The artist couple is one of the stars of the pop art scene. The Marnali's celebrate art as a luxury that is fun. From Karl Lagerfeld, the Birkin Bag, the Porsche to the $100 bill, they retell the stories of pop art and consumption in a refreshing and colorful way. They use different processes, from digital and screen printing to the fascinating multi-perspective lenticular technique. PopArt is art that gets hands on. which touches directly. It's colourful, loud and fun, it celebrates the moment and is simply a lot of fun for more and more people. This also applies to the artist couple Mr. and Mrs. Marnali. Since 2017, the two Germans living on Mallorca have been staging the icons of PopArt culture in luxuriously furnished and, last but not least, humorously gripping PopArt works and sculptures. They tell the glorious stories of the protagonists of PopArt in their own refreshing, colorful and new way. It's about Madonna, Lady Gaga, Brigitte Bardot, Karl Lagerfeld and even Choupette, the legendary fashion designer's famous cat. But these are not just mere illustrations that are as colorful as possible, but complex concepts on the basis of which new stories are told - with the help of the motifs themselves, but also with the forms and the materials and techniques used. And that is exactly the secret of their success: The Marnali's tell stories. They combine content and form, art and technology into a new whole that is independent and definitely greater than the sum of its parts

A variety of sizes and images of lenticular artwork.

Born in 1958 in St. Petersburg Florida, KYLE received his MFA at the University of Cincinnati.
He currently maintains a studio in Orlando. He teaches as an adjunct professor of studio arts at
Valencia College and as an art historian, humanities, and film historian with Barry University.
KYLE shows locally and nationally, he is active with students, local artists, and arts
organizations of Central Florida in community based cultural events. KYLE served as Artist-in-
Residence at the Maitland Art Center, originally an artist colony. The center is one of a kind
Mayan/Aztec fantasy architecture and is listed on the National Register of Historic Places.

Small romantic embellished prints with a "Florida Vibe" theme.

Born in Turks and Caicos Bradley Theodore is a contemporary artist who started his career in New York City and has been an internationally-inclined artist and collaborator from his very beginnings. Having worked in the tech and design sector after his graduation from the School of Visual Arts, Theodore eventually moved back to New York where his artistic career took off. With roots in graphic design,

Theodore’s beginnings as an artist came from adorning the streets of New York City with vibrant, chromatic murals of skeletons depicting contemporary pop culture and fashion “royalty.”

Bradley Theodore is known for his colorful depictions of icons. He is a multi-disciplinary artist whose iconoclastic approach to art can be found internationally, from 10-foot murals on the streets of Tokyo, Paris and Milan, to sold-out solo exhibitions in London and NYC.

Two paintings in collaboration with artist Karen Bradley.

DeVon was born in Hollywood , California in 1968 eight months after the tragic death of his father, a young, ambitious film producer. His mother, a singer, left Hollywood and relocated her family to the Bay Area where she remarried. After some time the family moved again to a small rural town near Park City, Utah.

There, DeVon excelled in classical and jazz music, receiving a college scholarship in Music. However, after commercial success of screen-printing fine art designs combined with dada poetry on T-shirts for rock concerts and specialty stores, he changed his degree to Visual Arts. During De Von’s academic career in the visual arts at the University of Utah, he gained the attention of the Dean of Fine Arts, who sponsored him to customize an innovative Bachelor’s degree called Arts Promotion. This degree ensured his commercial career through specific business and marketing courses that led to an internship at the curator’s office of the Supreme Court of the United States. He pursued extensive studies in art history and language in Europe, where he became fluent in Spanish, French, and Italian.

