Don Valetto makes sculptures, installations and mixed media artworks. By choosing mainly formal solutions, Valetto creates work in which a fascination with the clarity of content and an uncompromising attitude towards conceptual and minimal art can be found. The work is aloof and systematic and a cool and neutral imagery is used.

His sculptures are based on formal associations which open a unique poetic vein. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. With a subtle minimalistic approach, he investigates the dynamics of landscape, including the manipulation of its effects and the limits of spectacle based on our assumptions of what landscape means to us. Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination.

Nimrod began his creative life at a very young age sculpting in his father’s workshop. After travelling around the world for many years Nimrod finally settled in Marbella, Spain in 1999, setting up his own workshop and gallery. It was here where he began to develop his personal and direct method for sculpting. To date, his unique sculptures are greatly sought after by leading international galleries..
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His craft involves working artistically solely from wrought iron. One of a kind sculptures are created using over one thousand individual pieces of metal. Ancient forging techniques are employed, welding, power hammering, plasma torch etc… all enabling the creation of textures, effects and shapes, rendering his sculptures highly unique in style and appearance.

These working methods permit a complete transformation of brutal, base metal into something beautiful, gentle, light, curvaceous… even soft.

The evolution of Nimrod’s work is held by a landscape of forms, from organic natural shapes, to delicate or muscular animals and expressive faces.

Yet long lasting focus and passion is found in the creation of his hugely popular graceful, sensual, majestic, often ethereal female torsos.

Ian Edwards’ journey as a sculptor began when he left school aged 16 and began an apprenticeship.

"The day I walked into the woodcarving shop everything changed. I said to myself these are my people. I was home." He set up his own studio in his early 20s.

He sculpted wildlife and figurative sculptures. Over time, he realised that he wanted his work to convey a deeper meaning.

"I felt that it was my life’s purpose to create and sculpt evocative figures. My goal was to create works that were informed by meaning and insight."

Ian Edwards’ journey as a sculptor began when he left school aged 16 and began an apprenticeship.

"The day I walked into the woodcarving shop everything changed. I said to myself these are my people. I was home." He set up his own studio in his early 20s.

He sculpted wildlife and figurative sculptures. Over time, he realised that he wanted his work to convey a deeper meaning.

"I felt that it was my life’s purpose to create and sculpt evocative figures. My goal was to create works that were informed by meaning and insight."

Ian Edwards’ journey as a sculptor began when he left school aged 16 and began an apprenticeship.

"The day I walked into the woodcarving shop everything changed. I said to myself these are my people. I was home." He set up his own studio in his early 20s.

He sculpted wildlife and figurative sculptures. Over time, he realised that he wanted his work to convey a deeper meaning.

"I felt that it was my life’s purpose to create and sculpt evocative figures. My goal was to create works that were informed by meaning and insight."

Ruth Bloch was born in Israel in 1951 to artist parents. Her father was a musician, while her mother worked in ceramics, Ruth's family were members of a Kibbutz called Alonim, a place where childhood and early youth afforded her many opportunities to develop her artistic talents. Reaching adulthood, Ruth attended the Avny Art Institute in Tel Aviv, and took additional studies in psychology in the United States. Currently Ruth Bloch lives and sculpts in Israel. Her work exhibits a great depth of feeling for the human figure, revealing the living unity of her masculine and feminine forces. Her works are exhibited all over the world.

Possible to commission monumental sculptures.

Ruth Bloch was born in Israel in 1951 to artist parents. Her father was a musician, while her mother worked in ceramics, Ruth's family were members of a Kibbutz called Alonim, a place where childhood and early youth afforded her many opportunities to develop her artistic talents. Reaching adulthood, Ruth attended the Avny Art Institute in Tel Aviv, and took additional studies in psychology in the United States. Currently Ruth Bloch lives and sculpts in Israel. Her work exhibits a great depth of feeling for the human figure, revealing the living unity of her masculine and feminine forces. Her works are exhibited all over the world.

Possible to commission monumental sculptures.

