearing, and aging are used as threads in the weaving of her own experiences.

Patricia’s feminine-based approach extends beyond drawing and painting to include sculpture, installation, performance, and film. While her drawing and painting are intentionally calculated, her sculptures and installations are freely associative, exploring what it means to be feminine. Her performances and films poetically capture collective female consciousness, recording the stories of herself and women in her community. By layering materials and objects, she draws viewers into deliberate dialogues that probe questions about female roles and experiences.

To witness Patricia approach her work is to see a consummate artist in action. As if in dialogue, she is a dancer, or method actor, stepping up to and into the piece. She intently focuses while making sweeping gestures, brushing away strokes, and returning to diligently render a still image. A still image, yes, but with so much movement, it is as if not only her intent, but also her body is in the very body of her work.

Patricia follows and breaks convention at the junction between those two seemingly opposing forces, offering a perspective uniquely culled from her years as a keen observer of life around her and her own experiences through art. In her world, the mundane transforms into the extraordinary, infusing the everyday with unexpected twists.

This transformation is a testament to her multidisciplinary approach, which considers the relationship of material, process, and outcome. Her selection of mediums and methods, both used independently and combined, translates into questions and reflections on the diverse facets of being female in a world nuanced with challenges. Her work addresses the need for society to honor women fiercely for their many roles.

PATRICIA SCHNALL GUTIERREZ
United States

EDUCATION

1988 New York Studio School of Drawing, Painting and Sculpture, New York, NY
1977 State University New York at Buffalo, B.F.A. (cum laude) Buffalo, NY

SELECTED SOLO EXHIBITIONS

2024
Remember Me, Burchfield Penney Art Center, Buffalo, NY
Love Me Now, Aldo Castillo Gallery, Estero, FL
Patricia Schnall Gutierrez - Charcoal, Black Ship Gallery, May - July 2023, Miami, FL

2022
Patricia Schnall, Oil Paintings, Black Ship Gallery, Miami, FL

2021
Patricia Schnall, Drawings and Paintings 2019 - 2021, Black Ship Gallery, Miami, FL

2019
Blue, Short Film Screening and Artists talk, RPM Projects, Faena Miami Beach, Miami Beach, FL
Fresh Out of the Oven, &gallery, Miami, FL

2017
Uninterrupted, &gallery, Miami, FL
The House Inside My Head, Boca Raton Museum of Art, RPM Project Collaborative, Boca
Raton, FL

2015
Housewife Diaries, 6th Street Container, Miami, FL

2014
Anne-Marie Was Here, the Screening Room, RPM Project Collaborative, Miami, FL

2013
Body, Maps and Territories, Personal Geographies, Aluna Art Foundation, Miami, FL

2012
Domestic Duality, Florida Atlantic University, Jupiter, FL

2010
Patricia Schnall Gutierrez, HB Home, East Hampton, NY

2008
Patricia Schnall Gutierrez, Lurie Gallery, Miami, FL

2005
Patricia Schnall Gutierrez, Puccio Gallery, New York, NY

2003
Patricia Schnall Gutierrez, Maurice M. Pine Gallery, Fair Lawn, NJ

2002
Patricia Schnall Gutierrez, Paterson Museum, Paterson, NJ

2001
Patricia Schnall Gutierrez, Hopper House, Nyack, NY

1999
Womanhood, Studio 4 West Gallery, Piermont, NY

SELECTED GROUP EXHIBITIONS

2023
Female Figuratively, OMSA Gallery, Southwest Ranches, FL
Exposed, Art and Culture Center Hollywood, Hollywood, FL
Drawing From Nature, Pinecrest Gardens, Pinecrest, FL
Belt of Venus, Collective 62, Miami, FL
The BluPrnt Show, Bridge Red Studios, Miami, FL

2022
ArtistsStand4 UKRAINE, Fountainhead Studios, Miami, FL
Exposed, Art nd Culture Center/Hollywood, FL

2021
Geometry, Color & Rhythm, Mitte Projects, Miami, FL
Art in Craft Media, Burchfield Penney Art Center, Buffalo, NY
Exposed, Art and Culture Center/Hollywood, FL

2020
Home Sweet Home, Hartvest Project, PInecrest, FL
Exposed, Art and Culture Center/ Hollywood, Hollywood, FL
Play Me, Mitte Projects and Wynwood Arts 29, Miami, FL
Chandelle, Art Up Concepts, Fort Lauderdale, FL

2019
(716) ART auction, Burchfield Penny Art Center, Buffalo NY
Artists Draw their Studios, Art and Culture Center/Hollywood, FL Hollywood, FL
Exposed, Art and Culture Center, Hollywood, FL
The Moon in the Mirror, Nonoska Huerta Gallery, Aluna curatorial collective, Miami, FL

2018
Dual Roles, Art and Culture Center/Hollywood, Hollywood, FL
Rocking Chair Sessions 1-50, Audrey Love Gallery, BAC, Miami, FL
Habitat, Work by RPM Project, Art and Culture Center/Hollywood, Hollywood, FL
Plush, Art and Culture Center/ Hollywood, Hollywood, FL
Exposed, Art and Culture Cente/Hollywood, Hollywood, FL

2017
Aqua International Art Fair, Cancio Contemporary, Miami Beach, FL
Aqua International Art Fair, & Gallery, Miami Beach, FL
Woman Behind the Threads, Bossa Gallery Design District, Miami, FL

2016
SATELLITE Art Fair, &gallery, Booth 11, Miami Beach, FL
Intersectionality, Museum of Contemporary Art - Miami, curated by Richard Haden, Miami, FL
You Can Only Understand From A Distance, Triad Gallery, RPM Project, London, UK
Furtherance, & Gallery, Andrea Nhuch, Bianca Pratorius, Patricia Schnall Gutierrez, Miami, FL
Me, Me, Me: New Study of Self Portrait, curated by Luky Cancio, The Laundromat, Miami, FL

2015
Albion Hotel - Rubell Boutique Hotel, Sunday, 12/6/2115, Selected installations, curated by
Robert M. Acree. Miami Beach, FL
Aqua Art Miami, Cancio Contemporary, Booth 120, Miami Beach, FL
The Artists of Art Salon: A Collective Dialogue , curated by Elle Shoor, The Armory, West Palm
Beach, FL
Dali and MeRochi , MACArt curated by Rochi Lianeza, Fort Lauderdale, FL
Abracadabra, Art and Culture Center, invited artist, Hollywood, FL
The Reunion, Audrey Love Gallery, Miami, FL
Annual Interest, Young At Art Museum, invited artist, Davie, FL

2014
Biennial: Outside The Box, Appleton Museum of Art, Installation, Ocala, FL [catalogue]
Errance Provencale, Carpentras, France
Running Free, Like Never Before, Ft. Lauderdale, FL
Annual Interest, Young At Art Museum, Hollywood FL
The Collectors Fair, Miami, FL
Identities In Transit, Aluna Art Foundation, Miami, FL

2013
AQUA Art Fair, Cancio Contemporary, Miami Beach, FL,
Stuffed, Morean Arts Center, St. Petersburg, FL
Fresh Paint Party, LASR Art, Midtown Miami, Miami, FL
Oneiric - Beyond Consciousness, Audrey Love Gallery, Miami, FL
62nd Annual All Florida Juried Competition and Exhibition, Boca Museum of Art, Boca Raton,
FL [catalogue])
Papering, Audrey Love Gallery, Miami, FL
Collage, Swenson Gallery, BAC, Miami, FL
MADA New Media, Art Wynwood, RPM Project, Dot FiftyOne Gallery, Miami, FL
Altered Landscape, Lowe Art Museum, Featured Artist, University of Miami, FL
Whiskey and Rye, The Nightclub, Miami Design District, Miami, FL
Incognito, Patti and Joe Baker Naples Museum of Art, Featured Artist, Naples, FL
Annual Interest, Knight Gallery - Young At Art Museum, Hollywood FL
Who Does She Think She Is, Delray Beach, FL

2012
Anne-Marie Was Here..., RPM Project, The Screening Room, Miami, FL
Context – Art Miami Art Fair, Cancio Contemporary, Miami Art Basel, Miami, FL
IRREVERSIBLE Magazine - Cover Feature 2012 Winners Exhibition, WEC, Miami,FL
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
Memorias del Oikos, La Casa Re-Presented, Centro Cultural Espanol, RPM Project, Miami, FL
Art Live Fair, RPM Project, Coconut Grove Convention Center, Miami, FL
From Cutler To Paris, Deering Estate, Cutler Bay, FL
Wrapt Attention, Gallery 18, Pembroke Pines, FL
Appropriated Gender, Ft. Lauderdale, FL
Biennial: Florida Installation Art, Appleton Museum of Art, Ocala, FL [catalogue]
Boca Raton Museum of Art - 61st Annual all Florida Juried Competition, Boca
Museum of Art, Boca Raton, FL [catalogue]
Women’s Perspectives, Dina Mitrani Gallery, Miami, FL

2011
Biennial Six, Museum of Florida Art, Deland, FL
Wynwood Art Festival, RPM Project, Margulies Art Warehouse, Miami, FL
Bare Essentials: Minimalism in the 21st Century, Woman Made Gallery, Chicago, IL
Structured, Audrey Love Gallery, Miami, FL
Mid Summer Night’s Dream, Audrey Love Gallery, Miami, FL
Boca Raton Museum of Art - 60th Annual All Florida Juried Competition and Exhibition, Boca
Raton Museum of Art, Boca Raton, FL
What Appears to Be, Patricia Schnall Gutierrez, Cheryl Maeder and Gerry Stecca, LMNT
Gallery, Miami, FL
Note, Art Box Gallery, Indianapolis, IN
Incognito, Naples Museum of Art, Naples, FL
Art and Sole, Audrey Love Gallery, Miami, FL
Texas National 2011, Cole Art Center/ SFA State University School of Art, Nacogdoches, TX
The Conversation Starts Here, Graham Center Art Gallery, Miami, FL
Florida International University, Miami, FL
Friends of Art, Lowe Art Museum, Miami, FL

2010
AQUA Art Fair, Cancio Contemporary, Miami, FL
Sin, Audrey Love Gallery, Miami, FL
The Dolls House, The Women’s Park, Miami, FL
RUTA, Juried Exhibition honoring Mexico’s Bicentennial, Miami, FL
Boca Raton Museum of Art - 59th Annual all Florida Juried Competition, Boca Museum of Art,
Boca Raton, FL
Florida Contemporary 2010, Naples Museum of Art, Naples FL
Pryor Fine Art, Atlanta, GA
MIA Art Fair 2010, Miami Beach Convention Center, Miami Beach, FL

