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JANUARY 11-15 | 2018 VIP PREVIEW JAN 11

Laurent Marthaler Contemporary

About

Laurent Marthaler founded the gallery in 2013 in Montreux. He opened a permanent private showroom in Zurich in 2015.
Showing swiss and international artists, both young and established, the gallery focuses on artists that present strength in imagery construction, and who concentrate on esthetical, historical and philosophical involvements.

Aqua Serie - Daniel Orson Ybarra

Daniel Orson Ybarra Aqua Serie

Redencion -  Jose Gonzalez Bueno

Jose Gonzalez Bueno Redencion

It's a blessing and a curse - Elizabeth  Waggett

Elizabeth Waggett It's a blessing and a curse

The Kiss - Niclas Castello

Niclas Castello The Kiss

Lucky
 - Elizabeth  Waggett

Elizabeth Waggett Lucky

A serious contemplation of the Nature of Existence VII -  Charlotte Hopkins Hall

Charlotte Hopkins Hall A serious contemplation of the Nature of Existence VII

L'être et le néant - Daniel Cherbuin

Daniel Cherbuin L'être et le néant

untitled -  Być

Być untitled

Pop Corn -  Romina Ressia

Romina Ressia Pop Corn

Exhibiting Artists

  • Być  (+)

    Biography : Być means "to be" in Polish. His artistic influences range from Norman Rockwell, Toulouse Lautrec, Hokusai to Blek the Rat, J-M Basquiat or Warhol, and even the comics to name but a few. His drawings express his attraction for urban art and reflection around the human, the absurd, the meaning we give to our lives, our experiences and the emotions that these awaken. Anonymity has a specific function in his eyes: A work must be seen, estimated and felt beyond the sex, religion, skin color or social origin of the artist. His work is created on recovery media such as cardboard, palettes and industrial objects found or gleaned. The majority of his work is done with stencils / graffiti, body painting, markers and acrylic pens depending on what is at hand. He is not interested in technical performance. Only the visual counts! Być asks questions and does not answer them. It leaves to everyone the choice of reflection.

    Artist's Objects:

    •  Być     - untitled untitled

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  • Niclas Castello  (+)

    Biography : The American performance artist and curator Arleen Schloss, mentor to artists like Jean-Michel Basquiat or Keith Haring, was one of the first to recognize the talent of Niclas Castello. During his two-year stay at Arleen Schloss’s New Yorker loft, Niclas Castello immersed himself in neo-expressionistic compositions and developed his distinctive style so well-known to today’s art community. His work is honored in the world’s most important art institutions and recognized by renowned auction houses like Philips de Pury, London & New York. Niclas Castello was born 1978 and grew up in Germany. His early fascination and curiosity for the world of colors made him part of the street art movement in East Germany. His restless search for the new, led him to the famous Montmartre district in Paris, where he joined the street art scene around INVADER and found inspiration for his art of painting. Shortly after his return to Germany, he again set off to distant shores, to New York, where he developed his unique style and his unparalleled career began. Niclas Castello is writing art history by re-defining the relationship between painting and sculpture. With his Cube Paintings, he sets a new and genuine milestone in the antique paragon. For the very first time in human history, an artist destroys his own masterpieces to create out of them new artworks and at the same time transforms true paintings into veritable sculptures. The accumulation and corollary of ideas is absolutely unique. On one hand, the Cube Paintings by Niclas Castello are the reversion of the historic archetype of the box in the art, Kurt Schwitter’s famous Merzbau. On the other hand, the Cube Paintings contain the macrocosm of a whole world in the microcosm of a limited space, like medieval shrines for saint relicts, baroque cabinets of wonder, or the innovative artist boxes by Marcel Duchamp, Joseph Cornell, the New Realists, Fluxus, and Joseph Beuys. The simultaneous destruction and creation in the a

    Artist's Objects:

    • Niclas Castello - The Kiss The Kiss

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  • Daniel Cherbuin  (+)

    Biography : For umpteen years Daniel Cherbuin has been staging the intersection of alternative art spaces and underground parties with his video installations, that brought him to Art Galleries and Exhibitions. His oeuvres impress with highly innovative montages, idiosyncratic alliances of images, as well as an anarchic tenor: with irony, and pastiche Cherbuin is mocking the blasé in commerce and culture and smoothes the sublimes and ponderous of the art system away. Cherbuin has been converting music into clips and visuals in ingenious ways for numerous bands, namely Yello and Division Kent. Various collaborations with Thomas Haemmerli, for art and experimental films and even one cine-film. Originally Cherbuin learned audio-video electronics ab initio. At the beginnings of commercial television he was the creative force of Sputnik-TV, an innovative and experimental channel emerging from Zurich's underground techno scene.