Salvador Dali was born on 11 May 1904 and is a Catalan painter, sculptor, engraver, screenwriter and writer. He is considered one of the main representatives of surrealism. The Catalonia of his childhood will always have a privileged place in his work as in his life. From a very early age, he showed an attraction for figurative art and painting, already revealing his original and inspired personality. He took private drawing lessons.
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His parents had lost their first son, also named Salvador. The young Salvador was deeply disturbed when he saw his name on the grave. “All my eccentricities, all my inconsistencies are the tragic constant of my life. I want to prove that I am not the dead brother, but the living one”, he wrote. While Dadaism was at its height in Paris, Dalí was admitted to the San Fernando Institute, the Madrid School of Fine Arts.
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In Paris, Dalí met Breton, Eluard, Magritte and Ernst. He officially joined the Surrealist group. In the summer of 1929, the poet Paul Eluard and his wife Elena (Gala) visited the painter in his house in Cadaqués. It was love at first sight between Dalí and this woman. She was to be his “surrealist muse”, the inspiration for his life and his work.
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Dalí exhibited in Paris for the first time (11 paintings). During the Second World War, Dalí and Gala moved to the United States. They remained there until 1948. These years were very important for him. The Museum of Modern Art in New York offered Dalí his first retrospective exhibition in 1941.
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In 1974, Dalí inaugurated the Teatro Museo Dalí in Figueras, Spain. This event was followed by retrospectives in Paris and London until the end of the decade. After the death of his wife, Gala, in 1982, Dalí’s health began to decline. He died on 23 January 1989.

RizRizRizz is a renowned painter sculptor and ceramist, his artworks have been exhibited in several cities around Europe and Indonesia. He has also upcoming exhibitions around the USA.

The works on display consist of his sculptures paintings and ceramics, the figurative paintings you see on display reflect his own memories often evoking feelings of nostalgia.

Through depictions of female figures symbols animals vases, flowers and various objects in soft colors and rough and wild brush strokes Rizz’s work offers an intimate look inside his feelings and life experiences full of drama, trauma, tragedy and comedy all wrapped in one satirical work.

Rizz also exhibits sculptures that are adapted from the figures residing in the paintings.

These sculptures represent a 3D manifestation of many forms of his anxiousness and formal instincts as an artist-which became the baseline for his creative thought process that is inspired by tradition yet it revolted against their ideal forms.

RizRizRizz is a renowned painter sculptor and ceramist, his artworks have been exhibited in several cities around Europe and Indonesia. He has also upcoming exhibitions around the USA.

The works on display consist of his sculptures paintings and ceramics, the figurative paintings you see on display reflect his own memories often evoking feelings of nostalgia.

Through depictions of female figures symbols animals vases, flowers and various objects in soft colors and rough and wild brush strokes Rizz’s work offers an intimate look inside his feelings and life experiences full of drama, trauma, tragedy and comedy all wrapped in one satirical work.

Rizz also exhibits sculptures that are adapted from the figures residing in the paintings.

These sculptures represent a 3D manifestation of many forms of his anxiousness and formal instincts as an artist-which became the baseline for his creative thought process that is inspired by tradition yet it revolted against their ideal forms.

RizRizRizz is a renowned painter sculptor and ceramist, his artworks have been exhibited in several cities around Europe and Indonesia. He has also upcoming exhibitions around the USA.

The works on display consist of his sculptures paintings and ceramics, the figurative paintings you see on display reflect his own memories often evoking feelings of nostalgia.

Through depictions of female figures symbols animals vases, flowers and various objects in soft colors and rough and wild brush strokes Rizz’s work offers an intimate look inside his feelings and life experiences full of drama, trauma, tragedy and comedy all wrapped in one satirical work.

Rizz also exhibits sculptures that are adapted from the figures residing in the paintings.

These sculptures represent a 3D manifestation of many forms of his anxiousness and formal instincts as an artist-which became the baseline for his creative thought process that is inspired by tradition yet it revolted against their ideal forms.

James Edward Lomax is an English artist in his early 30’s. He studied art in Cornwall in the Southwest of England, where he specialised in sculpture. His prodigious talent was soon recognised, and he developed his own unique and exquisite approach to sculpting. He is currently based in Bali, Indonesia where he continues to experiment with different natural materials creating mystical sculptures for his many international collectors. He has exhibited at the Royal Horticultural Show in London for many years and is represented at The Englishman Fine Art in Naples, Florida.
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"My works range within a unique and heady mix of resilience and brilliance, otherworldliness and science.
My current project, Seismic Pressure, is a liminal state series of the serene feminine, cast with bronze and crystals.
Humanity struggles and nevertheless it endures. With hope, humour and magic we are kept afloat. We are formed and compressed like malleable clay by our internal and external landscapes and in our present world state it feels somewhat like we are in a collective apocalyptic epoch.
Yet my work, like each one of us, is essentially full of optimism and growth, a signal of confidence and light in a seemingly darkening world. Crystals as an allegory again convey this purpose of polarities, of natural material subdued to such intense crushing heat, and somehow, this seismic pressure over decades, an age, or many lifetimes, has managed to birth something so exquisite, precious and wild, exuding promise and mystery.”