2009
AQUA Art Fair, Cancio Contemporary, Miami, FL
RED DOT Art Fair, D&G Art Design Gallery, Miami, FL
Sensory Overload, BAC Gallery, Miami, FL
D&G Art Design Gallery, Miami, FL
5 x 7, BAC Swenson Gallery, Miami, FL
Fresh Paint, BAC Gallery, Miami, FL
Select Four/Collective Consciousness, BAC Gallery, Miami FL [catalogue]
Form-Function, BAC Gallery, Miami, FL [catalogue]

2008
RAW art space , Midtown Art Fairs, Miami, FL
Puccio Gallery, New York, NY
RVS Gallery, Southampton, NY
Lurie Art Gallery, Beverly Hills, CA
Lurie Art Gallery, Miami, FL
Art Rouge Gallery, Miami FL

2007
Lurie Art Gallery, Miami, FL
RVS Gallery, Southampton, NY

2006
Puccio Gallery, New York, NY
RVS Gallery, Southampton, NY

2005
Synagogue for the Arts Gallery, New York, NY
Puccio Gallery, New York, NY
Cultural Center of River Vale, River Vale, NJ

2004
Paterson Museum, Paterson, NJInteracting Expressions

2003
Rice/Pollak Gallery, Provincetown, MA

2002
Presentations, Williamsburg Art Center, Brooklyn, NY Studio 4 West, Piermont, NY

2001
The Gallery at Media Productions International, New York, NY
Rice/Pollak Gallery, Provincetown, MA

2000
Phoenix Gallery, New York, NY
Rice/Pollak Gallery, Provincetown, MA
Studio 4 West, Piermont, NY
World Fine Art, New York, NY

1999
Waterside Gallery, West Stockbridge, MA
Manhattan Transfer, 5th Ave. New York, NY
Five Women Artists ,John Harmes Center for the Arts, Englewood, NJ

1998
Mostly Glass Gallery, Featured Artist, Englewood, NJ
93 South Art Gallery, Nyack, NY
Studio 4 West, Piermont, NY

1997
Studio 4 West, Piermont, NY

1996
Studio 4 West, Piermont, NY

1992
Art Center of Northern New Jersey, New Milford, NJ
Art Center of Northern New Jersey, Faculty Exhibit, New Milford, NJ

1981
AAO Gallery, Invitational Group Show, Buffalo, NY

1979
AAO Gallery, Annual Art Competition, Buffalo, NY
Williamsville Art Society Invitational, Williamsville, NY

1978
New Talent, Alamo Gallery, Buffalo, NY
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]

AWARDS

2014
Miami-Dade County Department of Cultural Affairs 2013-2014 Artist Access Grant
Private Residency, Carpentras, France
TSKW Residency Program 2013/2014

2012
Finalist: Florida Department of State/Division of Cultural Affairs Visual Arts Fellowship
Irreversible Magazine: Cover Featured Winner
Art Districts Magazine : Open Call Winner featured artist June/July issue
Boca Museum of Art: Award of Merit, Female Forms
Art Slant Showcase Winner, sculpture category
Art Slant Showcase Winner, installation category

2011
Award of Excellence - Museum of Florida Art, Biennial Six Exhibition
Art Slant Showcase Winner, painting category

SELECTED COLLECTIONS

Boca Raton Museum of Art, Museum Collection, Boca Raton, FL
Georgia and Stephen Nimer, Private Collection, Miami, FL
Dan and Rena Barsanti, Private Collection, New York, NY
Alvaro Perez, Private Collection, Miami, FL
Arte Al Limite Public Collection, Santiago, Chili
John Paul Perez, Private Collection, Miami, FL
University of Michigan Museum of Art - J. Richard Pinnell and Robert Scanlan Museum
Collection
Coastal Developers, Public Collection,New York, NY
Francie Bishop Good - Girls Club Collection, Ft. Lauderdale, FL
Denise Gerson - Curator, Lowe Art Museum, Private Collection, Miami, FL
Nina Fuentes - Owner, Director Hardcore Gallery, Private Collection, Miami, FL
Flora Schnall - President, UpWingers, Inc, Private Collection, New York, NY
Seena Levy, Private Collection, Washington, DC
James Royal Palm Hotel, Hotel Collection, Miami, FL
Ilana Blitzer and Joseph Gendelman, Private Collection New York, NY
Aluna Art Foundation, Private Collection, Miami, FL
Christine Stanton- Trustee, Dia Art Foundation, Private Collection, New York, NY
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
John and Doris Sullivan, Private Collection, Miami, FL
Margulies Collection/ Lotus House, Miamii, FL
Randy Burman, Manita Brug, Private Collection, Miami F
Benzi Restaurant Group Inc., NJ
Irma Clemente, Private Collection, New York, NY
Rhonda and Leonard Cogan, Private Collection, Boca Raton, FL
Brandy Coletta, Private Collection, New York, NY
Axis Design Architecture, Englewood, NJ
Patricia Adelesic, Private Collection, New York, NY
Rachel and Scott Stenclik, Private Collection, Buffalo, NY
Jennifer Condas, Private Collection, Scottsdale, AZ

BIBLIOGRAPHY

Miami Living Magazine, Female Figuratively, 7 Female Artists, Image: Manet’s Beach, OMSA
Gallery, Nov. 2023
Gulf Shore Life, Patricia Schnall Gutierrez at Aldo Castillo Gallery, Love Me Now 6 image and
article, Nov. 2023
The Miami Herald, Art to See and Touch, The Blueprint show, Bridge Red Studios, January
2023
Miamiartzine, Collective 62 Studio and Gallery: Belt of Venus a Perfect Introduction, March 15,
2023
Canvas Rebel, Meet Patricia Schnall Gutierrez, 2023
Vimeo / Burchfield Penney Art Center, Patricia Schnall Gutierrez - Artist, 2022
Art Districts Magazine, Quarantine Diaries. Patricia Schnall Gutierrez, October 2020
Eddie Arroyo, Art is About, Habitat, March 22, 2018
Baba Collective , Live Podcast, Interview with Patricia Schnall Gutierrez, Volume #36,
December 2017
BLOUIN ARTINFO “We’ve Curated an Outstanding Group of Widely International Galleries,”
Grela Orihuela, Aqua Art Miami, “Cut Loose,” by Patricia Schnall Gutierrez. Oil paint and
mixed media on canvas, 80 X 56 inches, at &gallery. December 04, 2017
Luciana Acuna (art curtor, Argentina)"Patricia Schnall, The Feminine Condition,” AAL Arte Al
Limite, Edition #77, March/April, pages 34-39, Chili, SA
ARTDISTRICTS Magazine, Quarentine Diaries - Patricia Schnall Gutierrez, October 2020
Eddie Arroyo, Art Is About, February 2016
Shelly Davidov, May’s Wynwood Art Walk guide: Household Chores and Playground
Memories, May 8, 2015
Miami Art Guide, Patricia Schnall Gutierrez’s Housewife Diaries at 6th Street container, 2015
Eddie Arroyo, Patricia Schnall Gutierrez, 6th Street Container, April 2015
Muriel Ledoux, Christian Bernard, le Comtadin d'Amerique, ARTS l Vernissage ce soir pour
deux artisted americaines et un Carpentrassien de Miami, Le Dauphine Libere, Carpentras,
France, June 29, 2014
Constantly Consuming Culture: Mapanare.us "Cancio Contemporary, Work by Patricia Schnall
Gutierrez at Aqua Art Fair 2013,” December 10, 2013
Interior Design Magazine, “Interior Design’s Top 30 in Hospitality,” Featured Gallery, acrylic
and charcoal paintings by Patricia Schnall Gutierrez. August 2, 2013
Adriana Herrera, “Body, Maps and Territories - Personal Geographies, Artist: Patricia Schnall
Gutierrez,” Forward to Exhibition Book, January 2013
Janet Batet, “La Mujer, Cuerpo, Mapa and Territorio,” el Nuevo Herald, February 2013
Juliana Zapata, “The Package Project Continues,” YouTube, February 26, 2013
Juliana Zapata, “Bodies, Maps and Territories,” YouTube, February 20, 2013,
Eddie Arroyo, “Whiskey and Rye l The Nightclub,” Art Is About..., February 19, 2013
Art Is About, “Who Does She Think She IS?" The Art House of Delray, YouTube, January 2013
Irene Sperber, “Art Wynwood 2013,” February 17, 2013
Jesus Rosado, “Memories of the Oikos": Art Districts Magazine, January 2013
Aluna Curatorial Collective, “Mujeres Artistas Crean Obras a Partir de Sus Cuerpos,” Diario Las
Americas, January 1, 2013
Miami- Art, "Patricia Gutierrez James Royal Palm, Miami- South Beach, Collection,” 2013
Noor Blazekovic, “Cover Feature Competition Top 20 Winners,” Irreversible Magazine, An
International Art Project, 2013
Channel 10 News "Wrapt Attention" Gallery 18, (curated by Jill Slaughter) Interview with
Artists, Pembroke Pines, October 3, 2012
Adriana Herrera, “Mujeres En La Cámara Oscura Ante El Mundo,” El Nuevo Herald: July 2012
ArtSlant Watchlist Artist August 2012
Irina Layva-Perez, “ Featured Artist,” Art Districts Magazine, June/July 2012 issue, pgs. 18 – 21
Colleen Dougher, “Juggling family, work,” Sun Sentinel: Featured Artist, Sunday entertainment
Section, June 24, 2012
Colleen Dougher, “Local Spotlight - Patricia Schnall Gutierrez,” Arterpiller a South Florida Art
blog, June 26, 2012
Irina Layva-Perez, “What appears To Be , LMNT - Miami,” Art Pulse International
Contemporary Art Magazine, Fall, 2011, pg. 74-75
“Biennial: Florida Installation Art,” Appleton Museum of Art, Ocala, FL Summer, 2012,
Exhibition Catalogue, 2012
Ava Wright, “- Saatchi Gallery London Serious Talent Artists - Rebecca Wilson, Director of
Saatchi Gallery of London has recently announced the artists selected for her curated
exhibition for the New Year of 2012,” Contemporary Art Globally Speaking, January 19, 2012,
“Bakehouse Art Complex presents Rope and Stool- Performance by Patricia Schnall Gutierrez,”
Miami Art Guide, January 14, 2011
15661 Sheridan St., Southwest Ranches, FL 33331 | 954 737 8438 | [email protected]
Jeffrey Crussell “International Survey,” Exhibition Catalogue
Craig Kellogg, “The Domino Effect - walk through,” firms: Tom Delavan and Meyer Davis
Studio, site: Midtown New York, Costal Development, Interior Design International
Magazine,Vol. 11, September/October, 2010
Jesse Bratter, “Familiar Territory” Home of John and Doris Sullivan,” Luxe Interiors and Design,
South Florida, Volume 8, issue 4, fall 2010 pg. 233
Peg Goldberg Longstreth, “A Must See at the Art Museum, Florida Contemporary 2010,”
Florida Weekly, Arts and Entertainment, June 3-9, 2010
Tamar Mitchell, “Florida Artists At The Naples Museum Of Art,” Art Districts Florida, Vol.1
No.6, June, July 2010. pg. 23
Denise Colson, “Collective Consciousness,” Wynwood Magazine, Summer 2009, Vol. 2 No.5,
Page 53
Bakehouse Art Complex, “Select Four/Collective Consciousness,” Exhibition Catalogue, 2009
“Studio interview of Artist Patricia Schnall Gutierrez,” Plum TV, BAC video: October 27, 2008
“Fresh Paint,” Bakehouse Art Complex, Exhibition Catalogue, 2008
Raisa Clavijo, “Abstraction: New Work at Lurie Gallery,” Wynwood Magazine, April 2008
“Patricia S. Gutierrez - Lurie Art Gallery,” Symposium Magazine, April 2008, Vol. 3, Pg. 59
Sanders Eaton, Review, "Patricia S, Gutierrez,” Gallery and Studio Magazine, January 2006
Community Life, "Patricia Schnall Gutierrez,” October 2005
Helen Levin, “ Burbs, Burp, Something Supurb -Abstraction at the Paterson Museum,” New
York Arts Magazine, July/August 2004
“Paterson Museum, Patricia S. Gutierrez - New Work on Exhibit,” The New York Times, On The
Towns, November 2002
“Hopper House Exhibit features Patricia Gutierrez,” The Rockland Journal News, 2001
Previews Section/Visual Arts, The Record, April 9, 1999
“Gallery Hopping in Piermont,” The Journal News, May 1999
“Patricia Schnall Gutierrez at Studio 4 West,” Gallery Guide, 1999
“Drawings of Madness are on Exhibit,” Community Life, April 1999
“Womanhood, Works by artist Patricia Schnall Gutierrez” Rockland Review, April 1999
“Inside Studio 4 West,” Spur Magazine, 1998
“Show by River Vale Artist to Open in Piermont,” Half Moon Press, May 1997
“Patricia Schnall Gutierrez, Eternal Dance,” Art Times, November 1997
“One Woman Show by River Vale Artist,” Community Life, November 1997
“River Vale artist exhibits work at Center,” Community Life, August 1992
“AAO Ninth Annual Art Competition,” AAO Gallery, Exhibition Catalogue, November,1979
“Exhibit 15 at AAO Gallery,” Buffalo Evening News, April 1979
“Art Notes, Buffalo Convention Center, Figures and Their Relationship to Space,” Buffalo
Evening News, July 1979