Upon graduation, DeVon collaborated with other artists, promoting their work through managing and owning galleries in Beverly Hills, Laguna Beach, Carmel, San Francisco, Park City, and Aspen. He also lectured in Academies of Art in Russia, France, Italy, China, and South America. DeVon’s preferred medium is mixed media of originals layered with collage, acrylic paint, diamond dust, swarovski crystals, sealed under a thick layer of glossy resin. He layers and collages pages from magazines, calendars, and fine art books while cross pollinating references from pop culture, high fashion, psychology, history, Jungian concepts of mythology, archetypes, new age, music, space, technology, and mass advertising. Creating requires influences, and De Von’s work is greatly influenced by Andy Warhol, Roy Lichtenstein, Jasper Johns, Robert Indiana, Robert Rauschenberg, and Jackson Pollock. From Duchamp to Damien Hirst, these artists have consistently challenged the idea that meaning ascribed to objects is permanently fixed.

Marilyn Monroe Neon 60" x 60"
Marilyn Monroe Bubble Gum 60" x 60"
MTV Neon 52" x 52"
Audrey Hepburn 3D on Plexiglass 50" x 50"
James Bond 52" X 52"

DeVon was born in Hollywood , California in 1968 eight months after the tragic death of his father, a young, ambitious film producer. His mother, a singer, left Hollywood and relocated her family to the Bay Area where she remarried. After some time the family moved again to a small rural town near Park City, Utah.

There, DeVon excelled in classical and jazz music, receiving a college scholarship in Music. However, after commercial success of screen-printing fine art designs combined with dada poetry on T-shirts for rock concerts and specialty stores, he changed his degree to Visual Arts. During De Von’s academic career in the visual arts at the University of Utah, he gained the attention of the Dean of Fine Arts, who sponsored him to customize an innovative Bachelor’s degree called Arts Promotion. This degree ensured his commercial career through specific business and marketing courses that led to an internship at the curator’s office of the Supreme Court of the United States. He pursued extensive studies in art history and language in Europe, where he became fluent in Spanish, French, and Italian.

Upon graduation, DeVon collaborated with other artists, promoting their work through managing and owning galleries in Beverly Hills, Laguna Beach, Carmel, San Francisco, Park City, and Aspen. He also lectured in Academies of Art in Russia, France, Italy, China, and South America. DeVon’s preferred medium is mixed media of originals layered with collage, acrylic paint, diamond dust, swarovski crystals, sealed under a thick layer of glossy resin. He layers and collages pages from magazines, calendars, and fine art books while cross pollinating references from pop culture, high fashion, psychology, history, Jungian concepts of mythology, archetypes, new age, music, space, technology, and mass advertising. Creating requires influences, and De Von’s work is greatly influenced by Andy Warhol, Roy Lichtenstein, Jasper Johns, Robert Indiana, Robert Rauschenberg, and Jackson Pollock. From Duchamp to Damien Hirst, these artists have consistently challenged the idea that meaning ascribed to objects is permanently fixed.

Marilyn Monroe Neon 60" x 60"
Marilyn Monroe Bubble Gum 60" x 60"
MTV Neon 52" x 52"
Audrey Hepburn 3D on Plexiglass 50" x 50"
James Bond 52" X 52"

DeVon was born in Hollywood , California in 1968 eight months after the tragic death of his father, a young, ambitious film producer. His mother, a singer, left Hollywood and relocated her family to the Bay Area where she remarried. After some time the family moved again to a small rural town near Park City, Utah.

There, DeVon excelled in classical and jazz music, receiving a college scholarship in Music. However, after commercial success of screen-printing fine art designs combined with dada poetry on T-shirts for rock concerts and specialty stores, he changed his degree to Visual Arts. During De Von’s academic career in the visual arts at the University of Utah, he gained the attention of the Dean of Fine Arts, who sponsored him to customize an innovative Bachelor’s degree called Arts Promotion. This degree ensured his commercial career through specific business and marketing courses that led to an internship at the curator’s office of the Supreme Court of the United States. He pursued extensive studies in art history and language in Europe, where he became fluent in Spanish, French, and Italian.