James Edward Lomax is an English artist in his early 30’s. He studied art in Cornwall in the Southwest of England, where he specialised in sculpture. His prodigious talent was soon recognised, and he developed his own unique and exquisite approach to sculpting. He is currently based in Bali, Indonesia where he continues to experiment with different natural materials creating mystical sculptures for his many international collectors. He has exhibited at the Royal Horticultural Show in London for many years and is represented at The Englishman Fine Art in Naples, Florida.
​
"My works range within a unique and heady mix of resilience and brilliance, otherworldliness and science.
My current project, Seismic Pressure, is a liminal state series of the serene feminine, cast with bronze and crystals.
Humanity struggles and nevertheless it endures. With hope, humour and magic we are kept afloat. We are formed and compressed like malleable clay by our internal and external landscapes and in our present world state it feels somewhat like we are in a collective apocalyptic epoch.
Yet my work, like each one of us, is essentially full of optimism and growth, a signal of confidence and light in a seemingly darkening world. Crystals as an allegory again convey this purpose of polarities, of natural material subdued to such intense crushing heat, and somehow, this seismic pressure over decades, an age, or many lifetimes, has managed to birth something so exquisite, precious and wild, exuding promise and mystery.”

James Edward Lomax is an English artist in his early 30’s. He studied art in Cornwall in the Southwest of England, where he specialised in sculpture. His prodigious talent was soon recognised, and he developed his own unique and exquisite approach to sculpting. He is currently based in Bali, Indonesia where he continues to experiment with different natural materials creating mystical sculptures for his many international collectors. He has exhibited at the Royal Horticultural Show in London for many years and is represented at The Englishman Fine Art in Naples, Florida.
​
"My works range within a unique and heady mix of resilience and brilliance, otherworldliness and science.
My current project, Seismic Pressure, is a liminal state series of the serene feminine, cast with bronze and crystals.
Humanity struggles and nevertheless it endures. With hope, humour and magic we are kept afloat. We are formed and compressed like malleable clay by our internal and external landscapes and in our present world state it feels somewhat like we are in a collective apocalyptic epoch.
Yet my work, like each one of us, is essentially full of optimism and growth, a signal of confidence and light in a seemingly darkening world. Crystals as an allegory again convey this purpose of polarities, of natural material subdued to such intense crushing heat, and somehow, this seismic pressure over decades, an age, or many lifetimes, has managed to birth something so exquisite, precious and wild, exuding promise and mystery.”

Mathilde Lefort is a french visual artist based in Bali, Indonesia Holder of a Master’s Degree at EHESS Paris (France), Mathilde is specialized in war representations and human rights. In parallel with her theoretical studies, she developed an artistic practice around these questions. Using art video, installation and visual publications, she exhibited her work both in Paris and across Europe.

Going back to New Caledonia, she lived in total immersion in a tribe located in the north of the island from 2017 to 2019. There she co-direct EDEN TRIBAL, 52 min documentary produced by Box Fish Productions and sold to France Television. The movie tells the story of a Kanak woman fighting to be the chief of her tribe, within the context of the island’s referendum for independence. This period was spent in a deep loneliness. Rejected by the community while deeply in love, Mathilde wandered the darkness of her soul. She captured empty landscapes and wrote the ambulations of her mind to reflect on her loss of identity, the meaning of love, the woman’s place, racism and colonialism.

Now in Bali, she follows an unpredictable journey intertwining art, death, and magic. Stabbed to death in 2020, she pursues today her shamanic journey while crafting abstract paintings and sculptures rooted in mystical knowledge. Her art presents itself as a meditation tool for empowerment.

Mathilde Lefort is a french visual artist based in Bali, Indonesia Holder of a Master’s Degree at EHESS Paris (France), Mathilde is specialized in war representations and human rights. In parallel with her theoretical studies, she developed an artistic practice around these questions. Using art video, installation and visual publications, she exhibited her work both in Paris and across Europe.

Going back to New Caledonia, she lived in total immersion in a tribe located in the north of the island from 2017 to 2019. There she co-direct EDEN TRIBAL, 52 min documentary produced by Box Fish Productions and sold to France Television. The movie tells the story of a Kanak woman fighting to be the chief of her tribe, within the context of the island’s referendum for independence. This period was spent in a deep loneliness. Rejected by the community while deeply in love, Mathilde wandered the darkness of her soul. She captured empty landscapes and wrote the ambulations of her mind to reflect on her loss of identity, the meaning of love, the woman’s place, racism and colonialism.