Light affects our individual perception of color, that we know, but in Janet Siegel Rogers’ luminous, glowing pieces, our perception alters the light. Janet’s extensive experimentation to find the perfect medium for her exploration of color brought her to discover that beeswax mixed in oil paint serves to suspend the pigment, and our disbelief.

Our first impression is the absolute jewel of hues, shining in the light, until we are drawn in and find a lineless, formless fractal of sorts, where the color folds in upon itself in waves. Her pigments appear to be suspended, surrounded by light at the face and behind each brushstroke as the wax keeps it buoyant within the layers. Depending on the angle we see the brushstroke and how it relates to the light.

It took her years to discover this ancient technique of the use of encaustic, which allows for the creation of rich textures and layers, giving an artwork a three-dimensional quality. When she paints it is as if she carves gently into the wax, building up the layers with her brush.

Janet’s life experiences have naturally influenced her work, notably her six years in the Far East, which impacted her aesthetic sensibilities. Former Executive Director for the Boca Museum of Art, George S. Bolge, remarked, “Her art is the result of a loving and shrewd reading not only of life and of the old masters, but of modernism as well, and it lies in direct linear descent from the art of Monet, Bonnard, Klee, and Rothko.”

But she also conjures the color interactions of Josef Albers, the color fields of the abstract expressionists and by stressing the absolute relativity of color, her work enriches our viewing, the experience we have in our world, and ultimately our sense of who we are.

Like Albers, Janet was a distinguished educator. For 45 years, from kindergarten through graduate school, she shared space for color exploration. She established the Advanced Placement Studio Art program for the Performing & Visual Arts School of Broward County, and was named Broward County Arts Educator of the Year. She served as a Studio Art Consultant to the College Board, and was an art education delegate for Eisenhower’s program for cultural exchange, People to People. She travelled to Egypt, Israel, Turkey, and China through this Citizens Ambassador Program.

Janet holds three degrees: a B.A., M.A., and an M.F.A. from Pratt Institute in Brooklyn. Her work is collected internationally and nationally and is in the permanent collections of museums, including the Boca Raton Museum of Art, Fort Lauderdale Museum of Art, and the Hollywood Art & Culture Center.

“I do not paint what people see but I hope people see what I paint.” –Janet Siegel Rogers.

JANET SIEGEL ROGERS
United States

EDUCATION

MFA, Pratt Institute, Brooklyn, NY
MA, William Paterson University, NJ
BA, Denison University, Granville, OH

SELECTED EXHIBITIONS

West Palm Beach International Airport, FL
Florida Masters, Museum of Florida Art, Deland, FL
Scripps Research Institute, Jupiter, FL
The Other Half: Women in the Collection, Boca Raton Museum of Art, FL
Elizabeth Edwards Fine Art, Lahaina, HI
Palm Springs International Art Expo, CA
33rd International Festival of Painting, Castle Museum, Cagnes-Sur-Mer, France
Gallery 5, Soho, New York, NY
Art 21, Las Vegas, NV
Art and Culture Center, Hollywood, FL
"Frequencies of Nature," Traveling Museum Show
Karygma Gallery, Ridgewood, NJ
Vero Beach Center for the Arts, FL
Museum Collection Museum of Art, Fort Lauderdale, FL
"Director's Choice," Gogen Gallery, Tokyo, Japan
Lloyds of London Exhibition, London, England
James Trezza Fine Art, Paris, France
"Focus on Fort Lauderdale," Museum of Art, FL
"Abstractions," Karygma Gallery, Ridgewood, NJ
"Art Miami '91, International Art Exposition," FL
"Director's Choice," Museum of Art, Fort Lauderdale, FL
Frances Wolfson Gallery, Miami, FL
Miami Dade Gallery, South Campus, Miami, FL
"National Works on Paper," TX & USA
"Invitational," Miami Herald, FL
"Biennial Exhibition," Metropolitan Museum, FL
Galerie Ninety-Nine, Miami, FL
"Florida Creates," Jacksonville Art Museum, FL
The Society of the Four Arts, Palm Beach, FL
Atlantic Center for the Arts, New Smyrna, FL
"National Photo/Printmaking Exhibit," Somerville, NJ
"Small Works," Washington Square East Galleries, NY
"Meet the Artist," Bergen Museum, NJ
"Audubon Artists," National Academy Galleries, NY

SELECTED SOLO EXHIBITIONS

Florida Southern College/ Polk Museum
Palm Beach Cultural Council, FL
Museam of Art, Deland, FL
The mAe, Delray Beach, FL
Westside Gallery, Ridgewood, NJ
Elaine Baker, Gallery Center, Boca Raton, FL
The Art Center, Lake Wales, FL
Loggerhead Plaza Galleries, Teak Garden, Juno Beach, FL
Florida Stage, Manalapan, FL
Elizabeth Edwards Fine Art, Laguna Beach & Palm Desert, CA
Runaway Moon Gallery, West Palm Beach, FL
ResourceASIA, West Palm Beach, FL
Lee Wagener Gallery, Fort Lauderdale, FL
Boca Raton Museum of Art, FL
Art Collector's Gallery, Miami, FL
Ann Norton Museum, Palm Beach, FL
Babson College Gallery, Wellesley, MA
Jaffe Baker Gallery, Boca Raton, FL
Broward Community College, FL
Contemporanea Gallery, Jacksonville, FL
Alex Gallery, Washington DC
Treasure Room Gallery, New York, NY
Ann Jaffe Gallery, Miami, FL
Casements Gallery, Ormand Beach, FL
Villanova Gallery, Villanova University, PA
Pratt Galleries, Brooklyn, NY

COLLECTIONS

Boca Raton Museum of Art, FL
Museum of Art, Fort Lauderdale, FL
Museum of Art, Deland, FL
Art and Cultural Center, Hollywood, FL
Public Art and Design, Broward County, FL
Barnett Bank, Jacksonville, FL
Broward County Medical Examiner Office, FL
Capital Bank, Miami, FL
Cleveland Clinic, Fort Lauderdale, FL
Cypress Savings Collection Plantation, FL
Port Authority, Port Everglades, FL
Sun Bank, Fort Lauderdale, FL

AWARDS

1994
Arts Teacher of the Year, Broward County, FL
1990
Mellon Foundation Grant
1983
Fellowship, Atlantic Center for the Arts, New Smyrna Beach, FL
1981-1982
Fellowship, Pratt Institute, New York, NY

Light affects our individual perception of color, that we know, but in Janet Siegel Rogers’ luminous, glowing pieces, our perception alters the light. Janet’s extensive experimentation to find the perfect medium for her exploration of color brought her to discover that beeswax mixed in oil paint serves to suspend the pigment, and our disbelief.

Our first impression is the absolute jewel of hues, shining in the light, until we are drawn in and find a lineless, formless fractal of sorts, where the color folds in upon itself in waves. Her pigments appear to be suspended, surrounded by light at the face and behind each brushstroke as the wax keeps it buoyant within the layers. Depending on the angle we see the brushstroke and how it relates to the light.

It took her years to discover this ancient technique of the use of encaustic, which allows for the creation of rich textures and layers, giving an artwork a three-dimensional quality. When she paints it is as if she carves gently into the wax, building up the layers with her brush.