Upon graduation, DeVon collaborated with other artists, promoting their work through managing and owning galleries in Beverly Hills, Laguna Beach, Carmel, San Francisco, Park City, and Aspen. He also lectured in Academies of Art in Russia, France, Italy, China, and South America. DeVon’s preferred medium is mixed media of originals layered with collage, acrylic paint, diamond dust, swarovski crystals, sealed under a thick layer of glossy resin. He layers and collages pages from magazines, calendars, and fine art books while cross pollinating references from pop culture, high fashion, psychology, history, Jungian concepts of mythology, archetypes, new age, music, space, technology, and mass advertising. Creating requires influences, and De Von’s work is greatly influenced by Andy Warhol, Roy Lichtenstein, Jasper Johns, Robert Indiana, Robert Rauschenberg, and Jackson Pollock. From Duchamp to Damien Hirst, these artists have consistently challenged the idea that meaning ascribed to objects is permanently fixed.

Marilyn Monroe Neon 60" x 60"
Marilyn Monroe Bubble Gum 60" x 60"
MTV Neon 52" x 52"
Audrey Hepburn 3D on Plexiglass 50" x 50"
James Bond 52" X 52"

The artist couple is one of the stars of the pop art scene. The Marnali's celebrate art as a luxury that is fun. From Karl Lagerfeld, the Birkin Bag, the Porsche to the $100 bill, they retell the stories of pop art and consumption in a refreshing and colorful way. They use different processes, from digital and screen printing to the fascinating multi-perspective lenticular technique. PopArt is art that gets hands on. which touches directly. It's colourful, loud and fun, it celebrates the moment and is simply a lot of fun for more and more people. This also applies to the artist couple Mr. and Mrs. Marnali. Since 2017, the two Germans living on Mallorca have been staging the icons of PopArt culture in luxuriously furnished and, last but not least, humorously gripping PopArt works and sculptures. They tell the glorious stories of the protagonists of PopArt in their own refreshing, colorful and new way. It's about Madonna, Lady Gaga, Brigitte Bardot, Karl Lagerfeld and even Choupette, the legendary fashion designer's famous cat. But these are not just mere illustrations that are as colorful as possible, but complex concepts on the basis of which new stories are told - with the help of the motifs themselves, but also with the forms and the materials and techniques used. And that is exactly the secret of their success: The Marnali's tell stories. They combine content and form, art and technology into a new whole that is independent and definitely greater than the sum of its parts

A variety of sizes and images of lenticular artwork.

I began my journey from corporate healthcare executive to artist during the pandemic. I'm from NYC and I have always loved music. I grew up in an Italian family with roots in the city, and I immersed myself in classic 70s and 80s bands like Motley Crue, Kiss, Prince and Twisted Sister. I played in bands, sang and played drums all throughout my growing up years. Normally I travel a lot with my work in healthcare administration, but lockdown kept me stuck at home. With more time on my hands, started creating one-of-kind art pieces that celebrate some of my favorite artists. Music is a transformative medium, and my passion is capturing the transformative moments in musical history. It's challenging, tedious and exhilarating to see these pieces slowly come to life, one guitar pick at a time. I was humbled when galleries started reaching out. I'm particularly proud that the Alice Cooper piece I donated to the artist's Christmas Pudding fundraiser last year brought in $120,000 for his charity, the highest bid ever for the event! My work can be found in select galleries and by commission, so reach out if you'd like to learn more.

"David Bowie" portrait mixed media with guitar picks on canvas.
"The Rolling Stones" mixed media with guitar picks on canvas
"Jim Morrison" mixed media with guitar picks on canvas

I began my journey from corporate healthcare executive to artist during the pandemic. I'm from NYC and I have always loved music. I grew up in an Italian family with roots in the city, and I immersed myself in classic 70s and 80s bands like Motley Crue, Kiss, Prince and Twisted Sister. I played in bands, sang and played drums all throughout my growing up years. Normally I travel a lot with my work in healthcare administration, but lockdown kept me stuck at home. With more time on my hands, started creating one-of-kind art pieces that celebrate some of my favorite artists. Music is a transformative medium, and my passion is capturing the transformative moments in musical history. It's challenging, tedious and exhilarating to see these pieces slowly come to life, one guitar pick at a time. I was humbled when galleries started reaching out. I'm particularly proud that the Alice Cooper piece I donated to the artist's Christmas Pudding fundraiser last year brought in $120,000 for his charity, the highest bid ever for the event! My work can be found in select galleries and by commission, so reach out if you'd like to learn more.