Now in Bali, she follows an unpredictable journey intertwining art, death, and magic. Stabbed to death in 2020, she pursues today her shamanic journey while crafting abstract paintings and sculptures rooted in mystical knowledge. Her art presents itself as a meditation tool for empowerment.

Mathilde Lefort is a french visual artist based in Bali, Indonesia Holder of a Master’s Degree at EHESS Paris (France), Mathilde is specialized in war representations and human rights. In parallel with her theoretical studies, she developed an artistic practice around these questions. Using art video, installation and visual publications, she exhibited her work both in Paris and across Europe.

Going back to New Caledonia, she lived in total immersion in a tribe located in the north of the island from 2017 to 2019. There she co-direct EDEN TRIBAL, 52 min documentary produced by Box Fish Productions and sold to France Television. The movie tells the story of a Kanak woman fighting to be the chief of her tribe, within the context of the island’s referendum for independence. This period was spent in a deep loneliness. Rejected by the community while deeply in love, Mathilde wandered the darkness of her soul. She captured empty landscapes and wrote the ambulations of her mind to reflect on her loss of identity, the meaning of love, the woman’s place, racism and colonialism.

Now in Bali, she follows an unpredictable journey intertwining art, death, and magic. Stabbed to death in 2020, she pursues today her shamanic journey while crafting abstract paintings and sculptures rooted in mystical knowledge. Her art presents itself as a meditation tool for empowerment.

Mathilde Lefort is a french visual artist based in Bali, Indonesia Holder of a Master’s Degree at EHESS Paris (France), Mathilde is specialized in war representations and human rights. In parallel with her theoretical studies, she developed an artistic practice around these questions. Using art video, installation and visual publications, she exhibited her work both in Paris and across Europe.

Going back to New Caledonia, she lived in total immersion in a tribe located in the north of the island from 2017 to 2019. There she co-direct EDEN TRIBAL, 52 min documentary produced by Box Fish Productions and sold to France Television. The movie tells the story of a Kanak woman fighting to be the chief of her tribe, within the context of the island’s referendum for independence. This period was spent in a deep loneliness. Rejected by the community while deeply in love, Mathilde wandered the darkness of her soul. She captured empty landscapes and wrote the ambulations of her mind to reflect on her loss of identity, the meaning of love, the woman’s place, racism and colonialism.

Now in Bali, she follows an unpredictable journey intertwining art, death, and magic. Stabbed to death in 2020, she pursues today her shamanic journey while crafting abstract paintings and sculptures rooted in mystical knowledge. Her art presents itself as a meditation tool for empowerment.

Nimrod began his creative life at a very young age sculpting in his father’s workshop. After travelling around the world for many years Nimrod finally settled in Marbella, Spain in 1999, setting up his own workshop and gallery. It was here where he began to develop his personal and direct method for sculpting. To date, his unique sculptures are greatly sought after by leading international galleries..
​
His craft involves working artistically solely from wrought iron. One of a kind sculptures are created using over one thousand individual pieces of metal. Ancient forging techniques are employed, welding, power hammering, plasma torch etc… all enabling the creation of textures, effects and shapes, rendering his sculptures highly unique in style and appearance.

These working methods permit a complete transformation of brutal, base metal into something beautiful, gentle, light, curvaceous… even soft.

The evolution of Nimrod’s work is held by a landscape of forms, from organic natural shapes, to delicate or muscular animals and expressive faces.

Yet long lasting focus and passion is found in the creation of his hugely popular graceful, sensual, majestic, often ethereal female torsos.

Mathilde Lefort is a french visual artist based in Bali, Indonesia Holder of a Master’s Degree at EHESS Paris (France), Mathilde is specialized in war representations and human rights. In parallel with her theoretical studies, she developed an artistic practice around these questions. Using art video, installation and visual publications, she exhibited her work both in Paris and across Europe.

Going back to New Caledonia, she lived in total immersion in a tribe located in the north of the island from 2017 to 2019. There she co-direct EDEN TRIBAL, 52 min documentary produced by Box Fish Productions and sold to France Television. The movie tells the story of a Kanak woman fighting to be the chief of her tribe, within the context of the island’s referendum for independence. This period was spent in a deep loneliness. Rejected by the community while deeply in love, Mathilde wandered the darkness of her soul. She captured empty landscapes and wrote the ambulations of her mind to reflect on her loss of identity, the meaning of love, the woman’s place, racism and colonialism.

Now in Bali, she follows an unpredictable journey intertwining art, death, and magic. Stabbed to death in 2020, she pursues today her shamanic journey while crafting abstract paintings and sculptures rooted in mystical knowledge. Her art presents itself as a meditation tool for empowerment.