Janet’s life experiences have naturally influenced her work, notably her six years in the Far East, which impacted her aesthetic sensibilities. Former Executive Director for the Boca Museum of Art, George S. Bolge, remarked, “Her art is the result of a loving and shrewd reading not only of life and of the old masters, but of modernism as well, and it lies in direct linear descent from the art of Monet, Bonnard, Klee, and Rothko.”

But she also conjures the color interactions of Josef Albers, the color fields of the abstract expressionists and by stressing the absolute relativity of color, her work enriches our viewing, the experience we have in our world, and ultimately our sense of who we are.

Like Albers, Janet was a distinguished educator. For 45 years, from kindergarten through graduate school, she shared space for color exploration. She established the Advanced Placement Studio Art program for the Performing & Visual Arts School of Broward County, and was named Broward County Arts Educator of the Year. She served as a Studio Art Consultant to the College Board, and was an art education delegate for Eisenhower’s program for cultural exchange, People to People. She travelled to Egypt, Israel, Turkey, and China through this Citizens Ambassador Program.

Janet holds three degrees: a B.A., M.A., and an M.F.A. from Pratt Institute in Brooklyn. Her work is collected internationally and nationally and is in the permanent collections of museums, including the Boca Raton Museum of Art, Fort Lauderdale Museum of Art, and the Hollywood Art & Culture Center.

“I do not paint what people see but I hope people see what I paint.” –Janet Siegel Rogers.

JANET SIEGEL ROGERS
United States

EDUCATION

MFA, Pratt Institute, Brooklyn, NY
MA, William Paterson University, NJ
BA, Denison University, Granville, OH

SELECTED EXHIBITIONS

West Palm Beach International Airport, FL
Florida Masters, Museum of Florida Art, Deland, FL
Scripps Research Institute, Jupiter, FL
The Other Half: Women in the Collection, Boca Raton Museum of Art, FL
Elizabeth Edwards Fine Art, Lahaina, HI
Palm Springs International Art Expo, CA
33rd International Festival of Painting, Castle Museum, Cagnes-Sur-Mer, France
Gallery 5, Soho, New York, NY
Art 21, Las Vegas, NV
Art and Culture Center, Hollywood, FL
"Frequencies of Nature," Traveling Museum Show
Karygma Gallery, Ridgewood, NJ
Vero Beach Center for the Arts, FL
Museum Collection Museum of Art, Fort Lauderdale, FL
"Director's Choice," Gogen Gallery, Tokyo, Japan
Lloyds of London Exhibition, London, England
James Trezza Fine Art, Paris, France
"Focus on Fort Lauderdale," Museum of Art, FL
"Abstractions," Karygma Gallery, Ridgewood, NJ
"Art Miami '91, International Art Exposition," FL
"Director's Choice," Museum of Art, Fort Lauderdale, FL
Frances Wolfson Gallery, Miami, FL
Miami Dade Gallery, South Campus, Miami, FL
"National Works on Paper," TX & USA
"Invitational," Miami Herald, FL
"Biennial Exhibition," Metropolitan Museum, FL
Galerie Ninety-Nine, Miami, FL
"Florida Creates," Jacksonville Art Museum, FL
The Society of the Four Arts, Palm Beach, FL
Atlantic Center for the Arts, New Smyrna, FL
"National Photo/Printmaking Exhibit," Somerville, NJ
"Small Works," Washington Square East Galleries, NY
"Meet the Artist," Bergen Museum, NJ
"Audubon Artists," National Academy Galleries, NY

SELECTED SOLO EXHIBITIONS

Florida Southern College/ Polk Museum
Palm Beach Cultural Council, FL
Museam of Art, Deland, FL
The mAe, Delray Beach, FL
Westside Gallery, Ridgewood, NJ
Elaine Baker, Gallery Center, Boca Raton, FL
The Art Center, Lake Wales, FL
Loggerhead Plaza Galleries, Teak Garden, Juno Beach, FL
Florida Stage, Manalapan, FL
Elizabeth Edwards Fine Art, Laguna Beach & Palm Desert, CA
Runaway Moon Gallery, West Palm Beach, FL
ResourceASIA, West Palm Beach, FL
Lee Wagener Gallery, Fort Lauderdale, FL
Boca Raton Museum of Art, FL
Art Collector's Gallery, Miami, FL
Ann Norton Museum, Palm Beach, FL
Babson College Gallery, Wellesley, MA
Jaffe Baker Gallery, Boca Raton, FL
Broward Community College, FL
Contemporanea Gallery, Jacksonville, FL
Alex Gallery, Washington DC
Treasure Room Gallery, New York, NY
Ann Jaffe Gallery, Miami, FL
Casements Gallery, Ormand Beach, FL
Villanova Gallery, Villanova University, PA
Pratt Galleries, Brooklyn, NY

COLLECTIONS

Boca Raton Museum of Art, FL
Museum of Art, Fort Lauderdale, FL
Museum of Art, Deland, FL
Art and Cultural Center, Hollywood, FL
Public Art and Design, Broward County, FL
Barnett Bank, Jacksonville, FL
Broward County Medical Examiner Office, FL
Capital Bank, Miami, FL
Cleveland Clinic, Fort Lauderdale, FL
Cypress Savings Collection Plantation, FL
Port Authority, Port Everglades, FL
Sun Bank, Fort Lauderdale, FL

AWARDS

1994
Arts Teacher of the Year, Broward County, FL
1990
Mellon Foundation Grant
1983
Fellowship, Atlantic Center for the Arts, New Smyrna Beach, FL
1981-1982
Fellowship, Pratt Institute, New York, NY

Light affects our individual perception of color, that we know, but in Janet Siegel Rogers’ luminous, glowing pieces, our perception alters the light. Janet’s extensive experimentation to find the perfect medium for her exploration of color brought her to discover that beeswax mixed in oil paint serves to suspend the pigment, and our disbelief.

Our first impression is the absolute jewel of hues, shining in the light, until we are drawn in and find a lineless, formless fractal of sorts, where the color folds in upon itself in waves. Her pigments appear to be suspended, surrounded by light at the face and behind each brushstroke as the wax keeps it buoyant within the layers. Depending on the angle we see the brushstroke and how it relates to the light.

It took her years to discover this ancient technique of the use of encaustic, which allows for the creation of rich textures and layers, giving an artwork a three-dimensional quality. When she paints it is as if she carves gently into the wax, building up the layers with her brush.

Janet’s life experiences have naturally influenced her work, notably her six years in the Far East, which impacted her aesthetic sensibilities. Former Executive Director for the Boca Museum of Art, George S. Bolge, remarked, “Her art is the result of a loving and shrewd reading not only of life and of the old masters, but of modernism as well, and it lies in direct linear descent from the art of Monet, Bonnard, Klee, and Rothko.”

But she also conjures the color interactions of Josef Albers, the color fields of the abstract expressionists and by stressing the absolute relativity of color, her work enriches our viewing, the experience we have in our world, and ultimately our sense of who we are.

Like Albers, Janet was a distinguished educator. For 45 years, from kindergarten through graduate school, she shared space for color exploration. She established the Advanced Placement Studio Art program for the Performing & Visual Arts School of Broward County, and was named Broward County Arts Educator of the Year. She served as a Studio Art Consultant to the College Board, and was an art education delegate for Eisenhower’s program for cultural exchange, People to People. She travelled to Egypt, Israel, Turkey, and China through this Citizens Ambassador Program.

Janet holds three degrees: a B.A., M.A., and an M.F.A. from Pratt Institute in Brooklyn. Her work is collected internationally and nationally and is in the permanent collections of museums, including the Boca Raton Museum of Art, Fort Lauderdale Museum of Art, and the Hollywood Art & Culture Center.

“I do not paint what people see but I hope people see what I paint.” –Janet Siegel Rogers.

JANET SIEGEL ROGERS
United States

EDUCATION

MFA, Pratt Institute, Brooklyn, NY
MA, William Paterson University, NJ
BA, Denison University, Granville, OH

SELECTED EXHIBITIONS

West Palm Beach International Airport, FL
Florida Masters, Museum of Florida Art, Deland, FL
Scripps Research Institute, Jupiter, FL
The Other Half: Women in the Collection, Boca Raton Museum of Art, FL
Elizabeth Edwards Fine Art, Lahaina, HI
Palm Springs International Art Expo, CA
33rd International Festival of Painting, Castle Museum, Cagnes-Sur-Mer, France
Gallery 5, Soho, New York, NY
Art 21, Las Vegas, NV
Art and Culture Center, Hollywood, FL
"Frequencies of Nature," Traveling Museum Show
Karygma Gallery, Ridgewood, NJ
Vero Beach Center for the Arts, FL
Museum Collection Museum of Art, Fort Lauderdale, FL
"Director's Choice," Gogen Gallery, Tokyo, Japan
Lloyds of London Exhibition, London, England
James Trezza Fine Art, Paris, France
"Focus on Fort Lauderdale," Museum of Art, FL
"Abstractions," Karygma Gallery, Ridgewood, NJ
"Art Miami '91, International Art Exposition," FL
"Director's Choice," Museum of Art, Fort Lauderdale, FL
Frances Wolfson Gallery, Miami, FL
Miami Dade Gallery, South Campus, Miami, FL
"National Works on Paper," TX & USA
"Invitational," Miami Herald, FL
"Biennial Exhibition," Metropolitan Museum, FL
Galerie Ninety-Nine, Miami, FL
"Florida Creates," Jacksonville Art Museum, FL
The Society of the Four Arts, Palm Beach, FL
Atlantic Center for the Arts, New Smyrna, FL
"National Photo/Printmaking Exhibit," Somerville, NJ
"Small Works," Washington Square East Galleries, NY
"Meet the Artist," Bergen Museum, NJ
"Audubon Artists," National Academy Galleries, NY

SELECTED SOLO EXHIBITIONS

Florida Southern College/ Polk Museum
Palm Beach Cultural Council, FL
Museam of Art, Deland, FL
The mAe, Delray Beach, FL
Westside Gallery, Ridgewood, NJ
Elaine Baker, Gallery Center, Boca Raton, FL
The Art Center, Lake Wales, FL
Loggerhead Plaza Galleries, Teak Garden, Juno Beach, FL
Florida Stage, Manalapan, FL
Elizabeth Edwards Fine Art, Laguna Beach & Palm Desert, CA
Runaway Moon Gallery, West Palm Beach, FL
ResourceASIA, West Palm Beach, FL
Lee Wagener Gallery, Fort Lauderdale, FL
Boca Raton Museum of Art, FL
Art Collector's Gallery, Miami, FL
Ann Norton Museum, Palm Beach, FL
Babson College Gallery, Wellesley, MA
Jaffe Baker Gallery, Boca Raton, FL
Broward Community College, FL
Contemporanea Gallery, Jacksonville, FL
Alex Gallery, Washington DC
Treasure Room Gallery, New York, NY
Ann Jaffe Gallery, Miami, FL
Casements Gallery, Ormand Beach, FL
Villanova Gallery, Villanova University, PA
Pratt Galleries, Brooklyn, NY