"David Bowie" portrait mixed media with guitar picks on canvas.
"The Rolling Stones" mixed media with guitar picks on canvas
"Jim Morrison" mixed media with guitar picks on canvas

Matthew Tiger found an outlet for his creativity at a young age when he experimented with oils on canvas. He would continue his artistic pursuits in multiple mediums through his teen years until he set his sights on a more technically creative focus, earning his degree in Industrial Design Technology at The Art Institute International.

After a 20 year graphic design career, Matthew Tiger formed his own Branding Agency, (Madison Ave Graphics). This opened doors for him to work with well-known brands such as Krispy Kreme and celebrity podcasters like Anna Faris.

He eventually returned to his creative art roots. Tiger gets inspiration from urban nature, music, comics, and film. He aims to provoke an emotional response from his audience through all forms of art. Currently, his style is Pop-Grunge Art, which combines paint and collages to create immersive scenes for his viewers, where you see some new detail every time you look at it.

Mixed media collage on canvas.

Matthew Tiger found an outlet for his creativity at a young age when he experimented with oils on canvas. He would continue his artistic pursuits in multiple mediums through his teen years until he set his sights on a more technically creative focus, earning his degree in Industrial Design Technology at The Art Institute International.

After a 20 year graphic design career, Matthew Tiger formed his own Branding Agency, (Madison Ave Graphics). This opened doors for him to work with well-known brands such as Krispy Kreme and celebrity podcasters like Anna Faris.

He eventually returned to his creative art roots. Tiger gets inspiration from urban nature, music, comics, and film. He aims to provoke an emotional response from his audience through all forms of art. Currently, his style is Pop-Grunge Art, which combines paint and collages to create immersive scenes for his viewers, where you see some new detail every time you look at it.

Mixed media collage on canvas.

Giuseppe Ferlito started to paint in 2010 in Los Angeles while he was writing the first draft of the script of the movie “88”. Between making one film and another, he has some breaks, and often these periods are frustrating because he is unable to give vent to his creativity. “I started to paint as a remedy to this kind of frustration, and to this day I believe that painting for me is therapeutic because it allows me to discharge all the emotions that I am feeling onto the painting, to face my fears and to confront myself and my insecurities”.
Ferlito paints on different surfaces: canvas, cardboard, plywood, and walls. Many of his works are nowadays untraceable as they were done on non-transportable surfaces such as walls in some of his friend’s houses, tables, shutters, and many other surfaces. He finds that his biggest fulfillment is in carrying out the work and not in possessing it. “I don’t use a precise technique. When I direct a movie I mainly try to recreate emotions in various ways, but there I have a film crew and actors to guide. In painting somehow it’s easier because I only have to direct my creativity using colors as a vehicle”.

Mixed Media on canvas 48" x 56"

Giuseppe Ferlito started to paint in 2010 in Los Angeles while he was writing the first draft of the script of the movie “88”. Between making one film and another, he has some breaks, and often these periods are frustrating because he is unable to give vent to his creativity. “I started to paint as a remedy to this kind of frustration, and to this day I believe that painting for me is therapeutic because it allows me to discharge all the emotions that I am feeling onto the painting, to face my fears and to confront myself and my insecurities”.
Ferlito paints on different surfaces: canvas, cardboard, plywood, and walls. Many of his works are nowadays untraceable as they were done on non-transportable surfaces such as walls in some of his friend’s houses, tables, shutters, and many other surfaces. He finds that his biggest fulfillment is in carrying out the work and not in possessing it. “I don’t use a precise technique. When I direct a movie I mainly try to recreate emotions in various ways, but there I have a film crew and actors to guide. In painting somehow it’s easier because I only have to direct my creativity using colors as a vehicle”.