    Artist's Objects:

    • Daniel Cherbuin - L'être et le néant L'être et le néant

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  • Thierry Feuz  (+)

    Biography : Thierry Feuz, born in Vienna and now based in Geneva, has created an ongoing series of paintings—“Supernatural,” “Psychotropical,” “Technicolor,” and now “Gulfstream”—over the past five years. While separated into distinct groups, the paintings in these series share a fundamental characteristic: each successive series appears to magnify the view of the preceding one, as though seen through a microscope. Feuz uses this scientific corollary to reexamine classic conceptions of nature, a force that is at once beautiful and picturesque yet is always already in decay; his combination of abstraction and figuration articulates this deteriorating materiality and permits his investigation into permutations of instability—of perspective, physicality, and organicism. Feuz’s most magnified works appear in his “Technicolor” series. Here, some sixty or seventy vertical bands of color streak horizontally across the canvas and wrap around the sides and as the colors envelope the edges and disappear around the back, the painting is no longer a flat representation but a three- dimensional object in itself.

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  • Jose Gonzalez Bueno  (+)

    Biography : Jose Gonzalez Bueno was born in 1957 in Malaga. He went to the local art academy where he learned the fundamentals or drawing and painting, applying special emphasis to colour theory and composition. He then became fascinated with the medium of water colour as he realised that not only did it suit his extraordinary skill as a draftsman but also the tonal variations were infinite. It was not long before he had exhausted all the academy could teach him and so he began to study the technique of British 19 century masters and also the Viennese water colour painting of the same period. In 1994 Jose was commissioned to paint several pictures of the Spanish Foreign Legion one of which was presented to the king of Spain, H.M. Don Juan Carlos 1. Since 1988 he has had over 25 solo shows in Madrid, Barcelona, Marbella, Almeria, Granada, Seville and Malaga. In 2010 Jose held an exhibition at Arthur Ackermann’s Gallery in London’s Belgravia. The show was a great success with five paintings being bought by the Royal house of Jordan and they are now hanging in the Palace in Amman. In In 2014, he had an exhibition in Malaga during Samana Santa and five of his larger paintings were bought by Antonio Banderas. The following year he was given the honour of being commissioned to design the poster for Malaga’s Samana Santa. He still lives and works in Malaga, Spain.

    Artist's Objects:

    •  Jose Gonzalez Bueno - Redencion Redencion

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  • Charlotte Hopkins Hall  (+)

    Biography : Hopkins Hall has had solo and group exhibitions at the Palazzo Strozzi, Florence, Laurent Marthaler Contemporary Art, Montreux, Mall Galleries, London, Galerie Biesenbach, Cologne, including the Start Fair at the Saatchi Gallery, London, and fairs in Basel, Miami, Paris, New York, Cologne and Zurich. She was selected for the John Moores Painting Prize, The Columbia Threadneedle Prize and Swiss Art Awards and was invited to speak about her work at the New Museum in New York. Her work is in a variety of private collections. Corporate collections include BNP Paribas and Julius Bär among others.

    Artist's Objects:

    •  Charlotte Hopkins Hall - A serious contemplation of the Nature of Existence VII A serious contemplation of the Nature of Existence VII

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  • Romina Ressia  (+)

    Biography : Romina Ressia is a multiawarded artist from Argentina titled "Photographer of the year" by the International Color Awards 2017. Her passion about art started at young age but it was not until her late twenties, after graduating in Economics, that she decided to dedicate her life to Photography. She studied Photography, Fashion Photography, Art Direction and Scenery in different places including the prestigious Institute of the Teatro Colon. Her works are represented by Galleries in the UK, Switzerland & Belgium, and they have been exhibited in major cities such as New York, Milan, London, Paris, Brussels, Zurich & Buenos Aires, among many others. And it has been featured by medios like The Telegraph, The Guardian, Time, The British Journal of Photography, The Huffington Post, Vogue Italia, Vanity Fair, Newsweek Japan, Interview Magazine, El Pais Spain, Die Zeit Germany, among many others. Owner of a pictorial style, she is well known for her anachronisms and the use of juxtaposition, irony and absurd to approach modern issues. Last year she was selected by the Women’s Forum for the Economy and Society (one of the five most influential forums worldwide according to the Financial Times) as one of the 17 young woman who are on their way to become influential figures of the world.