COLLECTIONS

Boca Raton Museum of Art, FL
Museum of Art, Fort Lauderdale, FL
Museum of Art, Deland, FL
Art and Cultural Center, Hollywood, FL
Public Art and Design, Broward County, FL
Barnett Bank, Jacksonville, FL
Broward County Medical Examiner Office, FL
Capital Bank, Miami, FL
Cleveland Clinic, Fort Lauderdale, FL
Cypress Savings Collection Plantation, FL
Port Authority, Port Everglades, FL
Sun Bank, Fort Lauderdale, FL

AWARDS

1994
Arts Teacher of the Year, Broward County, FL
1990
Mellon Foundation Grant
1983
Fellowship, Atlantic Center for the Arts, New Smyrna Beach, FL
1981-1982
Fellowship, Pratt Institute, New York, NY

Alberto Cavalieri, born in Caracas, Venezuela in 1969, is renowned for his monumental sculptures and public works integrated into architectural forms. He studied Mechanical Engineering at Metropolitana University, Industrial Design at the Villasmil Art Center, and sculpture at the Federico Brandt Art Institute. In 1993, Alberto began his art career, and in 2016, he relocated to Miami, where he currently resides and works.

Alberto’s oxidized sculptures and digital drawings explore the paradox between form and matter and the duality between a material’s essence and its visual possibilities. He often creates medium-sized to monumental heavy metal shapes that appear as a single swirling, whimsical, and organic knot or oversized string-like forms that seem to levitate.

Alberto’s work challenges the laws of physics by contrasting the rigidness of metal with the organic quality of his shapes, highlighting the tension between human constructs and nature.

Alberto’s work has been featured in numerous solo and group exhibitions, including the Sculpture Biennale in Guadalajara, Mexico, the National Art Biennale in Puerto La Cruz, Venezuela, the Museum of Contemporary Art in Caracas, and the Municipal Modern Art Museum in Cuenca, Ecuador.

His works are part of various public and private collections in Spain, Venezuela, the US, and Ecuador, such as the Museum of Latin American Art in California, the Polytechnic University in Valencia, Spain, and the Ciudad Banesco Collection in Caracas.

ALBERTO CAVALIERI
Venezuela

SELECTED SOLO EXHIBITIONS

2023
Knots, AIA Baltimore (Center for Architecture and Design), Baltimore, MD
Tangibles/Intangibles, Sala TAC, Caracas, Venezuela

2022
Have and Have Not (Tener y no tener) Catalyst Contemporary, Baltimore, MD

2019
Torquere, Sol Taplin Gallery, Miami, FL

2018
Solid Knots, Miami Shores Village Sculpture Garden, Miami, FL
Pipe-Lines, Art Nouveau Gallery, Miami, FL

2017
Con-Ductos (Pipe-Lines), Galeriá Viloria Blanco, Maracaibo, Venezuela
Alberto Cavalieri, Brockay Memorial Library, Miami, FL
Large Scales, Spacetime Projects, Miami, FL

2014
Inoxidables (Stainless), Espacio Monitor, Caracas, Venezuela
Transfiguraciones (Transfigurations), Galeriá Viloria Blanco, Maracaibo, Venezuela

2012
Fragmented Knot, Art Nouveau Gallery, Miami, FL

2009
Hierros y Epifaniaś (Iron and Epiphanies), Galeriá Freites, Caracas, Venezuela

2004
Descontenciones (Discontentions), Venezuela

2003
Estructurales IPN (IPN Structurals), Outdoor Exhibition at Isabel La Catolicá Square, Caracas, Venezuela

2000
NadaenConcreto(NothinginConcrete), Venezuela

1996
Psique + Acero (Psyche + Steel), Galeriá UNO, Caracas, Venezuela

SELECTED GROUP EXHIBITIONS

2024
OMSA Gallery, Southwest Ranches, FL

2023
The Foundations of What, Catalyst Contemporary, Baltimore, MD

2020
Material Language, (Lenguaje del Color),The Bonnier Gallery, Miami, FL

2019
For Now, Contemporary Venezuelan Art of the Miami Diaspora, Coral Gables Museum, Coral
Gables, FL

2018
El lenguaje del Color (The Language of Color), Espacio Monitor, Centro de Arte Los Galpones, Caracas, Venezuela

2017
Anti-Readymade, Espacio Monitor, Centro de Arte Los Galpones, Caracas, Venezuela
Zona Maco, RGR Art Gallery, DF, Mexicó
Abstraccion: Atraccioń (Abstraction: Atraction), GBG Art, Caracas, Venezuela

2016
Visioń Constructiva (Constructive Vision), Espacio Monitor, Centro de Arte Los Galpones,
Caracas, Venezuela

2015
Big, Espacio Monitor, Centro de Arte Los Galpones, Caracas, Venezuela
Proposiciones Abstractas (Abstract Propositions), Venezuela
Seleccion=Relacióń (Selection=Relation), Espacio Monitor, Centro de Arte Los Galpones,
Caracas, Venezuela

2014
Bienal Saloń Arturo Michelena (Arturo Michelena Biennial Salon), Valencia, Carabobo,
Venezuela

2013
Signos Contemporaneoś en el Arte Venezolano (Contemporary Signs in Venezuelan Art),
Galeria La Cometa, Bogota, Colombia
Narrativas Tridimensionales (Tridimensional Narratives), Sala CAF, Caracas, Venezuela

2010
Not Made in China, Galeriá La Cuadra, Caracas, Venezuela

2009
Circuito en 3 Dimensiones (3 Dimensional Circuit), Universidad Simoń Bolivar, Caracas,
Venezuela

2008
Confluencias (Confluences), Ciudad Banesco, Caracas, Venezuela
I Bienal de Escultura de Guadalajara (I Sculpture Biennial of Guadalajara), Guadalajara, Mexicó

2007
1er Simposio Internacional de Escultura Isla de Margarita (1st International Sculpture
Simposium Margarita Island), Porlamar, Nueva Esparta, Venezuela

2006
Dearte Contemporaneó (On Contemporary Art) V Fair of Spanish Galleries, Palace of
Congresses and Exhibitions, Madrid, Spain

2005
Premios Italia para las Artes (Italy Awards for the Arts), Centro de Arte La Estancia, Caracas,
Venezuela

2004
Parque de Esculturas FIA Trasnocho (FIA Trasnocho Sculpture Park), Sala TAC, Trasnocho
Cultural, Caracas, Venezuela

2002
Primer Saloń Andino de Escultura (First Andean Sculpture Salon), Museo Municipal de Arte
Moderno, Cuenca, Ecuador
60th Saloń Arturo Michelena (60th Arturo Michelena Salon), Valencia, Carabobo, Venezuela

2001
En Paralelo (On Parallel), Sala Cultural PDVSA, Anzoategui, Venezuela
Obras de la Coleccioń (Works in the Collection), Sala de la Electricidad de Caracas, Caracas,
Venezuela

2000
Sendero de Esculturas (SculptureWalk), Universidad Metropolitana, Caracas, Venezuela

1999
Semana de Venezuela en Cuba (Week of Venezuela in Cuba), Havana, Cuba
IV Saloń Pirelli de Joveneś Artistas (IV Pirelli Young Artist Salon), Museo de Arte
Contemporaneó de Caracas Sofiá Imber, Caracas, Venezuela
La Escultura del Espacio Urbano (Sculpture in Urban Space), Museo de Arte Contemporaneó
de Caracas Sofiá Imber, Caracas, Venezuela
Pier Walk 99 International Sculpture Exhibition, Chicago, IL

1998
AllThat Is Solid, Socrates Sculpture Park, Long Island City, NY
XIII Saloń Nacional de Arte Aragua (XIII Arte Aragua National Salon), Museo de Arte
Contemporaneó de Maracay Mario Abreu, Aragua, Venezuela

1997
XII Saloń Nacional de Arte Aragua (XII Arte Aragua National Salon), Museo de Arte
Contemporaneó de Maracay Mario Abreu, Aragua, Venezuela

1996
Arte por la Vida (Art for Life), Museo de Arte Contemporaneó de Caracas Sofiá Imber, Caracas,
Venezuela

1993
Primer Festival AVAA de Esculturas (First AVVA Sculpture Festival), Centro Cultural
Consolidado, Caracas, Venezuela

AWARDS/GRANTS

2014
Andres Pérez Mujica Award – Bienal Salón Arturo Michelena, Valencia, Carabobo, Venezuelá

2005
First Award with Autopicá IV - Premios Italia para las Artes (Italy Awards for the Arts), Centro
de Arte La Estancia, Caracas, Venezuela

2002
Third Mention at the First Andean Sculpture Saloń ,Museo Municipal de Arte Moderno,
Cuenca, Ecuador

1998
Grant to build the sculpture Watch your Step, Socrates Sculpture Park, Long Island City, NY

COLLECTIONS

Museum of Latin American Art, Long Beach, California
Museo de Arte Contemporaneó de Caracas, Venezuela
Museo Vial, Porlamar, Nueva Esparta, Venezuela
Museo Municipal de Arte Moderno, Cuenca, Ecuador
Coleccion Ministerio de Transporte Terrestre y Obras Publicas, Caracas, Venezuela
Coleccion PDVSA La Estancia, Caracas, Venezuela
Coleccion Electricidad de Caracas, Caracas, Venezuela
Coleccion Ciudad Banesco, Caracas, Venezuela
Coleccion Seguros Caracas, Caracas, Venezuela
Coleccion Seguros Caroni, Caracas, Venezuela
Coleccion Bancaribe, Caracas, Venezuela
Coleccion Fondo de Valores Inmobiliarios, Caracas, Venezuela
Coleccion Procter & Gamble de Venezuela, Caracas, Venezuela

SELECTED BIBLIOGRAPHY

Alberto Cavalieri. Re/con/dis/tortion. Text by Luis Miguel Isava. Miami: Space Time Visual Arts,
2019 (180pp) Bibliohemerografia Text by Israel Ortega, available upon request

Alberto Cavalieri, born in Caracas, Venezuela in 1969, is renowned for his monumental sculptures and public works integrated into architectural forms. He studied Mechanical Engineering at Metropolitana University, Industrial Design at the Villasmil Art Center, and sculpture at the Federico Brandt Art Institute. In 1993, Alberto began his art career, and in 2016, he relocated to Miami, where he currently resides and works.