Mixed Media on canvas 48" x 56"

Giuseppe Ferlito started to paint in 2010 in Los Angeles while he was writing the first draft of the script of the movie “88”. Between making one film and another, he has some breaks, and often these periods are frustrating because he is unable to give vent to his creativity. “I started to paint as a remedy to this kind of frustration, and to this day I believe that painting for me is therapeutic because it allows me to discharge all the emotions that I am feeling onto the painting, to face my fears and to confront myself and my insecurities”.
Ferlito paints on different surfaces: canvas, cardboard, plywood, and walls. Many of his works are nowadays untraceable as they were done on non-transportable surfaces such as walls in some of his friend’s houses, tables, shutters, and many other surfaces. He finds that his biggest fulfillment is in carrying out the work and not in possessing it. “I don’t use a precise technique. When I direct a movie I mainly try to recreate emotions in various ways, but there I have a film crew and actors to guide. In painting somehow it’s easier because I only have to direct my creativity using colors as a vehicle”.

Mixed Media on canvas 48" x 56"

Giuseppe Ferlito started to paint in 2010 in Los Angeles while he was writing the first draft of the script of the movie “88”. Between making one film and another, he has some breaks, and often these periods are frustrating because he is unable to give vent to his creativity. “I started to paint as a remedy to this kind of frustration, and to this day I believe that painting for me is therapeutic because it allows me to discharge all the emotions that I am feeling onto the painting, to face my fears and to confront myself and my insecurities”.
Ferlito paints on different surfaces: canvas, cardboard, plywood, and walls. Many of his works are nowadays untraceable as they were done on non-transportable surfaces such as walls in some of his friend’s houses, tables, shutters, and many other surfaces. He finds that his biggest fulfillment is in carrying out the work and not in possessing it. “I don’t use a precise technique. When I direct a movie I mainly try to recreate emotions in various ways, but there I have a film crew and actors to guide. In painting somehow it’s easier because I only have to direct my creativity using colors as a vehicle”.

Mixed Media on canvas 48" x 56"

The innovative artist Doug Powell creates the illusion of three-dimensional form through the use and arrangement of recycled or up-cycled computer keyboard keys. Each computer key cap has a unique, tangible history that bears the weathered patina of thousands of uses. “I want the viewer to ponder the infinite, profound combination of thoughts, ideas and inspirations that have surely passed through this intellectual porthole...all made possible with just the common computer key,” Powell said. From a distance, the three-dimensional mosaics look like a textured painting, but closer examination reveals an unexpected landscape of hidden words, phrases and quotes intimately related to the work. In effect, the viewer gets a little history lesson and further insight into the subject. Since pioneering the art form in 2010, Powell has had more than 25 mosaics installed in more then a dozen Ripley’s “Believe It Or Not!” museums worldwide. In 2017 and 2018, Powell was featured in the Spectrum Miami Art Show during Art Basel winning the Director’s Award both years as well as Spectrum Selects and Spotlight Awards. Doug has also been featured in the prestigious Palm Beach Art Exhibit at the Palm Beach Convention Center,

Two mixed media pieces that are made from recycled computer keys.

The innovative artist Doug Powell creates the illusion of three-dimensional form through the use and arrangement of recycled or up-cycled computer keyboard keys. Each computer key cap has a unique, tangible history that bears the weathered patina of thousands of uses. “I want the viewer to ponder the infinite, profound combination of thoughts, ideas and inspirations that have surely passed through this intellectual porthole...all made possible with just the common computer key,” Powell said. From a distance, the three-dimensional mosaics look like a textured painting, but closer examination reveals an unexpected landscape of hidden words, phrases and quotes intimately related to the work. In effect, the viewer gets a little history lesson and further insight into the subject. Since pioneering the art form in 2010, Powell has had more than 25 mosaics installed in more then a dozen Ripley’s “Believe It Or Not!” museums worldwide. In 2017 and 2018, Powell was featured in the Spectrum Miami Art Show during Art Basel winning the Director’s Award both years as well as Spectrum Selects and Spotlight Awards. Doug has also been featured in the prestigious Palm Beach Art Exhibit at the Palm Beach Convention Center,

Two mixed media pieces that are made from recycled computer keys.