By Appointment


United Kingdom

Phone : +1 (212) 652 1665

Fax : +44 1225 482191

Mobile Ph. : +44 7979 695079


Brian Balfour-Oatts   (Director)

Alastair Brake   (Finance and Operations Director)


A private dealership based in London, specialising in International Post-War & Contemporary Art. Originally founded in 1991 by Scottish art dealer Brian Balfour-Oatts, a former Christie's specialist, ARCHEUS / POST-MODERN deals primarily from art fairs in the US and by appointment in London.

The gallery focuses particularly on American and European masters from the 1950s and 1960s, and related later works.

Matisse Pot 1 - Jonas Wood

Jonas Wood Matisse Pot 1
An artist's proof aside from the edition of 50, signed, dated and numbered lower right
Printer: Printed by Kevin Giffen and Daniel Wlazlak at Wranch Studios/Da-Ta Art Studio, Gardena, CA
Publisher: Published by WKS Editions, Los Angeles
Literature: Jonas Wood Prints, Gagosian, Rizzoli International Publications, New York 2018, pp.168-169 (col. illus.)

Self Portrait - Louise Bourgeois

Louise Bourgeois Self Portrait
Signed with the initials lower right, stitched in red thread and numbered on the reverse
From the numbered edition of 8 (there were also 5 in roman numerals)
State: Version 2 of 3, state VIII of VIII (Version 3 not published)
Publisher: Harlan & Weaver, New York
Printer: Harlan & Weaver, New York
Literature: Published in "Louise Bourgeois, The Complete Prints and Books", the online resource of the Museum of Modern Art Cat. No. 324.2/VIII (fabric)

Exhibiting Artists

Other Represented Artists

  • Lynn Chadwick  (+)

  • Marcel Duchamp

  • Jesús Rafael Soto  (+)

    Also represented by:

  • Pierre Soulages

    Biography : Pierre Soulages is the last, great, living painter to have been involved at the beginning of Art Informel, the post-war movement which encompassed Tachisme, Abstraction Lyrique, Gutai and CoBrA, that was the European concurrent of Abstract Expressionism and which favoured abandonment of any premeditated approach. Born in 1919, in Rodez, France, where a museum devoted to his work will open this year, Soulages became known as “the painter of black”. By 1946, having rejected formal art training before the war, Soulages established a studio in Paris and exhibited at the Salon des Indépendants in 1947, having his first solo exhibition at the Galerie Lydia Conti in 1949. The paucity of colour in his work set him apart from his contemporaries and established him quickly as an intellectual leader of the Jeune École de Paris, but his rejection of a total abandonment of formality soon set him at odds with the principles of the Informelistes and since the early 1950s, Soulages has defied classification. A looser style of brushwork increasingly defined his method throughout the 1950s, and a fascination with the surface reflection of, and contrasts within, pure tones of black began to steer his exploration as an artist. A visit to Japan in 1958 cemented his interest in painted large-scale calligraphy, and this influence is clearly visible for prolonged periods throughout the 1960s and 1970s. Soulages was regularly included in the influential Documenta exhibitions and his first major travelling retrospective took place in Hanover, Essen and The Hague during 1960 and 1961. Soulages’ fascination with black, the tone with which he had come almost exclusively to mark his canvases, became a practical obsession in 1979 with the creation of his first outrenoir (beyond black) paintings. With outrenoir, black became the starting point of a painting, the canvas itself, upon which he would perform dynamic actions with the brush or palette-knife. In this way, through scoring