Alberto’s oxidized sculptures and digital drawings explore the paradox between form and matter and the duality between a material’s essence and its visual possibilities. He often creates medium-sized to monumental heavy metal shapes that appear as a single swirling, whimsical, and organic knot or oversized string-like forms that seem to levitate.

Alberto’s work challenges the laws of physics by contrasting the rigidness of metal with the organic quality of his shapes, highlighting the tension between human constructs and nature.

Alberto’s work has been featured in numerous solo and group exhibitions, including the Sculpture Biennale in Guadalajara, Mexico, the National Art Biennale in Puerto La Cruz, Venezuela, the Museum of Contemporary Art in Caracas, and the Municipal Modern Art Museum in Cuenca, Ecuador.

His works are part of various public and private collections in Spain, Venezuela, the US, and Ecuador, such as the Museum of Latin American Art in California, the Polytechnic University in Valencia, Spain, and the Ciudad Banesco Collection in Caracas.

ALBERTO CAVALIERI
Venezuela

SELECTED SOLO EXHIBITIONS

2023
Knots, AIA Baltimore (Center for Architecture and Design), Baltimore, MD
Tangibles/Intangibles, Sala TAC, Caracas, Venezuela

2022
Have and Have Not (Tener y no tener) Catalyst Contemporary, Baltimore, MD

2019
Torquere, Sol Taplin Gallery, Miami, FL

2018
Solid Knots, Miami Shores Village Sculpture Garden, Miami, FL
Pipe-Lines, Art Nouveau Gallery, Miami, FL

2017
Con-Ductos (Pipe-Lines), Galeriá Viloria Blanco, Maracaibo, Venezuela
Alberto Cavalieri, Brockay Memorial Library, Miami, FL
Large Scales, Spacetime Projects, Miami, FL

2014
Inoxidables (Stainless), Espacio Monitor, Caracas, Venezuela
Transfiguraciones (Transfigurations), Galeriá Viloria Blanco, Maracaibo, Venezuela

2012
Fragmented Knot, Art Nouveau Gallery, Miami, FL

2009
Hierros y Epifaniaś (Iron and Epiphanies), Galeriá Freites, Caracas, Venezuela

2004
Descontenciones (Discontentions), Venezuela

2003
Estructurales IPN (IPN Structurals), Outdoor Exhibition at Isabel La Catolicá Square, Caracas, Venezuela

2000
NadaenConcreto(NothinginConcrete), Venezuela

1996
Psique + Acero (Psyche + Steel), Galeriá UNO, Caracas, Venezuela

SELECTED GROUP EXHIBITIONS

2024
OMSA Gallery, Southwest Ranches, FL

2023
The Foundations of What, Catalyst Contemporary, Baltimore, MD

2020
Material Language, (Lenguaje del Color),The Bonnier Gallery, Miami, FL

2019
For Now, Contemporary Venezuelan Art of the Miami Diaspora, Coral Gables Museum, Coral
Gables, FL

2018
El lenguaje del Color (The Language of Color), Espacio Monitor, Centro de Arte Los Galpones, Caracas, Venezuela

2017
Anti-Readymade, Espacio Monitor, Centro de Arte Los Galpones, Caracas, Venezuela
Zona Maco, RGR Art Gallery, DF, Mexicó
Abstraccion: Atraccioń (Abstraction: Atraction), GBG Art, Caracas, Venezuela

2016
Visioń Constructiva (Constructive Vision), Espacio Monitor, Centro de Arte Los Galpones,
Caracas, Venezuela

2015
Big, Espacio Monitor, Centro de Arte Los Galpones, Caracas, Venezuela
Proposiciones Abstractas (Abstract Propositions), Venezuela
Seleccion=Relacióń (Selection=Relation), Espacio Monitor, Centro de Arte Los Galpones,
Caracas, Venezuela

2014
Bienal Saloń Arturo Michelena (Arturo Michelena Biennial Salon), Valencia, Carabobo,
Venezuela

2013
Signos Contemporaneoś en el Arte Venezolano (Contemporary Signs in Venezuelan Art),
Galeria La Cometa, Bogota, Colombia
Narrativas Tridimensionales (Tridimensional Narratives), Sala CAF, Caracas, Venezuela

2010
Not Made in China, Galeriá La Cuadra, Caracas, Venezuela

2009
Circuito en 3 Dimensiones (3 Dimensional Circuit), Universidad Simoń Bolivar, Caracas,
Venezuela

2008
Confluencias (Confluences), Ciudad Banesco, Caracas, Venezuela
I Bienal de Escultura de Guadalajara (I Sculpture Biennial of Guadalajara), Guadalajara, Mexicó

2007
1er Simposio Internacional de Escultura Isla de Margarita (1st International Sculpture
Simposium Margarita Island), Porlamar, Nueva Esparta, Venezuela

2006
Dearte Contemporaneó (On Contemporary Art) V Fair of Spanish Galleries, Palace of
Congresses and Exhibitions, Madrid, Spain

2005
Premios Italia para las Artes (Italy Awards for the Arts), Centro de Arte La Estancia, Caracas,
Venezuela

2004
Parque de Esculturas FIA Trasnocho (FIA Trasnocho Sculpture Park), Sala TAC, Trasnocho
Cultural, Caracas, Venezuela

2002
Primer Saloń Andino de Escultura (First Andean Sculpture Salon), Museo Municipal de Arte
Moderno, Cuenca, Ecuador
60th Saloń Arturo Michelena (60th Arturo Michelena Salon), Valencia, Carabobo, Venezuela

2001
En Paralelo (On Parallel), Sala Cultural PDVSA, Anzoategui, Venezuela
Obras de la Coleccioń (Works in the Collection), Sala de la Electricidad de Caracas, Caracas,
Venezuela

2000
Sendero de Esculturas (SculptureWalk), Universidad Metropolitana, Caracas, Venezuela

1999
Semana de Venezuela en Cuba (Week of Venezuela in Cuba), Havana, Cuba
IV Saloń Pirelli de Joveneś Artistas (IV Pirelli Young Artist Salon), Museo de Arte
Contemporaneó de Caracas Sofiá Imber, Caracas, Venezuela
La Escultura del Espacio Urbano (Sculpture in Urban Space), Museo de Arte Contemporaneó
de Caracas Sofiá Imber, Caracas, Venezuela
Pier Walk 99 International Sculpture Exhibition, Chicago, IL

1998
AllThat Is Solid, Socrates Sculpture Park, Long Island City, NY
XIII Saloń Nacional de Arte Aragua (XIII Arte Aragua National Salon), Museo de Arte
Contemporaneó de Maracay Mario Abreu, Aragua, Venezuela

1997
XII Saloń Nacional de Arte Aragua (XII Arte Aragua National Salon), Museo de Arte
Contemporaneó de Maracay Mario Abreu, Aragua, Venezuela

1996
Arte por la Vida (Art for Life), Museo de Arte Contemporaneó de Caracas Sofiá Imber, Caracas,
Venezuela

1993
Primer Festival AVAA de Esculturas (First AVVA Sculpture Festival), Centro Cultural
Consolidado, Caracas, Venezuela

AWARDS/GRANTS

2014
Andres Pérez Mujica Award – Bienal Salón Arturo Michelena, Valencia, Carabobo, Venezuelá

2005
First Award with Autopicá IV - Premios Italia para las Artes (Italy Awards for the Arts), Centro
de Arte La Estancia, Caracas, Venezuela

2002
Third Mention at the First Andean Sculpture Saloń ,Museo Municipal de Arte Moderno,
Cuenca, Ecuador

1998
Grant to build the sculpture Watch your Step, Socrates Sculpture Park, Long Island City, NY

COLLECTIONS

Museum of Latin American Art, Long Beach, California
Museo de Arte Contemporaneó de Caracas, Venezuela
Museo Vial, Porlamar, Nueva Esparta, Venezuela
Museo Municipal de Arte Moderno, Cuenca, Ecuador
Coleccion Ministerio de Transporte Terrestre y Obras Publicas, Caracas, Venezuela
Coleccion PDVSA La Estancia, Caracas, Venezuela
Coleccion Electricidad de Caracas, Caracas, Venezuela
Coleccion Ciudad Banesco, Caracas, Venezuela
Coleccion Seguros Caracas, Caracas, Venezuela
Coleccion Seguros Caroni, Caracas, Venezuela
Coleccion Bancaribe, Caracas, Venezuela
Coleccion Fondo de Valores Inmobiliarios, Caracas, Venezuela
Coleccion Procter & Gamble de Venezuela, Caracas, Venezuela

SELECTED BIBLIOGRAPHY

Alberto Cavalieri. Re/con/dis/tortion. Text by Luis Miguel Isava. Miami: Space Time Visual Arts,
2019 (180pp) Bibliohemerografia Text by Israel Ortega, available upon request

Alberto Cavalieri, born in Caracas, Venezuela in 1969, is renowned for his monumental sculptures and public works integrated into architectural forms. He studied Mechanical Engineering at Metropolitana University, Industrial Design at the Villasmil Art Center, and sculpture at the Federico Brandt Art Institute. In 1993, Alberto began his art career, and in 2016, he relocated to Miami, where he currently resides and works.

Alberto’s oxidized sculptures and digital drawings explore the paradox between form and matter and the duality between a material’s essence and its visual possibilities. He often creates medium-sized to monumental heavy metal shapes that appear as a single swirling, whimsical, and organic knot or oversized string-like forms that seem to levitate.

Alberto’s work challenges the laws of physics by contrasting the rigidness of metal with the organic quality of his shapes, highlighting the tension between human constructs and nature.

Alberto’s work has been featured in numerous solo and group exhibitions, including the Sculpture Biennale in Guadalajara, Mexico, the National Art Biennale in Puerto La Cruz, Venezuela, the Museum of Contemporary Art in Caracas, and the Municipal Modern Art Museum in Cuenca, Ecuador.

His works are part of various public and private collections in Spain, Venezuela, the US, and Ecuador, such as the Museum of Latin American Art in California, the Polytechnic University in Valencia, Spain, and the Ciudad Banesco Collection in Caracas.