    Artist's Objects:

    •  Romina Ressia - Pop Corn Pop Corn

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  • Elizabeth Waggett  (+)

    Biography : Eminently modern and free spirited Elizabeth's artwork focuses on the confusion of today's modern society. She challenges the viewer to confront the relationship between humanity’s preconceived notions of value and worth, in our consumable world. The Gold Standard, which has been used for centuries, is a perfect representation of humanity’s obsession with vain and valueless beauty. Using time honored skills in a contemporary way, Elizabeth brings a modern twist to traditional forms through her work. Her social commentary, seeks to illuminate the arbitrary value we place on useless and culturally devoid items, while simultaneously devaluing those things with innate value. She pokes fun at mans obsessive quest to to obtain more and more while we are living, ignoring the purpose of our lives. From this Elizabeth questions the arbitrary prioritization of Earth’s most precious assets, questioning the relationships, behaviors and patterns of humanity. Many of us remain divorced of direct responsibility for the destruction of our planet’s invaluable resources, often taking the word of the media, politicians, religious leaders and CEOs at face value. Using the subject of animal, human skulls and personal artifacts, Elizabeth exposes the responsibility of the individual in owning the effects of their decisions. Adorning each piece with gold leaf and precious metal, the dichotomy of the monochromatic pallet against the gold is a visual representation of the struggle of the inner self to balance greed and purpose. She draws inspiration from her international background with her work being dominated by the discordant relationship between true value and worth. Having lived all over the world in some of the most diverse and contrasting cities, she is fascinated by the stark comparison of perceived success, and draws on this international experience to narrate her work. The monochromatic pallet simplifies the form allowing a deeper exploration of the

    Artist's Objects:

    • Elizabeth  Waggett - It's a blessing and a curse It's a blessing and a curse
    • Elizabeth  Waggett - Lucky
Lucky

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  • Daniel Orson Ybarra  (+)

    Biography : Daniel Orson Ybarra was born 1957 in Montevideo, Uruguay. He lives and works between Geneva and Barcelona. Uruguayan-Swiss contemporary artist known for colourful paintings and ability to master the light and transparency in his works. Works are based on the observation of nature and on the juxtaposition of images (paintings, drawings, collages, assemblages, installations and photographs). He shares time between his studios in Geneva, Spain and South America. Works are displayed in museums, public and private collections worldwide. Co-Founder, Abanico Foundation, an organization focused on creativity and creation of multidisciplinary and intercultural exchange projects since 1991.

    Artist's Objects:

    • Daniel Orson Ybarra - Aqua Serie Aqua Serie

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Other Represented Artists

  • Crystel Ceresa

    Biography : Crystel Ceresa was born 1977 in Geneva. She lives and works in Geneva. Crystel Ceresa paints large-scale works, spraying the paint at the canvas to create decorative, collage-like compositions. While her subjects are bright and flowery in appearance, a closer look reveals their deep connection to art history and its recurrent themes: the baroque vanitas, the white-powdered portraits of Rococo, and the idealized female figures of Pre-Rafaelites. Ceresa’s works have an aura of intimacy and often suggest fragile remembrances that can pale, fade, and disappear at any time. Ceresa graduated from l’Ecole des Arts Décoratifs and l’Ecole Supérieure des Beaux-Arts in Geneva. Her work is represented in many public and private collections in Europe such as the Academisch Medisch Centrum, Amsterdam; Bank Julius Bär, Basel; Crédit Suisse, Zurich; Zurich Versicherungen, Basel; HSBC, Zurich; Collection Yves Racloz, Geneva; and Collection Nicolas Torroni, Geneva.