The anatomical schemes that make up the various
portraits that Maquiamelo suggests to us consist of an
elongated physiognomic shape of the neck. It is the
artist's habit to work with frequencies and in this case,
according to my point of view, for the setting of the neck
he is partly inspired by the great portraiture of
Parmigianino's Mannerism and by the decomposed
portraiture so imprinted by Amedeo Modigliani.
It is also true that the main concept that drives our artist
to create these portraits is "isolation", that is, that
moment in which it was impossible to have contact.