ALBERTO CAVALIERI
Venezuela

SELECTED SOLO EXHIBITIONS

2023
Knots, AIA Baltimore (Center for Architecture and Design), Baltimore, MD
Tangibles/Intangibles, Sala TAC, Caracas, Venezuela

2022
Have and Have Not (Tener y no tener) Catalyst Contemporary, Baltimore, MD

2019
Torquere, Sol Taplin Gallery, Miami, FL

2018
Solid Knots, Miami Shores Village Sculpture Garden, Miami, FL
Pipe-Lines, Art Nouveau Gallery, Miami, FL

2017
Con-Ductos (Pipe-Lines), Galeriá Viloria Blanco, Maracaibo, Venezuela
Alberto Cavalieri, Brockay Memorial Library, Miami, FL
Large Scales, Spacetime Projects, Miami, FL

2014
Inoxidables (Stainless), Espacio Monitor, Caracas, Venezuela
Transfiguraciones (Transfigurations), Galeriá Viloria Blanco, Maracaibo, Venezuela

2012
Fragmented Knot, Art Nouveau Gallery, Miami, FL

2009
Hierros y Epifaniaś (Iron and Epiphanies), Galeriá Freites, Caracas, Venezuela

2004
Descontenciones (Discontentions), Venezuela

2003
Estructurales IPN (IPN Structurals), Outdoor Exhibition at Isabel La Catolicá Square, Caracas, Venezuela

2000
NadaenConcreto(NothinginConcrete), Venezuela

1996
Psique + Acero (Psyche + Steel), Galeriá UNO, Caracas, Venezuela

SELECTED GROUP EXHIBITIONS

2024
OMSA Gallery, Southwest Ranches, FL

2023
The Foundations of What, Catalyst Contemporary, Baltimore, MD

2020
Material Language, (Lenguaje del Color),The Bonnier Gallery, Miami, FL

2019
For Now, Contemporary Venezuelan Art of the Miami Diaspora, Coral Gables Museum, Coral
Gables, FL

2018
El lenguaje del Color (The Language of Color), Espacio Monitor, Centro de Arte Los Galpones, Caracas, Venezuela

2017
Anti-Readymade, Espacio Monitor, Centro de Arte Los Galpones, Caracas, Venezuela
Zona Maco, RGR Art Gallery, DF, Mexicó
Abstraccion: Atraccioń (Abstraction: Atraction), GBG Art, Caracas, Venezuela

2016
Visioń Constructiva (Constructive Vision), Espacio Monitor, Centro de Arte Los Galpones,
Caracas, Venezuela

2015
Big, Espacio Monitor, Centro de Arte Los Galpones, Caracas, Venezuela
Proposiciones Abstractas (Abstract Propositions), Venezuela
Seleccion=Relacióń (Selection=Relation), Espacio Monitor, Centro de Arte Los Galpones,
Caracas, Venezuela

2014
Bienal Saloń Arturo Michelena (Arturo Michelena Biennial Salon), Valencia, Carabobo,
Venezuela

2013
Signos Contemporaneoś en el Arte Venezolano (Contemporary Signs in Venezuelan Art),
Galeria La Cometa, Bogota, Colombia
Narrativas Tridimensionales (Tridimensional Narratives), Sala CAF, Caracas, Venezuela

2010
Not Made in China, Galeriá La Cuadra, Caracas, Venezuela

2009
Circuito en 3 Dimensiones (3 Dimensional Circuit), Universidad Simoń Bolivar, Caracas,
Venezuela

2008
Confluencias (Confluences), Ciudad Banesco, Caracas, Venezuela
I Bienal de Escultura de Guadalajara (I Sculpture Biennial of Guadalajara), Guadalajara, Mexicó

2007
1er Simposio Internacional de Escultura Isla de Margarita (1st International Sculpture
Simposium Margarita Island), Porlamar, Nueva Esparta, Venezuela

2006
Dearte Contemporaneó (On Contemporary Art) V Fair of Spanish Galleries, Palace of
Congresses and Exhibitions, Madrid, Spain

2005
Premios Italia para las Artes (Italy Awards for the Arts), Centro de Arte La Estancia, Caracas,
Venezuela

2004
Parque de Esculturas FIA Trasnocho (FIA Trasnocho Sculpture Park), Sala TAC, Trasnocho
Cultural, Caracas, Venezuela

2002
Primer Saloń Andino de Escultura (First Andean Sculpture Salon), Museo Municipal de Arte
Moderno, Cuenca, Ecuador
60th Saloń Arturo Michelena (60th Arturo Michelena Salon), Valencia, Carabobo, Venezuela

2001
En Paralelo (On Parallel), Sala Cultural PDVSA, Anzoategui, Venezuela
Obras de la Coleccioń (Works in the Collection), Sala de la Electricidad de Caracas, Caracas,
Venezuela

2000
Sendero de Esculturas (SculptureWalk), Universidad Metropolitana, Caracas, Venezuela

1999
Semana de Venezuela en Cuba (Week of Venezuela in Cuba), Havana, Cuba
IV Saloń Pirelli de Joveneś Artistas (IV Pirelli Young Artist Salon), Museo de Arte
Contemporaneó de Caracas Sofiá Imber, Caracas, Venezuela
La Escultura del Espacio Urbano (Sculpture in Urban Space), Museo de Arte Contemporaneó
de Caracas Sofiá Imber, Caracas, Venezuela
Pier Walk 99 International Sculpture Exhibition, Chicago, IL

1998
AllThat Is Solid, Socrates Sculpture Park, Long Island City, NY
XIII Saloń Nacional de Arte Aragua (XIII Arte Aragua National Salon), Museo de Arte
Contemporaneó de Maracay Mario Abreu, Aragua, Venezuela

1997
XII Saloń Nacional de Arte Aragua (XII Arte Aragua National Salon), Museo de Arte
Contemporaneó de Maracay Mario Abreu, Aragua, Venezuela

1996
Arte por la Vida (Art for Life), Museo de Arte Contemporaneó de Caracas Sofiá Imber, Caracas,
Venezuela

1993
Primer Festival AVAA de Esculturas (First AVVA Sculpture Festival), Centro Cultural
Consolidado, Caracas, Venezuela

AWARDS/GRANTS

2014
Andres Pérez Mujica Award – Bienal Salón Arturo Michelena, Valencia, Carabobo, Venezuelá

2005
First Award with Autopicá IV - Premios Italia para las Artes (Italy Awards for the Arts), Centro
de Arte La Estancia, Caracas, Venezuela

2002
Third Mention at the First Andean Sculpture Saloń ,Museo Municipal de Arte Moderno,
Cuenca, Ecuador

1998
Grant to build the sculpture Watch your Step, Socrates Sculpture Park, Long Island City, NY

COLLECTIONS

Museum of Latin American Art, Long Beach, California
Museo de Arte Contemporaneó de Caracas, Venezuela
Museo Vial, Porlamar, Nueva Esparta, Venezuela
Museo Municipal de Arte Moderno, Cuenca, Ecuador
Coleccion Ministerio de Transporte Terrestre y Obras Publicas, Caracas, Venezuela
Coleccion PDVSA La Estancia, Caracas, Venezuela
Coleccion Electricidad de Caracas, Caracas, Venezuela
Coleccion Ciudad Banesco, Caracas, Venezuela
Coleccion Seguros Caracas, Caracas, Venezuela
Coleccion Seguros Caroni, Caracas, Venezuela
Coleccion Bancaribe, Caracas, Venezuela
Coleccion Fondo de Valores Inmobiliarios, Caracas, Venezuela
Coleccion Procter & Gamble de Venezuela, Caracas, Venezuela

SELECTED BIBLIOGRAPHY

Alberto Cavalieri. Re/con/dis/tortion. Text by Luis Miguel Isava. Miami: Space Time Visual Arts,
2019 (180pp) Bibliohemerografia Text by Israel Ortega, available upon request

Jenny Perez has created a style which reflects the energy of street art while illustrating her admiration for formal abstraction. The imagery found in her most recent body of work represents the shadows of her past, and the whispers of her forward journey, as she commands it. The titles of her paintings lend even more dimension as simple observations, poetic markers, and almost indicators of change.

A strongly driven Caribbean-American artist, from the Dominican Republic, Jenny paints with a zest for exploration, relentlessly reworking and editing, with an inexhaustible preoccupation with the idea of process as a focal point. Her beginnings as a painter centered around her daily observations of Miami’s golden age of street art in the early 2000s. Being heavily influenced by this burgeoning scene along with friendships established with key street artists, Jenny has taken her learned skills and carried them into the formal studio setting, creating a stylized, electric and experimental language all her own.

Jenny’s current body of work explores tints and shades of rich color brushed onto biomorphic shaped canvases. Therein lies the contrast: in the pushing and pulling, breaking and putting back together, she creates volumes of spatial perception encompassing a composition in motion. There is movement and still points on which to rest in her work, which commingle to voice her vision of what was, what is, and what she desires to come.
Her inspiration behind the collection initiated with the shape of the canvas itself as she had custom made the sculptural forms that hark back to those of Victorian aristocratic portraits. There are even hints of the rich, dark palettes used to paint the refined, composed and dignified, noble men and women of those years privileged enough to be immortalized on canvas.

At the same time, her paintings are a love note to her own heritage, celebrating women of color in their own right and royalty. She bestows upon each of her paintings a tender abstraction to render them universal, both in time and space.

JENNY PEREZ
United States

EDUCATION

Self Taught

SELECTED GROUP EXHIBITIONS / ART FAIRS

December 2023- February 2024
Reflections - A Decade with Wyn 317, Wyn 317 Gallery, Miami, FL,

December 2023 Miami Art Week
Art Miami, Miami Robert Fontaine Gallery

August 12- September 12, 2023
Quilla, Miami Art Society- Miami, FL

July 14 - August 24, 2023
Portraits In Focus. Robert Fontaine Gallery- Miami Beach, FL,

March 2023
Palm Beach Modern + Contemporary Fair, West Palm Beach, FL,
Espinasse31 Gallery, Milan, Italy


February 2023, March 2023
Robert Fontaine Gallery, Miami Beach, FL,
Postwar Masters and Contemporary Artists

December 2022 Miami Art Week,
Museum of Graffiti, Miami, FL
SCOPE Art Fair, Miami Beach, FL,
Project Art Box, Contemporary Modern Art Project

February 2022
10/20 Collective, Erie, PA

February 2022
Peel Off the Surface, New York, NY


August 2019
Intercontinental Hotel, Miami, FL, Markowicz Fine Art

May 2019
Blink Group Gallery, Miami, FL

May 2019
Lucid Dreams
Miami Art Society, Miami, FL

Miami Art Week December 2017
Urban Legends, The Sagamore Hotel, Miami Beach, FL


December 2016
Art Wynwood Fair- Miami, FL, Dorian Gray Gallery, New York

October 2015
LAB Art Los Angeles, Los Angeles, CA

February 2015
Art Wynwood Fair
Miami Independent Thinkers, Miami, FL, 2X2


January 2015
Art Palm Beach Art Fair
Irreversible Projects, Urban Art Series

2012
POP International Gallery- New York, NY
Miami Art Week, Miami, FL,


SELECTED SOLO EXHIBITIONS

Sept 2022
Impressions of Jenny Perez
The Contemporary Art Modern Project, Miami FL,




Feb. to March 2022
I Was Born in the Spring, Miami Beach Botanical Garden, Miami Beach, FL,

March, May 2020
Neither Here Nor There, Miami Art Society Gallery, Miami, FL,

March 2019
Jenny Perez
Delano Hotel, Miami Beach, FL, February,

July, August 2016
Introspection, Gallery 2612, Miami, FL,

October 2014
Rich Girl

Street Art Dubai Gallery - United Arab Emirates

GRANTS / AWARDS

August 2022
The Art of Black, Miami, FL,
Second Place, Artist Competition
Organized by the Greater Miami Convention & Visitors Bureau

2022
Catalyst Award Winner DVCAI


RESIDENCIES

December 2023- Jan 2024
Bed-Stuy Art Residency- New York, NY

April 2022
DVCAI, Belize
International Cultural Exchange Project

August 2022
DVCAI, Miami, FL, Dec 2021


July 2020
Old 77 Hotel, New Orleans Residency Program

December 2016
Espinasse 31, Milan, Italy - Artist Residency

October 2016
Cuba One Foundation, Havana, Cuba Artists Trip, second frontier

PARTNERSHIPS

Dec 2021
Mark Levinson Art Basel Collaboration Social Media Partnership Miami, FL

April 2021
Afro Punk Black Spring Artist Highlight

December 2020
Prada, Miami Design District
Holiday Packaging Collaboration

August 2020
lululemon
On the Move
Global Campaign
Featured artist, promotional materials

2019 to Present
lululemon, South Florida Locations Ambassador, Aventura, FL

November 2017 - Jan 2018
lululemon
‘Breathe It All In’ local campaign Store installation, local product design

December 2019
Live Your Own Nature, London, UK Apparel Artist Ambassador

2018 to Present
Midtown 29 by Morgan Group
Miami, FL, Resident Artist, Commissioned Works



October 2017
Armani Exchange
Product design for global campaign AX Street Art


January 2016
Miami Marathon Medal Design

September 2014
AT&T via VICE: Mobile Movement
Featured artist, Nationwide media campaign, on-Air,
Social, Print featured in Latina Magazine

PRIVATE COLLECTIONS

Dean-Kluger Collection
De La Cruz Collection
McCraw Collection

PUBLIC ART

April 2023
Find Yourself Here
Sculpture, Chesterfield, MO Wild Horse Village

2014 + 2023
Whole Foods Market, Miami, FL
Featured artist, Brickell location mural, store launch

April 2022
The Sugar Factory Aventura for Aventura Mall Monumental Sculpture, Aventura, FL, Aventura Mall


October 2020
Black History mural project Miramar Cultural Center, Miramar, FL

April 2019
Midtown Garden Center, Miami, FL



December 2018
Delano Hotel, Miami Beach, FL

December 2017, present
Barry’s Bootcamp, South Florida

August 2017
La Virgen, La Reina, Monsignor Edward Pace High School Miami, FL,


December 2016
Miami-Dade County Public Transit Featured public transportation bus artwork wrap

June 2015
JMZ Walls & Street Art NYC, Manhattan, NY

March 2014
Coral Gables Hospital
Miami, FL

Jenny Perez has created a style which reflects the energy of street art while illustrating her admiration for formal abstraction. The imagery found in her most recent body of work represents the shadows of her past, and the whispers of her forward journey, as she commands it. The titles of her paintings lend even more dimension as simple observations, poetic markers, and almost indicators of change.

A strongly driven Caribbean-American artist, from the Dominican Republic, Jenny paints with a zest for exploration, relentlessly reworking and editing, with an inexhaustible preoccupation with the idea of process as a focal point. Her beginnings as a painter centered around her daily observations of Miami’s golden age of street art in the early 2000s. Being heavily influenced by this burgeoning scene along with friendships established with key street artists, Jenny has taken her learned skills and carried them into the formal studio setting, creating a stylized, electric and experimental language all her own.

Jenny’s current body of work explores tints and shades of rich color brushed onto biomorphic shaped canvases. Therein lies the contrast: in the pushing and pulling, breaking and putting back together, she creates volumes of spatial perception encompassing a composition in motion. There is movement and still points on which to rest in her work, which commingle to voice her vision of what was, what is, and what she desires to come.
Her inspiration behind the collection initiated with the shape of the canvas itself as she had custom made the sculptural forms that hark back to those of Victorian aristocratic portraits. There are even hints of the rich, dark palettes used to paint the refined, composed and dignified, noble men and women of those years privileged enough to be immortalized on canvas.

At the same time, her paintings are a love note to her own heritage, celebrating women of color in their own right and royalty. She bestows upon each of her paintings a tender abstraction to render them universal, both in time and space.

JENNY PEREZ
United States

EDUCATION

Self Taught

SELECTED GROUP EXHIBITIONS / ART FAIRS

December 2023- February 2024
Reflections - A Decade with Wyn 317, Wyn 317 Gallery, Miami, FL,

December 2023 Miami Art Week
Art Miami, Miami Robert Fontaine Gallery

August 12- September 12, 2023
Quilla, Miami Art Society- Miami, FL

July 14 - August 24, 2023
Portraits In Focus. Robert Fontaine Gallery- Miami Beach, FL,

March 2023
Palm Beach Modern + Contemporary Fair, West Palm Beach, FL,
Espinasse31 Gallery, Milan, Italy


February 2023, March 2023
Robert Fontaine Gallery, Miami Beach, FL,
Postwar Masters and Contemporary Artists

December 2022 Miami Art Week,
Museum of Graffiti, Miami, FL
SCOPE Art Fair, Miami Beach, FL,
Project Art Box, Contemporary Modern Art Project

February 2022
10/20 Collective, Erie, PA

February 2022
Peel Off the Surface, New York, NY


August 2019
Intercontinental Hotel, Miami, FL, Markowicz Fine Art

May 2019
Blink Group Gallery, Miami, FL

May 2019
Lucid Dreams
Miami Art Society, Miami, FL

Miami Art Week December 2017
Urban Legends, The Sagamore Hotel, Miami Beach, FL


December 2016
Art Wynwood Fair- Miami, FL, Dorian Gray Gallery, New York

October 2015
LAB Art Los Angeles, Los Angeles, CA

February 2015
Art Wynwood Fair
Miami Independent Thinkers, Miami, FL, 2X2


January 2015
Art Palm Beach Art Fair
Irreversible Projects, Urban Art Series

2012
POP International Gallery- New York, NY
Miami Art Week, Miami, FL,


SELECTED SOLO EXHIBITIONS

Sept 2022
Impressions of Jenny Perez
The Contemporary Art Modern Project, Miami FL,




Feb. to March 2022
I Was Born in the Spring, Miami Beach Botanical Garden, Miami Beach, FL,

March, May 2020
Neither Here Nor There, Miami Art Society Gallery, Miami, FL,

March 2019
Jenny Perez
Delano Hotel, Miami Beach, FL, February,

July, August 2016
Introspection, Gallery 2612, Miami, FL,

October 2014
Rich Girl

Street Art Dubai Gallery - United Arab Emirates

GRANTS / AWARDS

August 2022
The Art of Black, Miami, FL,
Second Place, Artist Competition
Organized by the Greater Miami Convention & Visitors Bureau

2022
Catalyst Award Winner DVCAI


RESIDENCIES

December 2023- Jan 2024
Bed-Stuy Art Residency- New York, NY

April 2022
DVCAI, Belize
International Cultural Exchange Project

August 2022
DVCAI, Miami, FL, Dec 2021


July 2020
Old 77 Hotel, New Orleans Residency Program

December 2016
Espinasse 31, Milan, Italy - Artist Residency

October 2016
Cuba One Foundation, Havana, Cuba Artists Trip, second frontier

PARTNERSHIPS

Dec 2021
Mark Levinson Art Basel Collaboration Social Media Partnership Miami, FL

April 2021
Afro Punk Black Spring Artist Highlight

December 2020
Prada, Miami Design District
Holiday Packaging Collaboration

August 2020
lululemon
On the Move
Global Campaign
Featured artist, promotional materials

2019 to Present
lululemon, South Florida Locations Ambassador, Aventura, FL

November 2017 - Jan 2018
lululemon
‘Breathe It All In’ local campaign Store installation, local product design

December 2019
Live Your Own Nature, London, UK Apparel Artist Ambassador

2018 to Present
Midtown 29 by Morgan Group
Miami, FL, Resident Artist, Commissioned Works



October 2017
Armani Exchange
Product design for global campaign AX Street Art


January 2016
Miami Marathon Medal Design

September 2014
AT&T via VICE: Mobile Movement
Featured artist, Nationwide media campaign, on-Air,
Social, Print featured in Latina Magazine

PRIVATE COLLECTIONS

Dean-Kluger Collection
De La Cruz Collection
McCraw Collection

PUBLIC ART

April 2023
Find Yourself Here
Sculpture, Chesterfield, MO Wild Horse Village

2014 + 2023
Whole Foods Market, Miami, FL
Featured artist, Brickell location mural, store launch

April 2022
The Sugar Factory Aventura for Aventura Mall Monumental Sculpture, Aventura, FL, Aventura Mall


October 2020
Black History mural project Miramar Cultural Center, Miramar, FL

April 2019
Midtown Garden Center, Miami, FL



December 2018
Delano Hotel, Miami Beach, FL

December 2017, present
Barry’s Bootcamp, South Florida

August 2017
La Virgen, La Reina, Monsignor Edward Pace High School Miami, FL,


December 2016
Miami-Dade County Public Transit Featured public transportation bus artwork wrap

June 2015
JMZ Walls & Street Art NYC, Manhattan, NY

March 2014
Coral Gables Hospital
Miami, FL